Public art org working with artists on the dialogues, debates & dreams of our times. Est. 1974, NYC.
New York, New York
Joined June 2010
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Announcing Moving Chains: Toward Abolition, May 20, 2023 @Gov_Island
Join Creative Time and Governors Island Arts for a day including a walking tour, presentations, panel discussions, and art making workshops for all ages
Schedule & Register eventbrite.com/e/62378897862…
"Humor makes people aware and uncomfortable" - #PattyChang
Performed with carpet blowers, house paint, and two boom boxes, veteran performance artist Patty Chang brought her 'Fan Dance' to Times Square as part of Creative Time's collaboration with @MTV, entitled 44 1/2 in 2004.
NYC, it's time for some Spring cleaning! 🧼 🌷
Mierle Laderman Ukeles’ Touch Sanitation performances were a series of actions that unfolded starting in the late 1970s surrounding sanitation workers in NYC, an often overlooked workforce.
ALT Ukeles speaks to a sanitation worker in front of a sanitation truck. The truck is white and covered in graffiti
It's ok. You're not alone.
(In)Visible Women was Marina Alvarez and Ellen Spiro's 26-minute film, broadcast on TV for World AIDS Day and Day Without Art in 1991, focused on the heroic and positive response of Black and Latina women to the AIDS crisis. #WomensHistoryMonth
"It's a reorientation away from competition and towards coalition" — Creative Time Curator Diya Vij (@diyavij) on building sustainable futures for creative work on “Common Work: Learnings for the Future from Common Field” (@common_field)! Listen:
soundcloud.com/loharprojects…
"'No Justice, No Peace.' That's what the young people are feeling out on the street—they feel like they are fighting the same fights that their parents and grandparents are fighting... " — @shepreebright at the 2016 CT Summit.
Listen below:
creativetime.org/summit/2016…
ALT Julie Tolentino and Lola Flash touch bottom lips in an almost-kiss. This panel is one-third of the full Gran Fury advertisement, "KISSING DOESN'T KILL: GREED AND INDIFFERENCE DO," 1989.
“Malcolm could see America without the burden of the underlying assumption that it is a force for good, and he could critique America as someone with no allegiance to it.” — Dread Scott (@dreadscottart) on Malcolm X
#BlackHistoryMonth #DredScott #MalcolmX
ALT Dread Scott burning a U.S. flag on the steps of the US Capitol, 1989. He is held on each side by police officers.
Creative Time alum @jillmagid is launching her first NFT-backed collection with @artw__rld, and we are so thankful to be benefitting from a portion of the sales. Sign up to Artwrld’s allowlist at the 🔗 below.
premint.xyz/out-game-flowers…
