Diedre Johnson (@diedremichelle) header
Diedre Johnson (@diedremichelle) profile picture
Los Angeles
Joined March 2009
Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)Photo by Diedre Johnson (@diedremichelle)
Cult Fiction Interview with Preacher star Ruth Negga TV Soap hollywoodpostcard.com/cult-f… #Preacher #Cannes
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Diedre Johnson retweeted
Really don’t know why this is IMDB but my work so deep dive if u must (smile). What We Know About The Real-Life People of 'The Harder They Fall' - IMDb - goo.gl/alerts/hqp7bm #GoogleAlerts
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Zazie Beetz debuts her bump. Liev Schreiber, Zazie Beetz and Stephen Graham of the Apple TV series “Nocturne” at the premiere earlier tonight in New York. #appletv #October30
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Diedre Johnson retweeted
Serena Williams is the newest Barbie Role Model 😍 Her outfit is from her 2005 Australian Open win. Truly iconic. 📸 @Barbie
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Though 'Ride or Die' was shockingly canceled by Prime Video despite being one of the streamer's biggest hits, Hannah Waddingham is happy with how the project ended.
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Diedre Johnson retweeted
Ten years ago today, Solange gave us A Seat at the Table. An album about reinvention, Blackness, womanhood, ownership, self-preservation and the freedom to feel exactly as we are. A decade later, we’re still finding ourselves in the world she built. 🧵
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WOMAN UNKNOWN: In May el-Toukhy’s Golden Lion-winning Venice drama, postwar Copenhagen turns women suspected of Nazi collaboration into public targets: heads shaved, swastikas painted on their bodies. The “Queen of Hearts” director offers no comfort in this harsh but essential account of gendered retribution and self-preservation. Young nanny Marie (Mathilde Arcel, superb), has found protection in the home and bed of wealthy and widowed factory owner Christian (Carsten Bjørnlund), to whom she is engaged, but she faces ruin when a figure from her past returns. The hypocrisy is unmistakable: why are equally complicit men spared the same shaming? El-Toukhy’s film, which also won the Best Actress prize for Arcel at the recent Venice fest, understands that when survival requires subterfuge, every desperate deception can carry a tragic cost. #TIFF26
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Diedre Johnson retweeted
‘Power’ and ‘Nemesis’ co-creator Courtney Kemp at our L.A. Law Summit stresses the importance of saving evidence and taking screenshots to prove that the idea is yours
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The Pitt Emmy winner Katherine LaNasa and her husband, Grant Show #Emmys
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.@TheEmmys seldom include daytime performers in the primetime memoriam reel, so Tony Geary's inclusion speaks volumes for the role he played in television history. #GH
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Anton Wilhelm Amo (1703–1759) was a philosopher and scholar from present-day Ghana who made significant contributions to the intellectual landscape of 18th-century Europe. Born in present-day Ghana, Anton Wilhelm Amo was taken to Germany as a child and raised in a society where Africans were widely viewed as intellectually inferior. Despite this, he received a formal European education and rose through academic ranks to become a philosopher and legal scholar. Amo studied at—and later taught in—some of Germany’s most respected universities, including Halle, Wittenberg, and Jena. During the 1700s, Amo lectured in philosophy and published scholarly works in Latin, engaging directly with Enlightenment debates on the nature of the human mind, perception, and consciousness. One of his most notable contributions challenged Cartesian dualism, arguing that the mind is not subject to physical sensation. Through rigorous philosophical reasoning, he confronted the racist assumption that Africans lacked rational capacity, using Europe’s own intellectual traditions to expose the contradictions within them. Despite his academic accomplishments, Amo faced increasing discrimination and social hostility as racial attitudes hardened in Europe. Disillusioned, he eventually returned to West Africa, settling along the Gold Coast, where he spent his later years outside the European intellectual circles that had once celebrated his work. Anton Wilhelm Amo’s life stands as a powerful reminder that Black intellectual excellence has long been present in global history—even in environments actively structured to deny its existence.
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