Pinned Tweet
This is what came out of an old drawer today that I hadn't rummaged in for years ..
at least 15 years ago ..
#bogart #humphreybogart #noir #Detective
#sketch #sketches #skizzo #croquis
SiM retweeted
"Las personas más inteligentes son todas autodidactas, incluso si fueron a la escuela"
Carl Sagan
SiM retweeted
Da giovedì #5novembre sui quotidiani in grande rilancio del gruppo QN ("Il Giorno", "La Nazione", "Il Resto del Carlino") tornano fumetti inediti... con #Gipi! 💥❤️
Merd..
Addio a Xavier e Picard.
Ma soprattutto ad un grandissimo attore: non riesco a credere di scriverlo, ma ci ha lasciato a 86 anni #PatrickStewart, un nome che, fosse anche solo per i due personaggi citati nella prima riga, non ha davvero bisogno di presentazioni.
#Cinema
SiM retweeted
Pagina intera per un'intervista a @FrankMillerInk di @Damians_GG a @LuccaCandG sul @DomaniGiornale di oggi: editorialedomani.it/idee/cul…
SiM retweeted
Ever notice that in Dune humans fly spaceships between planets but don't use a single computer?
That's not a plot hole. It's completely on purpose. The movies barely explain why, but once you know, almost everything else in Dune starts to make sense.
About 10,000 years before Paul Atreides, humans did exactly what we're doing right now. They built thinking machines to make life easier. They let the machines do their work and make their decisions, hoping it would set them free.
Instead, the people who controlled those machines gained the power to enslave everyone else.
Humanity eventually fought back in a holy war called the Butlerian Jihad, and won. The thinking machines were destroyed.
To make sure it would never happen again, they made one rule sacred: "Thou shalt not make a machine in the likeness of a human mind."
But getting rid of computers created a problem: who would do their work? The answer was humans.
Mentats are trained from childhood to think like computers. Navigators use the spice to glimpse the future and steer ships safely through space. The Bene Gesserit spend generations pushing the human mind and body to their limits.
Every superpower in Dune exists for one reason: there are no computers.
That's my favorite thing about Dune. It's also the most terrifying. Dune isn't a future without AI. It's the future after AI.
Frank Herbert wrote that in 1965.
🤝 Paid partnership
Hoy cumple 81 pirulos el gran Enrique Breccia! Les dejo esta entrevista que le realizo la gente de @comiqueandoar, en su podcast: comiqueando.com.ar/secciones…
Storie di Segni #6: Massimo Dall’Oglio
#Notizie
lospaziobianco.it/storie-di-…
SiM retweeted
È morto Piero Lusso, sceneggiatore di Lupo Alberto: fumettologica.it/2026/10/mor…
SiM retweeted
LA COLLANA MARVEL DA RECORD
Super Eroi Classic raggiunge il numero 500, un traguardo con pochi eguali nel panorama dell'editoria da edicola, a fumetti e non solo.
Leggi l’articolo: fumettologica.it/2026/10/sup…
SiM retweeted
El dueño de una tienda de anime en Francia compartió el video de seguridad que muestra cómo saquearon su negocio de 29 años durante las recientes protestas en París.
El comerciante explicó que no pudo hacer nada para detenerlos porque eran demasiados, lamentando que el trabajo de toda su vida quedó destruido en cuestión de minutos tras ver cómo vaciaban los estantes de mercancía y mangas.
SiM retweeted
A peek of the original art notebook, pencils and inks.
From #StephenKing and Peter Straub’s novel #OtherWorldsThanThese, third and last part of the Talisman Trilogy
Some of the illustrations for the first half of the book
SiM retweeted
Comics Report, il nuovo mensile a fumetti di SAE Comics in edicola con La Stampa: comicus.it/mainmenu-news/ite…
SiM retweeted
In 1980, Hayao Miyazaki felt creatively washed up. Then he read an American comic that amazed him. Its name: Rowlf.
As he tried to adapt it into a movie, Miyazaki evolved and found a new approach that reshaped his work. We're looking into the story:
─➤animationobsessive.substack.…
SiM retweeted
Una dotta recensione firmata da Mario Rumor. #hayaomiyazaki
nuvolettepop.it/hayao-miyaza…
SiM retweeted
Artribune parla di Dylan Dog.
artribune.com/editoria/2026/…











































