i have no yee, and i must haw /// she/her
Joined December 2008
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MKGulltra retweeted
Under the Migratory Bird Treaty Act it's illegal for people to kill protected species of birds like this northern flicker, and people should be held responsible when their pets do it too, just like when pets cause other kinds of damage.
MKGulltra retweeted
Reminder that the person that turned in Luigi got fired and never got the reward
JUST IN: FBI releases surveillance images of a man suspected of throwing a Molotov cocktail at a ICE building in Atlanta, offering up to $20,000 for information.
MKGulltra retweeted
white people be like Let’s hop on Deadlock and stream Nathan for you at the server’s VC after
MKGulltra retweeted
things that real LGBT groups do: send resources to closeted queer kids who might have abusive parents and then put a giant trans flag on the envelope
MKGulltra retweeted
I would pay literally $1,000 right now right this second to know what was said here. I would shave my head. I would fast for a week. I would give up sex for a year.
Would you lie to this man?
EXCLUSIVE: Nathan Fielder, codirector of the Elizabeth Holmes documentary ‘You Can See Everything,’ sat down with WIRED for an extended interview—the first he’s given to discuss the film.
🔗 wired.com/story/nathan-field…
MKGulltra retweeted
When you're right about everything
MKGulltra retweeted
A few readers have taken me to task for “missing the point of the film,” which is apparently that Elizabeth Holmes is unknowable and everything is ambiguous. Here’s my response: She went after Tyler Shultz and Erika Cheung with everything she had. I was threatened with litigation on a daily basis for months on end. It was a ruthless cover-up of a breathtaking fraud, and she was at the controls. Just a little context for those who have forgotten or didn’t follow the original story. By the way, I loved the film. #BestPicture, IMO.
A ton of people have asked me for my thoughts about “You Can See Everything,” the new Elizabeth Holmes documentary. Here they are: nytimes.com/2026/10/17/busin… via @NYTimes
MKGulltra retweeted
Counterpoint: the profound and enduring unknowability of other people’s interiority is a large part of what makes life interesting and art beautiful
MKGulltra retweeted
Elizabeth Holmes pursues honesty through pathological lying, total power over her own narrative by manipulating men by letting them rob her of her own voice. in the end, she is content to have “won” on her terms; only one person in the entire film can see that she has still lost.
