demon

i made this ricksclips style animation completely from scratch using opus 5.5 the style is going extremely viral rn on the internet and people are paying money just to be able to make them well today is ur lucky day cause am giving away the full prompt to guys for free all u need is voiceover and claude to be able to make this, $0 spent on images or videos -> here's the prompt { "task": "Make a vertical animated cartoon short of MY story, built in code: three.js r160 world + canvas-drawn 2D character cards, rendered frame by frame in headless Chromium (Playwright, swiftshader), encoded with ffmpeg. 1080x1920, 30fps, exactly as long as my voiceover. Work start to finish; only ask if script and audio don't match.", "my_inputs": { "story": "[your idea, true event, legend or full script]", "script": "[optional exact script]", "voiceover": "[optional: attach mp3/wav]", "length_seconds": 30, "voice_speed": 1.0, "captions": false, "notes": "[optional: era, setting, characters, jokes]" }, "stages": [ "A. No script: write one at ~3.7 words/s (30s~110 words): 1) hook = absurd fact, no setup 2) setting in 1-2 lines with a concrete detail 3) 2-4 escalating beats, others doubt/mock, one exaggeration joke 4) pivot 'But...'/'You see,' revealing the real mechanism with an everyday analogy 5) short ironic twist = last words. Spoken English, contractions, numbers as words, never describe what's on screen. If presented as true, web-check facts and say history/disputed/legend.", "B. No voiceover: give script in a copyable block + word count + est. length, a short shot plan, recording tips (one warm narrator; ElevenLabs speed 1.05-1.1, stability 45-55%; pauses at sentence ends; no music). Stop and ask for the upload.", "C. With voiceover: build everything below without stopping. Task list for progress; send a stills contact sheet before the long render." ], "setup": [ "mkdir -p web/lib work stills frames out", "npm pack [email protected] -> copy package/build/three.module.js to web/lib (fallback: sparse git clone of mrdoob/three.js branch r160, folder build)", "Playwright + Chromium (npm i -g playwright && npx playwright install chromium); launch args --use-angle=swiftshader --enable-unsafe-swiftshader --ignore-gpu-blocklist", "python3 numpy Pillow, ffmpeg (with rubberband)", "Serve web/ with a tiny Node http server; render.mjs loads index.html, waits for window.ready, calls window.renderFrame(f), saves canvas.toDataURL('image/jpeg',.95) to frames/f0000.jpg. Support RESUME=1 (skip existing) and a frame list 'a-b' or '1,5,9'." ], "timing": "If voice_speed!=1: ffmpeg -af rubberband=tempo=<speed> (pitch kept). Claude can't hear audio: align my script to speech using ffmpeg silencedetect (-35dB, 0.12s): split script into phrases at punctuation, DP-match phrases to speech segments by syllable count vs duration, penalise sentence ends inside a segment. Spread words by syllables. Write work/phrases.json; check pauses fall at sentence ends. Frames = round(duration*30). Every reaction lands 0-3 frames before its word; the final payoff lands on the final word.", "architecture": { "files": "web/index.html (canvas#c 1080x1920 + module main.js), main.js (renderer, materials, world, cards, sprites, passes), story.js (SHOTS, LIGHTS, lightFor, camAt, dofAt, worldAt, actorsAt, fxAt: all pure functions of frame f), motion.js, paint.js (canvas textures), toon.js (character + creature drawing), audio.py, mix.py, finish.sh, sheet.py (contact sheets).", "renderer": "WebGLRenderer antialias:false, preserveDrawingBuffer, PCFSoft shadows 2048, sun = DirectionalLight from az/el per light preset, shadow camera centred on each shot's action (ext 8-60m), HemisphereLight, Fog(colour = sky horizon). Camera Perspective, near .08 far 1500.", "materials": "MeshToonMaterial with a 2-texel gradientMap [90,255] Nearest = hard 2-step toon shading. Textures are CanvasTextures painted in code: flat base + soft blotches + dark seams/strokes, repeat-wrapped, colorSpace sRGB. Boxes use world-scaled UVs (constant texel density).", "passes": [ "1 colour: render scene to HalfFloat RT (samples 4).", "2 normal+depth: swap every mesh material to a ShaderMaterial writing vec4(normal*.5+.5, viewDepth) (handle USE_INSTANCING: pos=instanceMatrix*pos). Cards/sprites write rgb 0 + depth with alpha-test (so they block but are never outlined). Hide sky, clouds, blob shadows. Fog and shadows off for this pass.", "3 ink+grade fullscreen: 16 taps on a ring of radius 2.5px*clamp(7/depth,.62,1.25); edge = smoothstep(.006,.02,(dS-d)/d) on the NEAR side of depth jumps only; crease = smoothstep(.88,.72,dot(n,nS))*.9 when depths are within 6%; skip card samples; sky counts as depth 1e4; fade ink 140-520m. colour = mix(c, #030203, e); saturation 1.08-1.15; gain/lift tint; vignette .2-.34; white flash uniform.", "4 lens: per-pixel CoC = cinf*(1-focus/d) (near side capped 1.4x); 48-tap golden-angle disc, each tap weighted by its own CoC so sharp foreground never bleeds; skip when cinf<.5. Output linearToOutputTexel." ], "sky": "inverted sphere following camera: mix(horizon, top, pow(y,.55)) + optional sun disc. Painted cloud billboards far away (650-900m), fog off, facing camera." }, "characters": { "card": "Each character is a 1200x2000 CanvasTexture on a 1.35x2.25m plane with origin at the soles (design space 600x1000, soles at y=975, 1 design unit = 2.25mm). MeshBasicMaterial alphaTest .02, DoubleSide; shadow via customDepthMaterial with the same map (alphaTest .5); soft dark radial blob under the feet. Billboard on yaw only: rotY = atan2(cam.x-x, cam.z-z). Redraw a card only when its key (JSON of q()-rounded pose values) changes.", "proportions": "Bean body: head blob ~236 wide, legs 1.38xHH, torso 1.08xHH (stout 1.12), eyes ~1.47m high. Head = superellipse blob with slight egg + per-seed asymmetry. Torso = egg blob with a tunic skirt below. Legs/arms = thin curved strokes (5.8u/5.2u, u=headWidth/100) in a darker shade of the outfit; round dot hands; small boots.", "ink": "Outline colour #241726 (plum), width 5u, thicker on the side away from the light (light from upper-left, -120deg). Fills: base colour with a soft shadow gradient toward lower-right. Skin default #ffe2c2, also #f5c9a0 #ecd0b6 #c99067.", "faces": "Eyes 13u apart either side of centre. Kinds: dot, lid (half-closed), happy (arc), squeeze, shock (big white + small pupil + raised arc brows), slit, dash. Mouths: dash, frown, smirk, smile, grin (open with teeth line), laugh, o, O, wave (nervous), teeth. Brows are short tapered strokes; angle sets mood. Expressions: neutral, stern, grin, laugh, nervous (+sweat drop), shock, smile, pained, squint, smug/side-eye (half lids, pupils to one side). Blinks every 1.3-2.3s for 4 frames.", "outfits": "Built from parts: tunic colour, belt, buttons, pockets, sash, hat (slouch hat, cap, top hat, bonnet, helmet, crown, hair), beard/moustache, apron, dress, props in hands. Design new outfits for each story in the same flat style.", "arm_poses": "hang, point (+finger), up, wave, hip, belly, cheek (both = shock), salute (flat hand at brim, drawn over the head), thumb (thumbs-up), shrug, reach, lift, cross, prop-holding (pen, stamp, wrench, spear, sign). Whole upper body tilts about the hip; head tilts separately.", "creatures": "Animals are side-view canvas sprites (600x800 design, feet at y=780) on shared textures cached by pose key, so flocks of 50+ cost little: shaggy shaded body blob with fringe strokes, thick inked limbs, small head, big googly white eye with pupil that can look/side-eye, simple beak/snout. Legs via 2-bone IK with joint bent backward; run cycle 16 phases (foot x = hip + stride*cos, lift = max(0,sin)); poses: stand, run, peck/graze, smug. Flip the sprite when travel direction dot camera-right < 0." }, "world": { "build": "Primitives only: boxes, cylinders, cones, squashed spheres, extrusions; group set-pieces with pivots driven by 0..1 progress from worldAt(f) with eased, staggered parts. Instanced meshes for crops/grass/rocks; clear a patch where the action happens.", "background": "low half-buried hill spheres, distant mesas or mountains (cone + snow cap), trees (trunk cylinder + 4-6 squashed sphere canopies), far houses, fog to the horizon colour.", "secondary_motion": "windmills turn, flags/cloth wave (vertex sine), smoke/dust/leaves/Zzz/stars as cached 2D fx sprites, water shader scroll, wheels roll with distance/radius, vehicles bounce.", "text": "Diegetic text (signs, crates, letters, stamps) painted on canvas with real fonts; place on +z faces or planes so it never reads mirrored. Swap textures to animate (e.g. stamp appears on impact)." }, "lights": { "day": "sun az64 el50 #fff3df 2.45, hemi sky #d2e2f6 ground #a8905e 1.1, sky top #2d74d4 horizon #cfe3f5, fog 120-1300, sat 1.12, vig .2", "golden": "sun az30 el11 #ffb46a 2.9, hemi #a99bcc/#7a5040 .98, sky #6474c0 -> #ffc485 + sun disc, gain #fff0e0, sat 1.15, vig .26, tint cards #ffe2c4", "dusk": "sun el5 #ff9a72 .9, hemi #5d6cab/#3a3048 .8, sky #18234f -> #d18a7c, gain #e2e8ff, lift #04050b, vig .34, a warm point-light lamp, tint cards #c9cff2", "use": "day = normal story, golden = decline or time passing, dusk-blue = explanation or ending. Time jump = 6-frame white flash." }, "motion": { "helpers": "smooth(t)=t^3(t(6t-15)+10); easeOut=1-(1-t)^3; back(t)=overshoot s=1.7; spring settle; Catmull-Rom spline through via-points; idle(f,seed)={bob .006 sin(.11f), tilt 1.2deg sin(.05f), headTilt 1.5deg sin(.037f)}; blinkAt(f,seed); q(x)=round for card keys.", "camera": "Keys {f,pos,look,fov,roll,ease,path} inside cut-free segments; glides 18-45 frames; easeOut for whips/reveals; every hold creeps (fov *= 1-.00012*(f-f0)); 3-5deg roll on drama; impact kick = 7-frame alternating look offset + roll that decays. Vehicles: track alongside, match speed, slight judder.", "continuity": "prefer one continuous move: MCU pull-back into a wide, crane up and over a fence into the establishing shot, lateral truck along a lineup, crane down into an insert, rack focus to the background gag. Hard cut only on place/time jumps.", "acting": "anticipation -> back overshoot -> spring settle; pop-ins scale 0->1 with back easing + dust puff; stamp = 2-frame dip + puff + kick; laughs = alternating tilt + bob; head bobs on stressed words; nothing static for 4+ frames.", "walks_runs": "feet planted, bob 3-7%; run phase = speed/stride; fast movers must stay in frame until their beat is done." }, "shot_grammar": { "plan_first": "work/PLAN.md: one row per shot (frames, words, setting, light, camera, cast/poses/expressions, fx, sfx). Usually one shot per phrase; merge tiny ones. Illustrate every sentence literally; props carry the jokes.", "order": "frame 0 = hook MCU of the hero mid-action -> pull-back reveal on the punch of sentence 1 -> wide establishing crane -> lineup/two-shot with pop-ins on each listed item -> reaction close-up (a creature or extra slides in with a side-eye on the question line) -> action wide (chase, scatter, collapse) -> time-jump flash -> insert on the key object -> twist: music stops, low sting, push-in with roll, payoff on the last word.", "framing": "Bean cards 2.25m tall: MCU = camera ~3.5m away at fov 32-34 looking at 1.35m; wides fov 40-52. Vertical frame half-width = d*tan(hfov/2), hfov = 2*atan(tan(vfov/2)*.5625): at 4m and fov 40 only +/-0.8m, so stage people in depth.", "lens": "DOF on close-ups/mediums (cInf 7-14, focus on the eyes), wides sharp, racks ~14 frames." }, "audio": { "stems": "audio.py writes only music.wav + sfx.wav (48k mono, numpy synth). Music: short loop in the story's mood (march: kick/snare, plucked bass, brass pad, little fanfare; or plucky comedy; or eerie pad); stops on the twist line, then a low drone. SFX in frames/30: whoosh (low-passed noise with sine^2 envelope) on big moves, thunk (pitched sine drop + noise) on pops/stamps, rustle/leaves, feet patter, engine (pulse train low-passed), scrape, ting (2-4 kHz bells), sting (41 Hz + noise hit + brass stab) on the twist.", "mix": "mix.py: gated RMS of the voice (0.4s blocks above -40dB of max); scale music so its gated RMS = 0.5x voice (-6 dB); SFX = min(0.5x voice RMS, peaks 0.7x voice peak); sum; one linear gain only. No ducking, no compression. Print the measured levels and confirm.", "finish": "measure integrated loudness (ffmpeg ebur128), apply one volume gain to -14 LUFS + alimiter -1 dBFS; encode: ffmpeg -framerate 30 -i frames/f%04d.jpg -i mix.wav -c:v libx264 -preset slow -crf 17 -pix_fmt yuv420p -c:a aac -b:a 192k -shortest -movflags +faststart. QA: freezedetect (n=.0005, d=.4) and blackdetect must find nothing; make a 2fps tiled QA sheet and look at it." }, "look_check": "Before the full render, render stills at every shot's middle plus key actions, tile them into a contact sheet, look at it and fix: cropped heads/hats, characters hidden by props or crops, camera inside objects, fast movers already out of frame, mirrored text, missing ink, empty frames. Send me the sheet, then render all frames in the background (about 3-6 s/frame on CPU), lock picture before sound.", "code_core": { "ink_shader_glsl": "uniform sampler2D col, nd; uniform vec2 res; uniform float px, sat, vig, flash; uniform vec3 fogCol, lift, gain; varying vec2 vUv;\nfloat edgeAt(vec2 uv, float r){\nvec4 c = texture2D(nd, uv); if (dot(c.rgb,c.rgb) < .01) return 0.; float d = c.a; vec3 n = c.rgb*2.-1.;\nfloat e = 0.; float rr = r * clamp(7./d, .62, 1.25);\nfor (int i=0;i<16;i++){ float a = float(i)*.785398 + (i>7 ? .39 : 0.); float k = i>7 ? .5 : 1.;\nvec2 o = vec2(cos(a), sin(a))*rr*k/res; vec4 s = texture2D(nd, uv+o);\nfloat ds = s.a; bool card = dot(s.rgb,s.rgb) < .01;\nif (card && ds > 0.) continue; // character cards: never outlined by the world ink\nif (card) ds = 1e4; // sky\nvec3 ns = s.rgb*2.-1.;\ne = max(e, smoothstep(.006, .02, (ds - d)/d)); // depth jump, near side only\nif (!card && abs(ds-d)/d < .06) e = max(e, smoothstep(.88, .72, dot(n, ns)) * .9); // crease\n}\nreturn e * (1. - smoothstep(140., 520., d)*.8);\n}\nvoid main(){\nvec3 c = texture2D(col, vUv).rgb;\nfloat e = edgeAt(vUv, px);\nc = mix(c, vec3(.012,.01,.014), e);\nif (flash < -0.5) c = vec3(e);\nfloat l = dot(c, vec3(.299,.587,.114)); c = mix(vec3(l), c, sat);\nc = c*gain + lift;\nvec2 q = vUv-.5; c *= 1. - vig*dot(q*vec2(1.,.75), q*vec2(1.,.75))*2.2;\nc = mix(c, vec3(1.), flash);\ngl_FragColor = vec4(c,1.); }", "dof_shader_glsl": "uniform sampler2D src, nd; uniform vec2 res; uniform float focus, cinf, near; varying vec2 vUv;\nfloat coc(vec2 uv){ float d = texture2D(nd, uv).a; if (d <= 0.) d = 2000.; float k = 1. - focus/d; return k > 0. ? cinf*k : min(-k*cinf*near, cinf*1.4); }\nvoid main(){\nfloat c0 = coc(vUv);\nif (cinf < .5 || c0 < .6) { gl_FragColor = linearToOutputTexel(vec4(texture2D(src, vUv).rgb, 1.)); return; }\nvec3 acc = vec3(0.); float wsum = 0.;\nfor (int i=0;i<48;i++){ float fi = float(i); float r = sqrt((fi+.5)/48.); float a = fi*2.39996;\nvec2 o = vec2(cos(a), sin(a))*r*c0/res; float cs = coc(vUv+o);\nfloat w = smoothstep(r*c0-1.5, r*c0+.5, cs + .5);\nacc += texture2D(src, vUv+o).rgb*w; wsum += w; }\ngl_FragColor = linearToOutputTexel(vec4(acc/max(wsum,1e-3), 1.)); }", "motion_js": "export const clamp = (x, a = 0, b = 1) => Math.max(a, Math.min(b, x));\nexport const lerp = (a, b, t) => a + (b - a) * t;\nexport const lerp3 = (a, b, t) => a.map((v, i) => lerp(v, b[i], t));\nexport const ramp = (f, a, b) => clamp((f - a) / (b - a));\nexport const M = {\nsmooth: (t) => { t = clamp(t); return t * t * t * (t * (t * 6 - 15) + 10); }, \neaseOut: (t) => 1 - Math.pow(1 - clamp(t), 3), \neaseIn: (t) => Math.pow(clamp(t), 3),\nback: (t, s = 1.7) => { t = clamp(t) - 1; return t * t * ((s + 1) * t + s) + 1; }, \nanticip: (t, s = 0.12) => { t = clamp(t); return t < 0.25 ? -s * Math.sin(t / 0.25 * Math.PI) : M.back((t - 0.25) / 0.75); }, \nspring: (t, freq = 3, damp = 5) => { t = Math.max(0, t); return 1 - Math.exp(-damp * t) * Math.cos(freq * 2 * Math.PI * t); }, \n};\nexport const spline = (pts, u) => {\nconst n = pts.length - 1, x = clamp(u) * n, i = Math.min(n - 1, Math.floor(x)), t = x - i;\nconst p0 = pts[Math.max(0, i - 1)], p1 = pts[i], p2 = pts[i + 1], p3 = pts[Math.min(n, i + 2)];\nreturn p1.map((_, k) => 0.5 * ((2 * p1[k]) + (-p0[k] + p2[k]) * t + (2 * p0[k] - 5 * p1[k] + 4 * p2[k] - p3[k]) * t * t + (-p0[k] + 3 * p1[k] - 3 * p2[k] + p3[k]) * t * t * t));\n};\nexport const camFromKeys = (K, f, { creep = 0.0012, kicks = [] } = {}) => {\nlet c;\nif (f <= K[0].f) c = { ...K[0] };\nelse if (f >= K[K.length - 1].f) c = { ...K[K.length - 1] };\nelse {\nconst i = K.findIndex((k, j) => f >= k.f && f <= K[j + 1].f), a = K[i], b = K[i + 1];\nconst ease = M[b.ease || 'smooth'], t = ease((f - a.f) / (b.f - a.f));\nif (b.path) { \nconst pts = [a.pos, ...b.path, b.pos]; c = { pos: spline(pts, t), look: lerp3(a.look, b.look, t), fov: lerp(a.fov, b.fov, t), roll: lerp(a.roll || 0, b.roll || 0, t) };\n} else c = { pos: lerp3(a.pos, b.pos, t), look: lerp3(a.look, b.look, t), fov: lerp(a.fov, b.fov, t), roll: lerp(a.roll || 0, b.roll || 0, t) };\n}\nc.fov *= 1 - creep * Math.max(0, f - K[0].f) * 0.15; \nfor (const k of kicks) { const d = f - k.f; if (d >= 0 && d < 7) { const s = (d % 2 ? -1 : 1) * k.a * (1 - d / 7); c.look = [c.look[0], c.look[1] + s * 3, c.look[2] + s * 2]; c.roll = (c.roll || 0) + s * 20; } }\nreturn c;\n};\nexport const idle = (f, seed = 1) => ({\nbob: 0.006 * Math.sin((f + seed * 11) * 0.11),\ntilt: 1.2 * Math.sin((f + seed * 7) * 0.05),\nheadTilt: 1.5 * Math.sin((f + seed * 5) * 0.037 + 1),\n});\nexport const blinkAt = (f, seed) => { const per = 38 + (seed * 17) % 31, ph = (f + seed * 13) % per; return ph < 2 ? 0.5 : ph < 4 ? 1 : 0; };\nexport const walk = (f, f0, speed = 1.1, stride = 0.8) => { const t = Math.max(0, f - f0) / 30; return { dist: t * speed, phase: (t * speed / (2 * stride)) % 1 }; };\nexport const q = (x, n = 2) => Math.round(x * 10 ** n) / 10 ** n;", "note": "Use the shaders and motion helpers verbatim. creature_template_js is the reference creature (uses Pen helpers: line, poly, ell, dot, stroke, shadedFill, inkRing, clip, curve, ellPts, mul, rad, thickAngle, INK): write a small Pen class with these, then design THIS story's creatures in the same way. Write everything else from the spec.", "creature_template_js": "const EMU = { body: \"#4d3b2c\", bodyDk: \"#2f241b\", streak: \"#7a6048\", neck: \"#7f90ad\", neckDk: \"#56627c\", head: \"#3a2f28\", beak: \"#cdb68e\", leg: \"#8c8780\", legDk: \"#5e5a55\" };\nconst ik2 = (h, f, L1, L2, back = -1) => { \nconst dx = f[0] - h[0], dy = f[1] - h[1], d = Math.min(L1 + L2 - 1, Math.hypot(dx, dy));\nconst a = Math.atan2(dy, dx), c = Math.acos(Math.max(-1, Math.min(1, (L1 * L1 + d * d - L2 * L2) / (2 * L1 * d))));\nconst s = back < 0 ? 1 : -1; \nreturn [h[0] + Math.cos(a + s * c) * L1, h[1] + Math.sin(a + s * c) * L1];\n};\nexport const emuSide = (p, opts = {}) => {\nconst { phase = 0, run = 0, peck = 0, blink = 0, expr = \"calm\", look = 0.3, seed = 1, tilt = 0, ruffle = 0 } = opts;\nconst g = p.g, two = Math.PI * 2, ow = 6;\nconst bob = run * 16 * Math.abs(Math.sin(two * phase)) + (1 - run) * 3 * Math.sin(seed * 3.1);\nconst lean = run * 0.16 + peck * 0.1 + tilt;\nconst hip = [292, 528 + bob * 0.6];\nconst bc = [290, 432 + bob], brx = 168, bry = 112;\nconst rot = (pt, c, a) => { const x = pt[0] - c[0], y = pt[1] - c[1]; return [c[0] + x * Math.cos(a) - y * Math.sin(a), c[1] + x * Math.sin(a) + y * Math.cos(a)]; };\nconst legs = [1, 0].map((k) => {\nconst ph = phase + k * 0.5, sx = Math.cos(two * ph), sy = Math.max(0, Math.sin(two * ph));\nconst h = [hip[0] + (k ? -14 : 14), hip[1]];\nconst foot = [h[0] + run * 135 * sx + (1 - run) * (k ? -22 : 26), 776 - run * 92 * sy];\nconst knee = ik2(h, foot, 138, 150, -1);\nreturn { h, foot, knee, k, lift: sy * run };\n});\nconst drawLeg = (L, far) => {\nconst col = far ? EMU.legDk : EMU.leg;\np.line([L.h, L.knee, L.foot], col, 15);\nconst fx = L.foot[0], fy = L.foot[1], ta = L.lift * 0.6;\nfor (const [dx, dy] of [[34, 2], [26, -6], [-14, 0]]) p.line([[fx, fy], [fx + dx * Math.cos(ta) - dy * Math.sin(ta), fy + dy * Math.cos(ta) + dx * Math.sin(ta) * 0.6]], col, 7);\np.dot(L.knee[0], L.knee[1], 9, col);\n};\ndrawLeg(legs[0], true);\nconst nb = rot([392, 372 + bob], bc, -lean * 0.4);\nlet hd = [448 + run * 70, 128 + run * 72 + bob * 0.5];\nhd = [hd[0] * (1 - peck) + 548 * peck, hd[1] * (1 - peck) + 712 * peck];\nconst nm = [ (nb[0] + hd[0]) / 2 + 30 - run * 10 + peck * 40, (nb[1] + hd[1]) / 2 + (peck ? -60 * peck : 10)];\nconst neckPts = curve(nb, nm, hd, 14);\np.line(neckPts, EMU.neck, 40);\nfor (let i = 2; i < 12; i++) { const [x, y] = neckPts[i]; p.stroke([[x - 6, y + 4], [x + 2, y - 4]], 3, EMU.neckDk); }\nconst bp = [];\nfor (let i = 0; i <= 64; i++) {\nconst a = Math.PI * 2 * i / 64, c = Math.cos(a), s = Math.sin(a);\nlet rx = brx, ry = bry;\nif (c < -0.3) rx *= 1 + 0.12 * (-c - 0.3); \nlet x = bc[0] + rx * c, y = bc[1] + ry * s + (c < 0 ? 26 * (-c) * (s > -0.2 ? 1 : 0.2) : 0);\nif (s > 0.15) { const j = (i % 2 ? 1 : -0.4) * (16 + 6 * Math.sin(i * 1.7 + seed + ruffle)); y += j; } \nbp.push(rot([x, y], bc, -lean));\n}\np.shadedFill(bp, EMU.body, EMU.bodyDk, rad(-110), brx, 0.4);\np.clip(bp, () => {\nfor (let i = 0; i < 26; i++) {\nconst x = bc[0] - 150 + ((i * 53 + seed * 31) % 300), y = bc[1] - 80 + ((i * 37) % 150);\np.stroke([[x, y], [x - 26, y + 22 + (i % 3) * 6]], 4, i % 2 ? EMU.streak : EMU.bodyDk);\n}\n});\np.inkRing(bp, ow, thickAngle(rad(-110)));\nconst th = rot([hip[0] + 12, hip[1] - 26], bc, -lean);\np.ell(th[0], th[1], 46, 40, EMU.body, ow);\nfor (let i = 0; i < 5; i++) p.stroke([[th[0] - 30 + i * 14, th[1] + 18], [th[0] - 34 + i * 14, th[1] + 44]], 4, EMU.bodyDk);\ndrawLeg(legs[1], false);\nconst hx = hd[0], hy = hd[1], ha = peck * 1.1 + run * 0.25;\nconst H = (dx, dy) => [hx + dx * Math.cos(ha) - dy * Math.sin(ha), hy + dx * Math.sin(ha) + dy * Math.cos(ha)];\nconst beak = [H(22, -10), H(76, 2), H(74, 8), H(20, 14)];\np.poly(beak, EMU.beak, ow * 0.9);\np.stroke([H(28, 4), H(70, 5)], 2.5, INK);\nconst head = ellPts(hx, hy, 46, 38, 0, 360, ha * 57.3, 32);\np.shadedFill(head, EMU.head, mul(EMU.head, [0.7, 0.7, 0.75]), rad(-110), 40, 0.3);\np.stroke([H(-18, -28), H(-26, -44)], 5, EMU.head); p.stroke([H(-4, -31), H(-6, -48)], 5, EMU.head);\np.inkRing(head, ow, thickAngle(rad(-110)));\nconst ec = H(8, -6), er = expr === \"shock\" ? 22 : 18;\np.ell(ec[0] + 4, ec[1] + 6, 22, 18, \"#9fb6d6\", 0);\np.ell(ec[0], ec[1], er, er, \"#ffffff\", 4);\nconst lid = expr === \"side\" ? 0.5 : expr === \"smug\" ? 0.42 : 0;\nconst lk = Math.max(-1, Math.min(1, look));\nif (blink < 0.75) {\np.dot(ec[0] + lk * (er - 9), ec[1] + (expr === \"side\" ? 3 : 1), expr === \"shock\" ? 6 : 8, INK);\np.dot(ec[0] + lk * (er - 9) - 2, ec[1] - 2, 2.4, \"#ffffff\");\n}\nconst L = Math.max(lid, blink);\nif (L > 0.02) { const top = ec[1] - er, yb = top + 2 * er * L; p.poly([[ec[0] - er - 1, top - 2], [ec[0] + er + 1, top - 2], [ec[0] + er + 1, yb], [ec[0] - er - 1, yb]], EMU.head, 0); p.stroke([[ec[0] - er, yb], [ec[0] + er, yb]], 4); }\nif (expr === \"smug\" || expr === \"side\") p.stroke([H(-8, -30), H(26, -24)], 5, INK);\nif (expr === \"shock\") p.arc(ec[0], ec[1] - 30, 14, 5, 200, 340, 4);\n};" }, "rules": [ "Original story, characters, world and jokes; never copy another creator's video shot for shot.", "No real named living people as characters, no brand logos or mascots.", "No captions unless captions=true.", "Never edit my voice beyond voice_speed." ], "deliver": "The MP4 plus a few lines on what each shot shows; offer tweaks." }

these 3d roblox stories are going viral rn on ig the creators behind the reels are charging hundreds of dollars for the guide am giving the prompt entirely for free u r gonna need a pc with a solid gpu to run this though so ask claude whether or not ur pc can handle it here’s your free prompt ↓ <inputs> Ask me for: my story in one line ("in this town, [a rule everyone obeys]", plus the real reason the rule exists, which is the twist) and the length (40-50 s). If I have no idea, pitch me 3 rules with their twists and let me pick. Every story is mine, never a copy of an existing video. </inputs> <direction> A 1080x1920 30 fps Short that looks like a Roblox horror story, built entirely in Blender from code with no Roblox assets. The characters are R6 block characters with flat cartoon face decals that you draw. The world is a town at night made of plain parts in saturated flat colours like a screen recording: - the sky is a gradient from #212B54 at the horizon to #060917 overhead, with tiny stars - a cold moon (#9EB8FF, strength 0.55) - grass in two noisy tones (#336B24 to #42802B) - the road is asphalt #212126 to #2E2E33 with a #FAC726 centre line - warm practical lights do all the real lighting: streetlamps, lit windows (#FCC773), porch lights and a flashlight The threat is one thing that is far too tall (about twice the kids' height) and thin, matte black #0D0D0F, with long arms and three long fingers. It has a white glowing face: hollow tilted eyes with no pupils, and a grin far too wide with gaps between the teeth. Captions show one word at a time in Title Case, in Montserrat ExtraBold at 104px: white, with a 13px black outline and a black shadow 4px right and 7px down at 60% opacity. Key nouns are red #EC1C24. Captions are centred, with their middle at 64% of the screen height. A deep, firm adult narrator tells it in third person, fast and serious. Banned: Roblox logos, catalog faces or assets, AI video, motion blur, depth of field, the Filmic or AgX look, full stops in captions, the narrator saying sound words ("clunk", "bang", "creak"), pitching the narrator's voice, glitch, footstep or heartbeat SFX loops, any shot longer than 2.5 s, and any frame where nothing moves. </direction> <structure> Length: 40-50 s at about 210 wpm, about 36 shots, cut every 0.5-2.5 s (median 1.25 s). 0 s the rule in one line over a wide of the town already obeying it → the cost on screen: someone gets caught, vanishes, and only an object is left behind, still moving (a cap rocking on the sidewalk) → an insert of the deadline (a clock ticking over) → everyone obeys: a wide of people running home, then a shutter slams and a door bolts, each in its own close → "But tonight": the hero breaks the rule for someone he loves, he grabs a prop and it clicks on → the chase: the threat closes in toward camera shot by shot, each step lands on its own word, and the hero looks back in a close → he finds them under the last safe thing → "Run!": the music steps up hard on that exact word → the safe place fails (he pounds on the door, nobody answers) → the last safe thing flickers and dies: a riser into one huge boom, then every light, the music and the drone go dead for about 3 s of real silence, with only roofs against the stars → it all comes back with a braam on the same wide as the opening, but wrong (every door open, every house empty, a chair still rocking) → the twist line, the real reason for the rule, over a close two-shot → the hero turns slowly to his own door, which creaks open onto black → the tall thing bends down out of it, then a shot from its height looking down onto two terrified faces → it says one short line, its head snaps sideways on the last word, a trailer hit lands with a sting on top, and the last shot holds 1.5 s. </structure> <build> 1. Tools. Everything is free and local except the voice. Install what's missing and tell me what you installed: - Blender 4.2 or newer as the portable zip, run headless with `blender -b --factory-startup --python build .py -- MODE OUT` - Python with numpy and Pillow - FFmpeg - faster-whisper with large-v3-turbo, int8 on the CPU - an ElevenLabs API key (ask me for it, and never print it) - the Montserrat font - free sounds from Pixabay or Mixkit: - one tense horror music bed with a hard step-up somewhere in it, and a low horror drone - big hits: a deep impact, 2 sub drops, 2 cinematic booms, a horror riser, a braam, a horror door creak, a trailer hit and a horror sting - quiet foley: a shutter slam, a door slam and door knocks 2. Voice: - Write about 22 short lines per 45 s and show me the script before you record. The narrator never says a sound word; the SFX carry every sound. - Ask before spending credits. Make one ElevenLabs take with eleven_multilingual_v2 and the premade voice "Adam" (Dominant, Firm), all lines in one request so the read flows. - Pauses: - Cut only in real silence: below -44 dB for at least 0.06 s. Keep 35 ms of audio either side of every cut. - Between lines: 0.06 s plus 0.08-0.30 s (the longest goes right before the twist). - Inside a line: 0.11 s. - After the blackout word: 0.95 s. - Speed it up 1.15-1.25x with atempo only, so the read lands at about 36 s. Never change the narrator's pitch or formants. - The monster's line: split it off and pitch it 5 semitones down. Slow it to 0.92x, add a short room echo (55 and 110 ms), apply a lowpass at 6.5 kHz, and put it 0.22 s after the narration. 3. Timing: - Run faster-whisper with word timestamps on the final voice file and match it to the script with difflib. - Key every cut, light death, pose snap and SFX to a word index, never to a fixed second. - Cuts land 0.04 s before their word. A light dies 0.06 s after its word, flickering for 0.12 s first (two sines at 61 and 37 rad/s, lit while their sum is above -0.25). 4. Characters and world, built from boxes: - Kids: - Body pivot at height 2. Torso 2x1x2. - Arms: 1x1x2, from shoulder pivots at x ±1.5. - Legs: 1x1x1.62, plus 1.02x1.04x0.38 shoes, from hip pivots at x ±0.5. - Head: a cylinder of radius 0.62 and height 1.22 with a 0.22 bevel. - The younger sibling is the same rig at 0.8 scale. - Faces: draw them in Pillow at 1024x578 with flat black strokes, keeping the features in the middle 45%, and map them onto the front 130° of the head. At least: smile, stern, angry, scared, panic, shock and determined. - The monster: - Legs: 0.62 thick and 4.4 tall. - Chest: 1.6x0.7x3.4. - Head: radius 0.86 and 1.8 tall. - Arms: 5.8 long, with three 1.1 fingers on each hand. - Its face decal is white and emissive, so it glows in the dark. - Streetlamps: - 13.2 tall, 30 apart. - Each is a warm #FFBD6B spot light of 4200 W in a 118° cone, with a bulb of emission 9 that swaps to a dead grey bulb. - The last light is one globe: a 9000 W point light with emission 14. - Other lights: - Porch lights: 650 W. - The flashlight: a 1400 W spot in a 34° cone, plus a beam cone at 6% alpha. - The blackout: - Every lamp, window, porch light and the flashlight goes off. - The sky drops to 12% and the moon to 0.04. 5. Animation: one key per frame at 30 fps with constant interpolation, on every light and material too, so everything snaps like Roblox. - Poses hold, then snap with a back ease (overshoot 2.2) over 0.12-0.16 s. Swap the face on the same frame. - Run: 2.5 Hz, legs ±52°, arms ±58°, a 9° lean. The flashlight arm is held out at -52°. - Empty shots still move: - Swings drift at 0.33-0.42 Hz, ±7-16°. - The rocking chair rocks at 0.75 Hz, ±9°. - The clock's second hand ticks. - The monster bends 72° at the hip over its shot. On the last word its head snaps 24° sideways with a back ease in 0.14 s. 6. Shots: - Use a vertical sensor fit, so fov is vertical: 32-44° for closes, 46-56° for mediums, 58-70° for wides. - The camera is mostly locked, with smoothstep push-ins and one slow slide along the empty houses. - Render Eevee at 32 samples with shadows and ray tracing on, using the Standard view transform at exposure 0. - Before the full render, look at a 50% still at 12 samples from the middle of every shot. - The threat shots must read on a phone: the light dying behind the hero, the dark moving toward camera. 7. Edit and sound: - Captions: each word appears 0.03 s before it's spoken and stays until the next. Hold the last word 0.25 s, and strip punctuation. - Levels: - Voice: the speech median at -15 dB. - Music bed: -21 dB RMS, ducking 4 dB under every word (fast attack, about 0.25 s release). Start it so its step-up lands on "Run!". - Drone: -34 dB under the bed. - The bed and drone cut dead on the blackout word. The bed comes back quiet with the lights, then fades out 0.5 s before the monster speaks. - SFX: only about 1 big hit every 7-10 s, each one downloaded and trimmed so its peak lands on its word: - the first vanishing: deep impact at -15 - each step of the chase: sub drops at -14 and -17 - foley: -18 to -21 - the last light: riser at -21 into a boom at -15, then the big boom at -11 - the lights coming back: braam at -15 - the door: creak at -18 - straight after the monster's last word: trailer hit at -11 plus a sting at -19 - Mix to -13 LUFS, then apply a tanh soft clip at 0.75 so it lands at -14 after AAC. Encode H.264 (slow preset, CRF 17, maxrate 6M, yuv420p) with AAC at 256k. </build> <gotchas> Convert every colour from sRGB to linear before it goes into Blender, or everything renders washed-out grey-blue. Give Blender an absolute output path. Lights fade between keys unless every key, including light energy and material emission, is set to constant. In Blender 4.4 and newer, actions keep their fcurves inside layers, strips and channelbags, so `action.fcurves` is gone. Whisper swallows pauses into the next word, so find silences in the audio itself and give each word gap the longest silence near it. A full render takes about 2 s a frame at 1080x1920, so do the stills pass first, and re-render only the frame ranges that changed. </gotchas> <start> Ask me for my story first (or pitch me 3), then show me the script before you spend any voice credits. </start>