eduardo urios 🌊 (@eurios) header
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Always learning how to “be water” and flow like water flows. 🐋👤

New Haven, CT
Joined November 2008
Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)Photo by eduardo urios 🌊 (@eurios)
Miró's women, birds and stars. Miró instills life into his characters in his drawings. Femme, oiseau, étoile July 28, 1942 Femme et oiseaux devant le soleil August 4, 1942 Femme devant le soleil, August 5, 1942 Femmes et oiseaux devant le soleil August 8, 1942
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Spielberg’s favourite war film, and Tarantino’s favourite “men on a mission” film. Geoff Dyer points out in his funny ‘Broadsword Calling Danny Boy’ : “Squinting is pretty much the limit of Eastwood’s facial range as an actor;” “not just squinting, but squinting in German”.
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La Adoración de los Reyes, alrededor de 1470-5 Sandro Botticelli, italiano, ca.1445-1510 Temple sobre álamo, 130,8 × 130,8 cm Galería Nacional, Londres nationalgallery.org.uk/paint… #SandroBotticelli #arte #renacimiento #art #paintings
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Patrick Stewart was spectacular. He brought Shakespearean gravitas to space and helped make Star Trek a dramatic powerhouse. This scene is a masterclass in screen acting: he displays two distinct emotions at once, and does it beautifully. We’ve lost an absolute titan.
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En "Mi cena con André" (1981) asistimos como comensales invisibles a un auténtico prodigio de Malle: sostener casi de forma exclusiva los recursos convencionales de una película en el puro diálogo, sin reminiscencias de teatro. Dos mundos sentados en una mesa y atrapándonos.
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Here November is the time for building up the fire and smithying. #MedievalCalendar BL Cotton MS Julius A VI; A calendar, computistical texts and tables; 1st half of the 11th century-2nd half of the 12th century; England SE (?Canterbury); f.8r @BLMedieval
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Néstor Almendros fue aquel hombre que persiguió y capturó la luz, poniéndole trampas de poesía. Days of Heaven, 1978
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Patrick Stewart jokingly wondered how he’d want to be remembered if it were his final public appearance, then delivered the punchline: “Me.” Even in a moment like that, his impeccable comic timing shone through. RIP, Sir Patrick Stewart. ❤️
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What killed 500-plus penguins? How scientists solved the mystery npr.org/2026/10/29/nx-s1-602…
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Sonnet 116. Patrick's favourite. Take one minute out of your day to hear the bard's words spoken by someone who lived by them.
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Ian McKellen and Patrick Stewart sharing the stage in Samuel Beckett’s Waiting for Godot (2013). Two extraordinary actors bringing one of theatre’s most celebrated plays to life.
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Retrato de un joven, 1482-85 Sandro Botticelli, italiano, ca.1445-1510 Temple sobre tabla de álamo, 43,5 x 46,2 cm Galería Nacional de Arte, Washington DC nga.gov/collection/art-objec… #SandroBotticelli #arte #renacimiento #art #paintings
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Rear Window, for its time, was pretty terrifying. Though no violence or blood is ever seen, it can still scare you pretty good. Just the suspense of the standoff between James Stewart’s character and the murderer across the courtyard is enough to have you twitching in your seat.
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“Pleasantville” (1998), sigue siendo una película excepcional. Una de esas pequeñas joyas que en su momento no logró ser el éxito esperado pero que de vez en cuando hay que reivindicar. Si tenéis ocasión, dadle una oportunidad ❤️
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November is the time for feeding the pigs. #MedievalCalendar Bodleian Library MS. Add. A. 46; Calendar from a Psalter; 13th century, third quarter; Flanders, Liègef.6r @bodleianlibs
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You never know when you may need to remind yourself of those alphabets St. Gallen, Stiftsbibliothek, Cod. Sang. 878; Vademecum of Walahfrid Strabo, Abbot of Reichenau; between about 825 CE and 849 CE; Reichenau; pp.320-1 (e-codices.ch/en/list/one/csg…)
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Mel Brooks on how Alfred Hitchcock reacted after seeing the premiere of “High Anxiety” (1977): “‘High Anxiety' premiered on December 25, 1977. At that premiere screening, Hitch sat right next to me. I had my own high anxiety awaiting his reaction. He didn’t laugh. He just sat and he watched. He only broke up once. When the birds let go and plastered me with their droppings, then I could see his shoulders shaking. When the film was over, he got up and walked out. He didn’t say he liked the picture. He didn’t say he hated the picture. He didn’t say anything. He just left. I was devastated. And really worried. Not long after, when I came into the office, there on my desk was a huge box covered with silver paper and red ribbon. I tore the paper open and underneath was an impressive wooden case with a label that read: CHATEAU HAUT BRION 1961. I opened it to see six big, beautiful magnums of Chateau Haut Brion 1961. A priceless gift of one of the finest wines ever made. There was a note: "My dear Mel, What a splendid entertainment, one that should give you no anxieties of any kind. I thank you most humbly for your dedication and I offer you further thanks on behalf of the Golden Gate Bridge. With kindest regards and again my warmest congratulations. --- Hitch"
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Jafar Panahi earned two Oscar nominations just about a year ago for It Was Just An Accident. But man, things can change in one year. Earlier this week, Iran has sentenced Panahi in absentia to five years and one month in prison, along with the confiscation of his assets and two-year bans on travel and social media use. I still am not clear as to why Panahi is even being sentenced in the first place. But my heart breaks for this man. He’s a defender of Cinema & humanity at large.
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Catherine Schell couldn’t survive multiple takes of Peter Sellers’ Bogart impression in Return of the Pink Panther (1975) without breaking. Blake Edwards finally had to give up and leave them in the final cut. “Here is lurking at you, kid.” 🤣
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"La cocina es el lenguaje en el que una sociedad expresa inconscientemente sus preferencias y contradicciones" (Claude Lévi-Strauss) Food, 1992
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