Catherine Hawley (@juxtabook) header
Catherine Hawley (@juxtabook) profile picture

Book seller: first editions, signed books, academic arts and humanities, children's books, crime fiction. PBFA. https://teapawt.org/t.co/ZJBLZQ9rzP #Dyslexic

Skipton, Yorkshire
Joined January 2009
Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)Photo by Catherine Hawley (@juxtabook)
Catherine Hawley retweeted
Publication day, huzzah! My "Paths in the Snow" is published in the US today - I wrote a bit about it in the piece linked below. Very cheered to be launching the series on the other side of the Atlantic, with the next volumes to come in spring and summer
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Catherine Hawley retweeted
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“Superficially, in Pride & Prejudice, Jane Austen is describing a world that has vanished. Go below the surface, however, and she is coming close to people, with their absurd hopes and fears, their little meannesses and acts of generosity, as they still are today. Consider carefully Mr and Mrs Bennet, Elizabeth, Jane and Lydia, Darcy and Bingley and Wickham, Lady Catherine and Mr Collins, and you will soon discover people not unlike them all around you… “That she was a great novelist, and remains one, there can be no doubt whatever. She is not great in the sense of being huge, expansive, overwhelming, as novelists like Tolstoy and Dickens and Balzac are. She created for her own use, as we have seen, a tiny world of her own, but no novelist before or since has succeeded better than she did in bringing close to perfection what she set out to do … Make friends with this quiet but brilliant woman, this superb artist in fiction, and you have made a friend for life.” — J. B. Priestley
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Catherine Hawley retweeted
“In late October tall bracken fronds are turning from russet to golden yellow, and the colours blend with fungi, the pheasants and the spindle-tree berries.” Artist: CF Tunnicliffe Writer: EL Grant Watson (What to Look for in Autumn, 1960)
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Catherine Hawley retweeted
In search of what "chatelaine" means, especially when said in Narnia...
The Chatelaine of Cair Paravel - in which I show what Jadis the White Witch has in common with Lucia of Tilling...
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Catherine Hawley retweeted
On #Halloween - a set of Ladybird Horror Classics. Which one is the creepiest?
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Happy Halloween! All things Gothic at CL Hawley including novels, short stories, first editions and acdemic texts. All available on the website now!👻🧙‍♀️🧛
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Catherine Hawley retweeted
I love Jane Austen, but for pity's sake STOP ADAPTING HER. Her novels have been done to death. There are many other unfilmed authors to do instead. Burney, Edgeworth, much of Trollope. Non-Hannay Buchan. Most of Wilkie Collins. If you like Regency romance, Georgette Heyer.
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Catherine Hawley retweeted
The mastery of artist Harry Wingfield. ‘Fork’ (Yes, it is a painting - from Second Picture Book, 1970)
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Catherine Hawley retweeted
#otd 1932 the great Sylvia Plath was born in Massachusetts. She was a great fan of the Brontes, and her evocative poem 'Wuthering Heights' perfectly sums up the moors around Haworth that she knew and loved.
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Catherine Hawley retweeted
This weekend's post - "A Bit of Beastliness in Narnia", on why the Pevensies keep calling each other beasts, and how they change...
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Catherine Hawley retweeted
This chapel, featured in a 1964 Ladybird book, is now Bridport Arts Centre. But who can focus on anything but that fetching little Morris Traveller? Artist: Robert Ayton
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Catherine Hawley retweeted
Runway Perspective, Eric Ravilious, 1942. This dates from this time at #RAF Sawbridgeworth, #Hertfordshire while working as an official War Artist in #WW2. The original artwork is in the collection of @I_W_M.
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Catherine Hawley retweeted
The modern world in old Ladybird books. The diesel. “It is sad to think that the last steam locomotive to be built in Britain left the workshops in March, 1960” Artist: Robert Ayton (1961)
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Catherine Hawley retweeted
I wonder where this Gloucester pub got the idea for its sign? Artist: Evelyn Bowmar
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Catherine Hawley retweeted
V cheered that Paths in the Snow, the first of my books about Narnia, is due to be published in the United States in a couple of weeks’ time. I’m intrigued by how different the cover is from the UK edition, but how excellent it is at the same time.
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Catherine Hawley retweeted
Is this the greatest ever opening line to a last chapter? Here is 'Reader - I married him' in Charlotte Bronte's own handwriting. Charlotte received her author copies of her first published book #otd 1847. Happy Jane Eyre day!
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Catherine Hawley retweeted
Sometimes the best project is realizing someone else’s vision. I was grateful to be the architect hired to restore an original saddle shop in Nevada. Built in 1910s it’s now the Cowboy Arts Museum. Restoring original architecture is always rewarding ❤️
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Catherine Hawley retweeted
#ClassicLitMonday Happy Classic Literature Monday: The Cuckoo Clock by Mrs Molesworth, first published in 1877. This copy published 1967.
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Catherine Hawley retweeted
‘The rapidly changing world of today’ (as viewed from 1968) (Kings and Queens, book 2, 1968) Artist: Frank Hampson
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Catherine Hawley retweeted
The town librarian, 1976 Artist: Harry Wingfield
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