takahito (@iguchi) header
takahito (@iguchi) profile picture

Tomorrow Never Knows / Representative director

San Francisco
Joined May 2007
We're excited to announce that our project at timespace has been selected for DIG SHIBUYA 2027! Not another city guide. We're making the city itself something you can read, discover, and contribute to. 3 days in Shibuya, February 2027. Come experience the next page with us.
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Watched The Last Black Man in San Francisco. One skateboard ride down an SF hill and the whole city came back into my body. Next week I'm flying back for TechCrunch Disrupt with ~200 copies of SF ZINE. #timespace #ZINE #SF #Disrupt
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In Linz, a bar owner handed me a sake I'd never heard of. Our app drew the label perfectly. Then wrote about granite instead. That gap turned out to be the most interesting part. #Linz #Zine
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Two empty Freistädter bottles sit on top of a trash can instead of inside it. In #Linz, deposit bottles are sometimes left within easy reach for people who collect them for the refund. A small piece of street etiquette: leaving a little value behind for the next person. #Zine
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Our next city is San Francisco. After #Linz, we're magazinizing #SF — live, on the street, Oct 13–15.
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Muse just took the Connect stage and moved off your phone. The glasses are the interface, Muse is the action layer, and your voice is the remote. The agent era finally has its keynote moment. 👀
keep your phone in your pocket, Muse is coming to your glasses
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Going to TechCrunch #Disrupt? Our demo won't be in a booth. It'll be on the street. Oct 13–15, we're scanning SF from Moscone to Jackson Square and editing it live into #SF/#ZINE. If you're in town, let's walk.
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I'm going to #SF #TCDisrupt, Oct 13–15. See you around.
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Apparently for Japanese exhibitors, it's more common to manufacture things in Japan and ship/set them up locally — so that part genuinely surprised people. #ArsElectronica2026 #LINZZINE #timespace #PhysicalAI #Linz
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People were surprised when I told them about the project. We set up an editorial "office" right in Linz's main square, and had the whole thing printed at a local print shop.
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Wanting to go there felt natural, in a way. But none of those encounters were guaranteed — it was a real bet.
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The people from those European cities I mentioned share a similar kind of uniqueness with Linz. Not capitals, but places that take art and design seriously, home to a disproportionate number of innovators.
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What mattered most was real conversation. That's why we opened a makeshift bookstore at OK PLATZ — it was our point of contact for that.
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It's this practice of turning analog into digital, then bringing it back to analog again. Through that, we're not just uncovering the cracks and insights even locals haven't noticed — we're handing them back to the city, in the form of a magazine.
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We spend each day in dialogue with AI, weaving it into a physical local culture magazine. Printed at a local print shop. Handed out by our team, on the ground.
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