@eyeonaxis

Photography is life. Inspired by classics of yesterday and today 📷🎥🎞️📸 No AI images

 Bogotá
instagram.com/eyeonaxis_
Joined December 2021
  • Tweets4.9K
  • Following3.4K
  • Followers61.7K
2.1KMedia
Pedro Luis Raota, pictures made with the same material of dreams, Argentina
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Eye On Axis retweeted
Jïuliette@GiulietteR48567Oct 8
Cinema Glória, Rio de Janeiro, Brazil, 1975 - Miguel Rio Branco
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People dancing the twist in the USSR, 1964, Photo by Vladimir Lagrange
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Oporto, Portugal, by Eric Van Nynatten
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Miskito comunity. Puerto Cabezas, Nicaragua, 1992 Alex Webb later included this terrific photograph in his retrospective monograph The Suffering of Light.
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Sayoko Yamaguchi by Hajime Sawatari, Japan, 1975
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A man under the influence of alcohol and his bicycle, near Siedlce, Poland Photo by Krzysztof Miller, 1997
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Sebas V@vvs00Oct 20
En el campo amaneció con frío y neblina, como en una polaroid de Tarkovsky.
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Dizzy Gillespie’s energy in Times Square. New York, 1962, by David Attie
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Love on a riverside in Budapest, Hungary, by Peter Varsics
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Should this kind of ai generated image be considered plagiarism? The first shot is one great classic in photography history, taken by Fan Ho. The second one is a prompt-generated image by Helena Georgiou, who probably told the AI model to take Fan Ho as 'inspiration'.
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Windblown Willow, 2023 the movement of a tree condensed in a photo, by Andrew Moore
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Enigmatic costumes in 110th Street. New York, 1969, by Arthur Tress
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Life is a constant coexistence of opposites. Photo by Flávio Franja
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🇵🇸 "Il n'y a pas un seul centimètre de son corps qui n'ait été touché par la violence." Les traces des violences commises par les colons 🇮🇱 sur l'agriculteur "Moussa al-Sharaffa" alors qu'il récoltait des olives dans la ville de Beita, au sud de Naplouse.
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A man and his old Mercedes Benz under a carob tree. Asira ash-Shamaliya, Nablus, Palestine. Photo by Ala Hammouz
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A photo about the speed of life: Czechia, 1974, by Jan Saudek
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Three Generations of Miners. Wales, 1950, photo by W. Eugene Smith
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Umbrellas in the Japanese Imperial Palace, by Sam Abell
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Away from a touristic view, Pierre Jahan captured this frame about the workers of the Louvre. Paris, France, 1947
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Monochrome in blues by Viviane Sassen Fantastic work with the whole composition being built around the blue tones, and using the dark silhouette of one subject to frame the other one.
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