Jon Bolf retweeted
You’ve never taken a photo like this before.
Here’s how to use Camera Control on iPhone 16 and iPhone 16 Pro.
Jon Bolf retweeted
You can use your Apple Vision Pro as a private, portable display for your Mac.
Here’s how to use Mac Virtual Display: apple.co/3V6Q2QG
Jon Bolf retweeted
When you capture spatial videos, you can relive your memories in a whole new way on Apple Vision Pro.
Here are some tips for recording spatial videos on iPhone 15 Pro. #AppleVisionPro
Jon Bolf retweeted
The question you’ll get most about your Apple Vision Pro: Can I try it?
Here’s how to turn on Guest User to let someone else experience spatial computing. #AppleVisionPro
Jon Bolf retweeted
To connect your Apple Vision Pro to the battery, just press, latch, and rotate to lock.
Like this. #AppleVisionPro
Jon Bolf retweeted
Mac changed everything when it was introduced 40 years ago, and through the years it has done so again and again and again. Today’s Mac lineup is the best in the history of the personal computer, and it’s built on decades of revolutionary innovation. Happy birthday Mac!
Jon Bolf retweeted
I have no idea why but for some reason I tried to imagine Darth Vader asking Kendall Roy to brainstorm ideas post Death Star destruction
Jon Bolf retweeted
“It’s a dangerous thing to mistake speaking without thought for speaking the truth.”
Jon Bolf retweeted
What’s your favorite spooky emoji? 🧟♂️🧙🏻🧛🏻♂️
Create an emoji Lock Screen in iOS 16. Here’s how.
Jon Bolf retweeted
I don't have much to say on this that hasn't already been said a million times, but the contrast between the duels at the end of STAR WARS 2 and STAR WARS 3 is a good argument for why thinking of light as a compositional tool is, to say the least, handy.
Jon Bolf retweeted
Me waking up to see Twitter relentlessly dunking on people who haven’t turned off the Motion Smoothing function on their televisions…
Jon Bolf retweeted
ideas + artists + time + tools
and
communication + coordination
Just like every other form of art created by a team.
Jon Bolf retweeted
Reeves and The Batman’s lead colorist, David Cole; talking about their and Greig Fraser’s choice to print the film to the negative and then to IP instead of just emulating celluloid digitally
Jon Bolf retweeted
I’m impatient, mostly because I know it’s possible to move fast. Much faster than most people think.
Some excellent examples. patrickcollison.com/fast
I’m SO here for a Yedlin #NerdyFilmTechStuff thread.
Another #NerdyFilmTechStuff thread: I'm here pulling up (and expanding on) some posts I did that were buried in replies:
#Severance is so unbelievably, stupidly well done. Art direction, casting, cinematography, production design. Every frame of this show has impeccable directorial cohesion and attention to detail.



















