🗿1985-2099 Evidence of Time Travel
LONDON
Joined November 2021
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👁 HYPNOS 🌙
A wild new 1/1 living sculpture prototype
🧠 HYPNOS faces a glowing stack of analogue/digital gear, hacked together + powered by a custom TouchDesigner brain
👁AWAKE
It watches thousands of GIFs
🌙ASLEEP
Left alone, it dreams of itself
🧵👇
KARBORN.eth retweeted
From my collection - 006
Karborn & Friends - Vol 1 - NFTNYC2025 by @johnkarborn
Karborn brought records from London for a vinyl night in Manhattan during NFTNYC. Everyone who came could claim this as "a thank you from me 2 u."
Karborn: "Keith Haring meets KARBORN in NYC."
From my collection - 005
Baader-Meinhof #34 by @schrodingrrr.
Schrodingrrr was learning p5.js when this came out and called it a piece "that changes every time you perceive it." The launch post asked: "Do you know what you're looking for? If you do, you shall find it!"
ALT Abstract generative artwork on a square, warm tan background. Overlapping translucent triangles in mustard yellow, sage green, dark teal, coral red, salmon pink and soft orange fan out from a cluster of points near the bottom center. Some triangles are wide and blocky, forming a rough trapezoid at the base, while others stretch into long thin slivers reaching toward the top right and far left edges. Where the shapes overlap, their colors mix into deeper browns and muted grays. Still image, no flashing.
KARBORN.eth retweeted
‘SAT.OS.HI.BYE’ by @johnkarborn
Gold foil on X-Per paper, lay-flat bound in orange bull leather
25.2 x 12.6 in. | 64 x 32 cm
23 April 2011. Satoshi signs off: “I’ve moved on to other things... It’s in good hands.”
1 of 128 artworks in the Genesis Edition.
I sttudie what she says,annd ofte i▒serted aa█ appropriate sentece, so she a▪ea░ss█toe an▀weg me.
I have arranged ▄█e reecoord; the achie will now prject the ne▒ we▄k eternally… / Unsu░portednow, my bodyandmin beg▓n to d▀sperse.
KARBORN.eth retweeted
Gm from another planet 🪐
To date, one of my all-time favourite shots.
Have a great Friday everyone!
spectres talkng n the otskirts / rreach□t▒y▀rself, itm░ aa▫e youa long time,▓buut ▀therwwiseit won't be□yours anyway / y█ucann□t look ▒it direc▄▒y nd▪ad▪resss t. ▀f you▫do▄ i▓ w█l░ dis▒▄▀ear
One thing we definitely do not want is flying cars. The ones on the ground are bad enough.
Cant anyone see that?
Blotting out the sky with us wanking around in our flying tesla car toys?
No thanks. I look forward to the end of the age of the automobile.
we are esignedd▄to be eepplace▀ / e■ect▫icity and ghosttss / ouur bdyis ░ poweer statio▒, aa vess■l, ands much more / b░tax may175 / ONLY EXISST NN Y□UR ME▓ORY█
KARBORN.eth retweeted
when kicking off the project, @TransientLabs asked me if I work with generative art, because the idea involved a large number of artworks to be created
“I'm no coder" I said, “but biting off more than I can chew is my way of working; I'll do it manually.”
so one-by-one, I threw pixels on a canvas, broke them, animated them, refined the colors and swapped textures; with intention, until each felt right
on top of that, I pull out my Wacom tablet, sampled parts of the gifs and hand-drew the w0rms, there is something deeply personal and human in that gesture imo
so yeah, this was ambitious, but im here for that
alright, I went a bit mad at one point, felt like I was myself turning into a robot
but looking back now I feel its even more pertinent to the core idea of the project
“I used to make art for humans”
going live on October 15th
check out artforhumans(dot)xyz