no one is going to save you, not god, not society, not love. learn to walk alone, or perish

Some feelings are too difficult to say out loud. So he wrote them instead. Made with Wan 3.0 on @AZ8official_JP Just a story, a little imagination, and two hearts sitting a little too far apart #Malfoy #malfoid #AZ8

THE CITY THAT REMEMBERS THE FOG One minute inside San Francisco, where the fog hides the city, the city becomes a memory, and a single light brings it back. Made with kling 4.0 on @itsPolloAI @polloai_creator #polloai #OneMinuteIn #SanFrancisco #AbstractFilm #AIFilm

I made this music video for #OpenArtAfterDark #OpenArt Created entirely with @openart_ai Director Mode with Seedance 2.5, and approximately 12K credits spent bringing this vision to life

Supernatural horror short created for #OpenArtAfterDark #OpenArt A paranormal investigator enters an abandoned Japanese house and discovers an old photograph of herself bearing the exact same fresh wound. As footsteps approach from an apparently empty hallway, an unseen presence draws near Created with Wan 3.0 entirely in @openart_ai, using around 4,000 credits (estimated $10). One of the biggest challenges was achieving consistent lighting and color grading. After multiple rounds of prompt testing, I decided to refine both manually for greater visual control rather than relying on prompts alone

My submission for #Pixlight2026: THE FACE THAT REMAINS. This project was a personal experiment, and honestly, quite a journey with @PixVerse #PixVerse I funded it myself and spent around 10K credits (roughly $100) generating footage, mostly with Wan 3.0. Near the end, I ran into Wan content filters, so I had to switch to Seedance 2.5 to finish it. The final film is roughly 90% Wan 3.0 and 10% Seedance 2.5. I learned a lot along the way, especially during editing and VFX. Funny enough, there were moments when I genuinely felt a little nauseous watching my own footage lol. It wasn’t a perfect process, but that’s part of what made it special. I’m just glad I got to bring this idea to life and share it. Hope you enjoy watching it as much as I enjoyed (and suffered through) making it

latepost but thankyou @openart_ai for giving me an award #openart

prolog kaze no ryu made with wan 3.0 on @AZ8official_JP #AZ8

First time trying genre comedy Three tiny robots, one lemon, and a fairy who says "you first." Made with Seedance 2.5 #ANEWWORLD

A little spotlight for Kurenai Reika Thank you @CuddlerAI for featuring my work in Creator Spotlight #01 and for the $100 creator reward. Appreciate it

Paris, one night. He just wanted to protect his shop Made on @CuddlerAI #cuddler

Made this beauty ad with Wan 3.0 on @itsPolloAI @polloai_creator #polloai It took 4 generated to test different prompts and reference setups, costing an estimated 360 credits ($12) Definitely a learning process. With more precise prompts and better reference planning, I could probably get the result with fewer generations and spend fewer credits

made with API Seedance 2.5 via @CuddlerAI 14 clips × 15s. made music with Eleven v2.5, inspired by my own quote. ~$14 total. pretty worth it, if you ask me. might need another round of credits for the next one #cuddler #MusicVideo

#Malfoy Halloween outfit check, Which outfit suits her best? made with seedance 2.5 on @itsPolloAI @polloai_creator #polloai #MalfoyGirl

My first experiment creating a music video with kinetic typography on @AZ8official_JP #AZ8 Just exploring, learning, and figuring things out along the way. Turns out, it’s way harder than I thought. A first experiment, and definitely a lot more to learn

future does have flying cars made with seedance 2.5

Your AI slop entry here #AIMUSICVIDEOWAVE2026 @JACC_AI /FLOWER FEVER

What if you could go back in time and change just one moment? That question became the starting point of AIZENTO, an AI generated cinematic short film built around the concept of a time machine. I wanted to explore more than just time travel. The idea was to tell a story about memories, regret, and the moments we wish we could revisit. Because if you had the power to go back, would you really change the past, or would you learn to accept it? From the first concept to the final cut, I developed the story into six connected parts, each with its own visual direction, atmosphere, and emotional purpose. The goal was to make it feel like a cinematic film, not just a collection of AI generated clips. And getting there took 30+ generations. A lot of trial and error went into the process: testing prompts, refining camera movements, fixing character inconsistencies, maintaining the time machine's design, and regenerating scenes that didn't match the vision. Some attempts worked, others had to be scrapped entirely. Every generation was part of figuring out how to turn the idea in my head into something people could actually see and feel. This project reminded me that AI can create the images, but the concept, direction, storytelling, and persistence still matter. #AZ8 #AZ8AdTime @AZ8official_JP

Refining Yue Ning character details for visual consistency, polishing martial arts movements for smoother choreography, and enhancing expressions, physics, and scene continuity in a premium semi realistic 3D xianxia fantasy style Made on @CuddlerAI #cuddler