Eilidh MacKinnon (@esamackinnon) header
Eilidh MacKinnon (@esamackinnon) profile picture

27 // HETV Assistant Production Coordinator

Scotland, United Kingdom
Joined August 2011
Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)Photo by Eilidh MacKinnon (@esamackinnon)
Sun, smiles and even some fizz for our 1000th slate on AN T-EILEAN/THE ISLAND! We cannot believe how fast the shoot is flying by, but we're doing our best to celebrate every fantastic day. Congrats to our fab cast & crew! Slàinte 🥂 @screenscots @bbcalba @MGALBA @all3media_int
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Looking for trainees with Gaelic and a driving license in Scotland. Deadline Monday 8th April #tvtrainee #screenscotland mgalba.com/work-opportunity/…
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Eilidh MacKinnon retweeted
🖊️ Are you an aspiring writer looking for your first paid TV writing experience or representation? @all3media and @thetvfoundation's New Writers Collective is open for applications! 📅 Deadline is Thursday 21 March 2024 Find out more and apply now at pulse.ly/tzh0bqtyqi
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Eilidh MacKinnon retweeted
Watched "Past Lives" on the plane. It was wonderful! It was heartbreaking from start, and even though it almost tore me up in the middle, it gave me positive strength in the end! If I had seen this movie last year, it would have been in my top 10! "PAST LIVES", translated as "in-yun" in Korean and "past lives" in the subtitles. What is the Japanese word for "destiny" or "fate" as it relates to reincarnation, I guess. It seems to be a different nuance from fate. At any rate, the director, Celine Song, is very good at cutting frames and directing the camera! I look forward to seeing her future work: the scene in the park where the two meet for the first time in 24 years, the side-by-side scene in the bar where the three of them gather, which is also introduced at the beginning of the film, and the final one-shot scene on the sidewalk. The camera, rather than dialogue, frames the emotions and sentiments. This is what cinema is all about. The loss of the past, the sincere look into the future without denying it. This film is not only a story about first love, but also about people who go "out" and is a beautiful film that spins a more fundamental story of several people's lives and a world that transcends countries and languages. It is a masterpiece. It’s coming to theaters in Japan in April.
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Do you want to work with the #GFF24 team? Then boy, do we have the tweet for you... Not one, but two new jobs have been listed on our website 🎉 GFF Volunteer Coordinator GFF Guest Services Assistant For more info and to apply - bit.ly/GFF_Roles
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Eilidh MacKinnon retweeted
📚🎬Online Masterclass 7 Dec 2023 // 1000-1230 Join BECTU Vision and script editor Kate Leys for this session where we will be discussing the role of a script editor and how to work effectively with writers. Register here 👉bit.ly/ScriptEditingKateLeys
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Deadline - 5pm Mon 27 Nov St Andrews Playwriting Award This offers a Scotland based playwright the chance to have their first professionally staged production, with support given throughout the writing process. For more details, eligibility & to apply: bit.ly/3SWprEN
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Eilidh MacKinnon retweeted
AFTERSUN released one year ago today.
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CASTING CALL! We’re looking to collaborate with actors on a R&D taking place in Glasgow 11-15 Dec 2023 and are seeking submissions from Scotland-based performers for two roles. Find out more: storiesuntoldproductions.com…
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Another blessing from Francesca Scorsese
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Eilidh MacKinnon retweeted
JOB ALERT: Development Coordinator to work across BBC Studios Scripted slate. To support Head of Scripted Development, scripted team, senior leaders. Closes 23 Nov careers.bbc.co.uk/job/London…
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Eilidh MacKinnon retweeted
It's Dyslexia Awareness Week so if you haven't already, check out #WorkingDifferently a short film & good practice guide that promotes awareness, understanding and acceptance of neurodiversity in the Scottish film & TV. bit.ly/Working-Differently
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Eilidh MacKinnon retweeted
NEW🚨| @sagaftra and the AMPTP have reached a tentative deal to end the US actors' strikes. We wholeheartedly welcome this news after what has been an incredibly difficult period for our members, and the whole UK film and TV industry.
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IT’S HAPPENING! 24hrs ONLY From MIDDAY TODAY Closing books tomorrow at midday (12pm GMT) • apply via our website ONLY • fill in EVERY field (even if N/A = answer) • do not apply if you have already done so in the last 18 months Good luck - we listen to every single reel
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APPLY NOW for our Playwright Supports! Deadline - 4pm, Fri 10th Nov -Playwright Mentoring Programme -Disabled Playwright Support Programme -Bursaraidh Leasachaidh Dealbh-chluich Gàidhlig -Self-led Projects To apply: bit.ly/47gOKWg Make space for your writing in 2024.
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“lack of work is throwing film&TV workers into a crisis of…identity…”like…grieving, TV has been a massive part of [me]…When it’s taken away, you feel like you’re not yourself,…like there’s 75% of yourself missing…and you don’t know where it’s gone”” theguardian.com/media/2023/n…
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ANNOUNCEMENT: CALLING ALL ARTISTS! We are delighted to be recruiting seven new exciting socially engaged artists in residence! More info below... lytharts.org.uk/cair-communi…
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Eilidh MacKinnon retweeted
OPEN TODAY - SCRIPT SUBMISSION! 📝 @bbcwritersroom seeks writers with the potential to be developed and produced for BBC broadcast. Drop into one of the advice sessions and submit a script. bbc.co.uk/writers/opportunit…
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Submissions for The Victoria Wood Playwriting Prize for Comedy are open! The winning Writer will receive £25,000. Writers over the age of 18, in all stages of their career, can enter. 📆Deadline: 1 December, 11:59pm Find out more: buff.ly/40GFWa5
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Eilidh MacKinnon retweeted
We've got a new look and a new name! Catch up with all the news about what we've been up to recently, including upcoming opportunities and a fantastic live event with Succession showrunner Jesse Armstrong, on a new blog post from @jessplove bit.ly/46O48tb
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