aka. smoko. 28. all pronouns. oma. stunt stunt stunt.
Philadelphia, PA
Joined February 2020
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the women in manets paintings retweeted
My white college professor told me “I’m from the streets just like you” just because I had locs, we never conversed prior
the women in manets paintings retweeted
We all know Philly has the craziest street names but Wingohocking is just completely out of hand.
the women in manets paintings retweeted
i’ve always found it compelling that she wahs in and he wahs out. there are patterns for those with open eyes
the women in manets paintings retweeted
I feel like you’d actually have to be braindead not to get what Mickey 17 is about. The problem wasn’t understanding. It’s just that it doesn’t really innovate or say anything new. Coming from someone who liked it btw
the women in manets paintings retweeted
i was on the korean side of tik tok and there’s a popular debate there
if two girls, a and b, are both washing dishes, and a guy offers to wash the dishes for girl a, who does he actually like? girl a, bc he’s offering to help her, or girl b, bc he wants an excuse to stand next to her and talk to her?
남자는 A를 좋아하는 걸까, B를 좋아하는 걸까? 😭
apparently korean men tend to say a and the women tend to say b 💀
the women in manets paintings retweeted
Colom won because his ad promised cancellation immunity for white guys who say "SHEEEEEEEIIIIII"
the women in manets paintings retweeted
He removed Mamdani's verification in efforts to shadow ban after that ratio. Imagine how he'd weaponise Starlink in South Africa when the govt doesn't do what he wants
the women in manets paintings retweeted
this linkup with the hood singing boys x Natasha Bendingfield is cute but put that fucking brush down …………………………………………
the women in manets paintings retweeted
that's still trauma
the women in manets paintings retweeted
I owe Ty Pinkins a real apology. I was wholly unfamiliar with his game.
the women in manets paintings retweeted
People like this belong under the re-education camps
Very rarely do you get the opportunity to handle a gun that's claimed a life.
This Llama, for instance, was used in a murder.
Sure, when you handle milsurp guns or old guns there's a whole "oh maybe" kind of thing but it's an entire different ballgame when you're holding a gun that you know for a fact has taken someone.
It's a strange, macabre feeling. Like, yes it's a gun and it did it's job, but to know it's tragic history brings a whole different element to the equation. By holding it, you're tying yourself viscerally to it's history. It doesn't make you a killer, but it ties you to it's defining event.
