Chris Ried (generatecoll) retweeted
Made some more progress on this archive page! Now it also runs each project directly on the page, so the entire algo can be experienced as intended
The next thing I'd like to add are the interactive controls for each params project 🛠️
Chris Ried (generatecoll) retweeted
In my talk at @threejsconf I will cover how to interact with a fluid simulation that simulates and renders 1 million+ spheres in WebGPU at 120fps! 🌊⚡️
I picked this example because it combines several different performance optimization techniques.
But there will be more!
Chris Ried (generatecoll) retweeted
Strange Attractor Explorer
The project explores chaotic systems through simple mathematical equations.
Explore it here:
jeonghopark.de/strangeattrac…
#generativeart #creativecoding #threejs #strangeattractor #mathart
Chris Ried (generatecoll) retweeted
Introducing Project Redraw, a new grade of 2d primitives for Web & Native
Chris Ried (generatecoll) retweeted
New Project: Weaver, an interactive work that invites two people to meet across time and space through a shared fragment of the night sky.
patriciogonzalezvivo.com/202…
Chris Ried (generatecoll) retweeted
I used Hermes and Kimi to build an agentic workflow for creating custom typefaces. @NousResearch @Kimi_Moonshot
A visual interface works alongside Hermes chat to facilitate collaboration between agent and designer. The designer provides two hand-drawn sample glyphs, which Hermes uses to generate the full typeface in the target style, requesting feedback along the way.
Chris Ried (generatecoll) retweeted
やった、、、紆余曲折を経て、ついに基板から自作したnorns shieldが鳴り出した、、、😭。これで販売に至れる、、、👍。ケースを可愛く仕上げるて完成だ!!!
Chris Ried (generatecoll) retweeted
I made an interactive blog post about how JPEG image compression works: sophielwang.com/blog/jpeg
Chris Ried (generatecoll) retweeted
William Kerby, Coverlet. 1936.
Watercolor on board.
Kerby worked for the Index of American Design, a WPA project documenting American decorative arts. Artists were paid to make watercolor records of quilts and furniture before color photography made it obsolete.
Been playing with a new feature lately. Back in Equinox, I built a set of 8 distortion modes that could “erase” or smear finished strokes, kind of like rubbing charcoal on paper.
I’ve now brought that idea into InkField. In the clip below, the red brush uses a local distortion, while the blue brush applies it to the whole stroke. It makes the drawing process way more playful, and pushes InkField beyond just simulating ink.
It starts to feel like its own kind of digital drawing experience.😎























