Building Kestrel. Thinking too much about movies, technology, and why people do what they do. Dad to seven kids.
Kingston, Ontario
Joined January 2017
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ghostbusters is a classic children's horror comedy about the epa shutting down an unlicensed and overflowing ghost prison in the middle of new york city and being immediately punished for it
Ian Misner retweeted
Starting a rumor that the Digger 4K will restore all six (6) musical numbers they cut out of the theatrical print.
back to the future is a wholesome family classic where our hero, Marty McFly, has to stop his mom from kissing him on the lips or his favorite picture gets broken
Ian Misner retweeted
Kudos to @kinsta (already applying patches), @xCloud_host, and @RocketDotNet, who have server-level mitigations in place, sit behind CF Enterprise, and use those protections.
Good luck to everyone. 😬
Ian Misner retweeted
I think the whole "run your infrastructure with our managed ops platform" thesis is really being tested today.
Forge has been down for an hour. ServerPilot hasn't said a peep.
Might be time to reconsider - AI can probably manage these stacks, and keep them updated just fine.
You Can See Everything is a three hour documentary about a man trying to figure out why the heck he was asked to do this in the first place
Ian Misner retweeted
ELIZABETH HOLMES: of course it worked. the lights turned on. it was on the cloud
NATHAN FIELDER: ok. but you know what feelings are, right? like you have them?
WEIRD COCAINE HUSBAND: [watching youtube at 2x speed] babe it says here the mitochondria is the powerhouse of the cell
I'd pay 10x the cost of a movie ticket to watch a livestream of Billy Evans watching You Can See Everything. Do you think he'd do it for the money if enough people signed up
Ian Misner retweeted
fuckin up their wifi to hell
Nathan Fielder and Lance Oppenheim reveal they used a seven-person crew and cameras covering the “whole house” to secretly film their Elizabeth Holmes documentary, “You Can See Everything.”
“We had three cameras, two operators, one would be sometimes on Elizabeth or Billy, one would be on Nathan, and we basically pick zones of the house and have these extremely long zoom lenses. Then I would be hidden behind the wide camera. We were trying to do that in an effort to try and take all the pressure away from any moment. We would be shooting like 16 hours a day, so they wouldn’t really know what we were interested in necessarily," Oppenheim explained.
“We didn’t always know either,” Fielder joked. “We started setting up the cameras where we had a wide lens that would cover the whole house, so if something happened, we wouldn’t miss it... If we were live and then something interesting started happening, [David Bolen] could pick up the camera and tripod, move to a new spot, re-lock the head in 10 seconds. It looks amazing, and it’s a testament to the team who put this together."
wp.me/pc8uak-1lHSSR
in You Can See Everything she claims she doesn't know who Nathan Fielder is "except for the gas station" and that clip is maybe the only time Nathan ever got completely bested by a subject and it stayed in the edit. no way it's a coincidence.
she genuinely claimed this was the only thing she had ever seen him in before inviting him to stay in her house and make a documentary about her for the last 30 days she had free before going to prison: instagram.com/reels/DWmXHZFj…
I'd like a checkbox on the Amazon order confirmation page that says "don't learn anything about me from this"
showing your kids a movie you loved when you were their age is an incredibly high stakes activity. you're putting 30 years of nostalgia on the line and these people have absolutely no respect for your investment.
You Can See Everything: a documentary about real people being fake while a real person is asked to play a fictional representation of a real person they played in fictional accounts of (probably) real events. Also Billy, who really sucks, is there.
