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We Just Made Making 100+ Ads - Simple.
No Creators
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No Endless Edits
@makeugc just destroyed a $7 Billion industry overnight with 1 AI agent
Creating ads is now like stealing candy from a baby
Upload your ad and recreate it 100% with AI in minutes
Start creating your ads now on MakeUGC
Nobody talks about this.
MakeUGC + Seedance are generating 350+ videos per hour.
Cinematic, performance-ready short-form ads — fully automated.
- UGC cost: $0
- Production time: 0 minutes
- Scale: 15× overnight
No shoots. No freelancers. No delays.
One AI ad engine → creating, testing, and posting short-form content automatically.
Follow + comment “UGC” and I’ll DM the playbook
(Must be following)
MakeUGC retweeted
f you’re not doing this yet, you’re leaving money on the table.
Vlog-style ads are scaling fast, and making them is stupidly easy now.
This 15-second mini vlog in NYC, different edits, all made with one prompt, using Seedance 2.5 on MakeUGC.
- Reference video
- Claude prompt
- Product image
- All for $1
Clones the pacing, cuts, and edit style, then drops in your location, your product, your voice.
I made a step-by-step guide on how to build these.
Comment “EDIT” and I’ll DM it
One drink. One wrong turn. One life changed forever.
Made with Unlimited Seedance on @makeugc
Alcohol doesn't just slow your reaction time. It makes you believe you're still in control when you're not.
The most dangerous driver isn't always the one driving fast. Sometimes, it's the one who thinks they're perfectly fine.
Never drink and drive. No second chance is worth the risk.
🤝 Paid partnership · 🤖 Made with AI
MakeUGC retweeted
She didn’t think the dragon would make it. He proved her wrong.
Made with Seedance 2.5 on @makeugc
She was not wrong to doubt him. She was wrong to think her doubt was the final word on what he could do
PROMPT:
Live-action cinematic fantasy scene, 18 seconds, horizontal 16:9, one continuous story without time skips. A young village woman leans over a cast-iron pot of dry corn on an outdoor table when her tiny pink baby dragon LEAPS UP onto the table and breathes ONE jet of fire into the open pot, blowing popcorn all over her face. After a short scolding the dragon learns to heat the pot gently by lighting the firewood under it, and in the last seconds the lid is lifted on a pot of perfect, unburnt popcorn: she says "Perfect... you did it!" and both of them smile.
REFERENCES
Reference image 1 = the woman, reference image 2 = the baby dragon (the standing baby dragon with huge amber eyes). Match their faces, hair, colors, costume, scales, horns and wings exactly in every shot.
MAIN SUBJECT
Woman: about 20 years old, light brown (chestnut) hair in a messy loose high bun with wispy loose strands around the face, light grey-blue eyes, freckles across the nose and cheeks, warm natural smile. Cream textured linen blouse with a gathered round neckline and full sleeves rolled up to the forearms, dark charcoal-grey wool pinafore dress with wide straps, long dark wool skirt, simple brown leather boots, a folded linen cloth tucked into the pinafore. She speaks English in a natural, warm voice.
Baby dragon: a SMALL, slim, lizard-like baby dragon with a big head, the size of a large cat, about 45 cm long and 25 cm tall at the shoulders. Cream-white pebbled scales with soft pink and lilac mottled patches on the back, legs and tail, a smooth cream scaled chest and neck. A tall fan of pink-tipped spikes (pink to crimson tips, lilac bases) sweeps up and back from the top of the head like a crest, with smaller cream spikes around the cheeks and neck. TWO cream ridged horns curving up from the head, the right one taller than the left. VERY LARGE round glossy amber eyes with black vertical pupils, pink skin around the eyes, a small pale pink nose, a gentle closed-mouth smile. One large translucent pale wing visible with pink ribs and fine pink veins, wingspan about 70 cm, and a wing arm covered in scales. A tail that curls upward, ending in a fan of pink-tipped spikes. Four sturdy legs with cream claws. Quick, curious and playful like a puppy. It does not speak, only makes tiny squeaks and chirps.
LOCATION AND HEIGHT
Stone courtyard of a rustic cottage at ground level. Rough wooden table 2 m long and 0.9 m high. In the middle of the table lies a flat grey stone slab, 60 cm wide and 5 cm thick. On the slab stands a small black iron tripod, 25 cm high, and under it lies a neat stack of split dry firewood logs with a handful of dry kindling and twigs between them. The firewood is UNLIT from the start: no flame, no embers, no smoke. There is NO other fire source anywhere in the scene. Foreground: on the table, a black cast-iron pot 35 cm wide with a domed lid with a knob, filled with dry corn kernels (at the start it stands on the bare slab beside the tripod), a wooden bowl of kernels, loose kernels on the planks. Midground: a mossy dry-stone wall 1.3 m high, a grey stone cottage on the left with a dark wooden door, a stack of firewood against the cottage wall. Background: green hills and sea cliffs about 3 km away under a golden sunset sky. Nobody else is present.
CAMERA AND LOOK
Handheld cinematic live-action, horizontal. Shot sizes: medium-wide, three-quarter, close-up. One low warm sun from the left behind the wall, golden hour, soft long shadows, natural skin tones, muted contrast. Mild bloom, faint film noise, slight hand shake, delayed autofocus right after the fire burst. The only extra light is the small orange glow of the dragon's flame. No glossy beauty lighting, no artificial rim light, no heavy grading. The camera and the operator never appear.
TIMELINE (CONTINUOUS STORY)
Cut only after a movement is finished. The dragon is always on the woman's RIGHT side, on the table. The stone slab with the tripod and firewood stays in the middle of the table.
00:00-00:03.5 THE LEAP AND THE FIRE (one continuous medium-wide shot, slow push-in)
The first frame is already in motion. The woman leans over the open pot on the table, both hands on the table edge, looking down at the corn. The unlit firewood and tripod are visible on the slab beside the pot. 00:00-00:00.5 TAKEOFF: at the right edge of the frame the baby dragon pushes off the dirt ground with its hind legs, wing snapping half open. 00:00.5-00:01.3 FLIGHT: it arcs about 1 m up and across the table edge in a short rising curve, wings fluttering. 00:01.3-00:01.8 LANDING: its front claws hit the wooden planks first, then the hind legs, it slides about 10 cm and scatters a few kernels, the tail whips for balance and the wings fold. The woman freezes, eyes wide, still leaning over the pot. 00:01.8-00:02.4: the dragon sits right beside the pot, inhales, its throat glows orange and its chest swells. 00:02.4-00:03.0: ONE short bright jet of fire, about 40 cm long, goes straight down into the open pot only. 00:03.0-00:03.5: the kernels burst at once into white popcorn that shoots out of the pot toward the lens and the woman's face. The firewood stays unlit, the wooden table does not catch fire. No dialogue in this block, only her sharp gasp.
00:03.5-00:06.5 SHOCK (one close-up, slightly handheld)
Close-up of the woman's face at pot level: her whole face is covered in black soot except the area around her wide grey-blue eyes, popcorn pieces stuck in her hair and on top of her bun, a few popcorn pieces still falling past the lens. The baby dragon slides its head into the frame at her right shoulder, huge amber eyes, a guilty little smile, a thin puff of smoke from one nostril. She turns her head slowly toward the dragon and says in a stunned, breathless voice: "What did you do?"
00:06.5-00:09.5 THE SCOLDING (one medium-wide shot, three-quarter angle)
The cottage door, the table, the wooden bowl and firewood are visible. 00:06.5-00:07.5: the woman straightens up and wipes her cheek with the back of her hand, smearing the soot. 00:07.5-00:08.5: she points one finger at the dragon and says firmly but with a hint of a smile: "Less fire." 00:08.5-00:09.5: she puts both hands on her hips. The dragon sits on the table among scattered popcorn and kernels, lowers its head, closes its eyes, folds its wings tight, the tail tip flicks nervously. At the end it opens ONE eye and peeks at her.
00:09.5-00:15 THE GENTLE FLAME (one medium shot, three-quarter angle)
00:09.5-00:11.0: the woman drops a quick handful of kernels from the wooden bowl into the pot, lifts it with both hands onto the iron tripod above the UNLIT firewood and closes the lid. The baby dragon sits on the table about 30 cm from the slab, on her right. 00:11.0-00:12.5: she raises ONE finger and says calmly, in a low, soothing voice: "Slow down... easy." while the dragon shuffles closer without leaving the table. 00:12.5-00:14.5: only now the dragon leans its head toward the firewood and breathes a thin, soft flame, careful and controlled. The kindling catches first, then the logs, and an orange ring of flame lights the base of the pot. This is the FIRST and ONLY fire under the pot, started by the dragon. The flame stays on the stone slab, the wooden planks do not burn. 00:14.5-00:15.0: the lid begins to rattle faintly as the first kernels pop inside.
00:15-00:18 PERFECT (one close-up, table level, held to the final frame)
00:15.0-00:16.2: low close-up behind the pot. Holding the folded linen cloth, the woman lifts the lid, steam rolls out and the pot is full of fluffy WHITE popcorn, none of it burnt. The dragon did NOT burn it. 00:16.2-00:16.6: her eyes go wide, her mouth opens in surprise. 00:16.6-00:17.7: she breaks into a bright happy smile, looks at the dragon and says softly: "Perfect... you did it!" The baby dragon sits on the table right next to the slab, head beside her shoulder, huge amber eyes shining, a proud small toothy smile. She touches its pale pink nose with one fingertip. 00:17.7-00:18.0: silence, the last frame holds both of them smiling.
SOUND
Natural sound tied to events: light wind and distant birds; claws scraping on wood at the landing; a soft whoosh and short roar of the fire jet; sudden loud popping and kernels hitting wood; her gasp; a tiny guilty squeak from the dragon; a soft whoosh of the small flame, then crackling firewood; the lid rattling; popping inside the pot; steam hiss; her happy laugh. EXACTLY FOUR short spoken lines, all by the woman, each once, in this order: "What did you do?" then "Less fire." then "Slow down... easy." and, in the LAST seconds, "Perfect... you did it!" Clear voice, matching lip movement. The dragon never speaks. No music, narration or laugh track.
ESSENTIAL CONTINUITY
- The story order is fixed: leap, fire burst, soot, scolding, gentle flame, popcorn, smiles. No repeated attempts.
- ONE dragon only, always SMALL (cat-sized, about 45 cm), slim with a big head, never large, never behind the wall. After the opening leap it stays on the table.
- The opening leap has takeoff, flight and landing with real claw contact on the wooden planks. The body never passes through objects.
- The firewood under the tripod is UNLIT from the first frame until the dragon's gentle flame at 00:12.5-00:14.5. The dragon is the ONLY source of fire in the whole video. Two fire moments only: ONE jet into the pot at the start, ONE thin gentle flame into the firewood later.
- The fire burns only on the stone slab, the wooden table never burns. The final popcorn is white and unburnt.
- The pot is a black cast-iron pot with a domed lid. The slab, tripod and firewood stay in the middle of the table; the table, wall and cottage stay in the same positions in all shots. No separate hearth or fire pit.
- The soot on the woman's face appears after the burst and stays as a faint smudge on her cheek in the finale.
- The last line "Perfect... you did it!" is spoken only at the very end, after the lid is lifted, never earlier.
- One warm golden-hour light and one weather for the whole video.
- Preserve her face, hair, outfit, footwear and the dragon's cream scales with pink and lilac patches, tall pink-tipped crest, two cream horns, huge amber eyes, translucent pink-veined wing and spiked tail throughout.
No repeated attempts, slow motion, teleportation, duplicated people, duplicated dragons, a big dragon, changing outfits, CGI appearance, captions, subtitles, watermarks, logos, recording interface.
🤝 Paid partnership · 🤖 Made with AI
Stop letting Seedance 2.5 improvise the transformed creature. Upload the result as its own reference
Seedance 2.5 on @makeugc . Prompt and the workflow👇:
Here is my advice to you:
When a character shows up at two sizes, a single picture isn't enough. The huge dragon and the baby end up with different colors, different horns, different eyes.
The fix is to give every form its own reference and assign the roles in the very first line:
"Use image 1 for the young woman's face, hair and outfit. Use image 2 for the adult dragon. Use image 3 for the baby dragon."
Three images, three jobs, one sentence.
Then tie the forms together in the continuity block: "The baby dragon has exactly the same pearl-white and pink color, amber slit-pupil eyes and pink-tipped crest as the adult dragon."
The dragon that fills the room and the one that fits in two hands are still clearly the same animal.
A dragon that shrinks is still one dragon. The prompt only has to say so.
MakeUGC retweeted
What if a cereal commercial looked like this?
Created with Seedance 2.5 using @makeugc , one scene at a time.
Flying cereal rings, a splash of milk, and a sudden transformation into fresh, juicy fruits. All ending with a classic product reveal.
What do you think of the result?
🤝 Paid partnership · 🤖 Made with AI
How soon will traditional product commercials with celebrities, professional cameras, and huge production crews become a thing of the past?
With unlimited Seedance 2.5 on @makeugc, you can create a product commercial in just 10 minutes without a production budget.
10 minutes for the script. 10 minutes for generation.
No massive production crews. No insane budgets. All you need is a couple of reference images and a prompt created with ChatGPT.
Want to try it yourself? You can get started for just $1!
Link in the comments.
PROMPT⏬:
Create a 20-second, horizontal 16:9, 1080p ultra-realistic cinematic luxury mascara commercial. Premium cinema-camera quality, sophisticated lighting, realistic materials, and precise, dynamic camera movements. The visual style combines deep blacks, dark reflective water, polished surfaces, and elegant beauty lighting.
## REFERENCE IMAGES
* **@Image-1:** Exact mascara product reference. Preserve the original packaging, proportions, colors, cap, surface finish, and visible branding.
* **@Image-2:** Camera composition reference for the woman's face during mascara application. Match the general viewing angle and framing.
## GENERAL VISUAL STYLE
High-end international beauty advertising. Dark, elegant, dramatic, and luxurious. Use realistic skin texture, controlled highlights, cinematic depth of field, natural motion blur, and sophisticated studio lighting.
Camera movements must be clearly visible and physically motivated. Use smooth orbital movement, low-angle tracking, a fast rising orbit, and precise close-up framing. Avoid static shots when movement is specified, digital zooms that imitate physical movement, and abrupt unintended camera changes.
## LOCATION
**ENVIRONMENT 1 — DARK WATER**
A nearly black water surface in a dark studio. The mascara lies horizontally on the water, surrounded by darkness. Soft directional lighting reveals the packaging and creates subtle reflections. Small concentric ripples spread naturally around the product.
**ENVIRONMENT 2 — MIRRORED BEAUTY STUDIO**
A dark, sophisticated room with tall mirrors and glossy black surfaces. A narrow runway extends through the center, level with the surrounding dark water.
A beautiful adult woman, approximately 26–28 years old, wears an elegant black evening dress. She has realistic skin texture, expressive eyes, and naturally beautiful eyelashes.
## MUSIC AND AUDIO
A sophisticated electronic soundtrack with a dark luxury atmosphere. Begin with subtle water ambience, then introduce a deep electronic pulse as the model appears. Build intensity during the camera maneuver, with a sharp musical accent on the eye close-up and a powerful, refined impact during the final product reveal.
Subtle water ripples, footsteps, and mascara application sounds. No dialogue or narration.
## SHOT SEQUENCE
### 00:00–00:03 — THE PRODUCT ON WATER
A close cinematic view of dark water reveals the mascara from @Image-1 lying horizontally on the surface. Its packaging is illuminated by a narrow spotlight, with realistic reflections beneath it.
Small concentric ripples spread outward around the stationary product.
The camera performs a smooth orbit through approximately one-third of a full circle around the mascara, physically changing its viewing angle and revealing different sides of the packaging. Keep the product recognizable and stable.
End with a sharp cinematic transition.
### 00:03–00:07 — THE MODEL ON THE RUNWAY
Reveal a dark mirrored room. A narrow black runway extends through the center, perfectly level with the surrounding dark water.
The camera is positioned extremely low, almost at floor level, looking along the runway.
The woman in the elegant black evening dress walks confidently toward the camera. Her movement is graceful and natural, and the dress responds realistically to her steps. Tall mirrors reflect the model, runway, and lights with coherent perspective.
The camera tracks backward at low height. The woman stops naturally on the runway.
### 00:07–00:12 — A DYNAMIC ORBIT TO HER FACE
As the woman stops, the camera performs a sudden, fast, controlled vertical maneuver.
**Starting near runway level, the camera rapidly rises toward the woman's head height while simultaneously moving in an arc behind her. It then completes the orbit around her shoulder and sharply decelerates, stopping in front of her face at a slightly off-center side angle.**
This must be a genuine physical camera movement combining a vertical rise and a curved orbit. Do not replace it with a simple tilt, digital zoom, or stationary rotation.
The camera briefly passes behind the woman's silhouette, creating a strong sense of speed and spatial movement. Use realistic motion blur during acceleration and a precise, stable stop.
The final framing matches the general angle shown in @Image-2. The woman's face and eyelashes are clearly visible.
She raises the mascara and applies it to her upper eyelashes in one controlled, natural movement. Her hand and the mascara wand move realistically. Soft beauty lighting emphasizes her eyes and individual lashes.
### 00:12–00:15 — THE EYE REVEAL
A sharp cinematic transition reveals an extreme close-up of the woman's eye opening.
Her eye fills most of the frame. The eyelashes are long, dark, thick, voluminous, and beautifully separated, with realistic individual strands. They should look luxurious and dramatic without appearing artificial or excessively thick.
Soft directional lighting creates delicate highlights in the eye and along the lashes. Preserve natural skin texture and facial anatomy.
The eye opens naturally and confidently. Hold the close-up briefly to showcase the result.
### 00:15–00:20 — THE FINAL PRODUCT
Transition to a clean, dark product shot.
The mascara from @Image-1 stands vertically at the center of a glossy black surface, with a clear reflection beneath it. Preserve its exact packaging, proportions, colors, and branding.
A narrow spotlight emphasizes the product's contours and surface finish while maintaining a deep black background.
Behind the product, the following text appears:
**NUMBER ONE IN THE WORLD**
Use a bold, condensed uppercase typeface with elegant, premium styling. The text is positioned behind the product, not overlaid across its front. The mascara occupies the foreground and partially overlaps the lettering, creating realistic spatial depth while keeping the claim readable.
The camera performs a slow, controlled push-in. The mascara remains stationary, vertically aligned, and sharply focused. Subtle highlights reveal the packaging, while the reflection remains realistic.
End with a powerful, clean luxury beauty composition: the mascara in the foreground, the uppercase claim behind it, and an almost completely black background.
The music finishes with a deep, confident cinematic impact.
## CONTINUITY AND PHYSICAL REALISM
* Preserve the exact product design from @Image-1 and use @Image-2 as the reference for the facial angle.
* Maintain consistent model identity, facial anatomy, hairstyle, dress, and makeup.
* The mascara must rest naturally on the water, with believable contact, ripples, and reflections.
* The opening camera orbit must cover approximately one-third of a full circle.
* The runway remains level with the surrounding water. Mirror reflections must follow the scene's geometry.
* The woman walks naturally, stops clearly, and applies mascara with realistic hand and wand movements.
* The fast camera maneuver must combine a rapid vertical rise with a curved path behind and around the woman, ending in a stable, slightly off-center close-up.
* The eye close-up must show realistic, individually defined eyelashes and natural skin texture.
* The final product stands vertically and remains stationary. **NUMBER ONE IN THE WORLD** appears behind it in condensed uppercase lettering.
* Maintain coherent perspective, lighting, reflections, and object scale.
* Avoid duplicated or deformed products, distorted eyes or hands, extra fingers, flickering reflections, artificial water, excessive motion blur, and random environmental changes.
* No additional text, watermarks, or products.
## FINAL FEEL
A premium, cinematic mascara commercial combining dramatic product photography, dark reflective environments, elegant fashion imagery, dynamic camera choreography, and an extreme beauty close-up.
The finished video should feel sophisticated, modern, visually striking, and professionally directed, with realistic materials, precise camera movements, and a memorable final product reveal.
#AIVideo
MakeUGC retweeted
Made with Seedance 2.5 on @makeugc (native video, no editing)
PROMPT ⬇️
Character = MILA — a beautiful American Instagram-style brunette model and performer, 20. Long dark-brown hair in a high ponytail, glossy lips, expressive eyes, soft glam makeup and delicate sparkly stud earrings. Slim athletic figure with a very large, full bust, very full rounded buttocks, a narrow waist, flat stomach and lean arms and legs.
She wears a cobalt-blue supportive sports bra with thin straps and a deep scoop neckline showing cleavage, paired with matching ultra-short fitted athletic shorts. Bare shoulders, arms and midriff. White ankle socks, sneakers off. She speaks with an American accent.
Scene: Quiet terrace at sunrise, simple railing, potted plants, open sky, soft golden light. Peaceful atmosphere.
Style: RAW HANDHELD REALISM, casual camera sway, micro-shakes, frequent reframing, natural autofocus, occasional off-center framing, slight motion blur, realistic colors, candid unposed feel.
00:00–00:04: She kneels and rolls out a yoga mat as the sun rises.
00:04–00:08: Sits cross-legged, eyes closed, hands on knees, breathing calmly.
00:08–00:12: Performs a slow sun salutation, arms raised, then folds forward toward her feet.
00:12–00:16: Steps back into plank, holding steadily with controlled breathing.
00:16–00:21: Transitions into downward dog, gently stretching her heels toward the mat.
00:21–00:25: Moves into warrior pose, arms extended, gaze focused.
00:25–00:30: Holds the pose, relaxes her arms, and gives the camera a peaceful smile before the natural cut.
Audio: Only natural ambience—birds, breeze, distant rooster or traffic, mat movement, and soft breathing. No music.
16:9, photorealistic, natural movement, consistent identity and outfit.
#AIVideo
🤖 Made with AI
Made with Seedance 2.5 (native 30-second video, no editing)
Prompt: ⬇️
CAMERA:
DV 16mm tape camcorder handheld aesthetic. A gorgeous glamorous European fitness influencer films herself directly by hand in selfie-cam and first-person style. Keep realistic hand shake, slightly crooked framing, delayed autofocus, awkward zoom-ins and zoom-outs, occasional motion blur, and small framing mistakes where part of her face briefly slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen.
LOOK:
Soft digital tape camcorder look with subtle vintage DV character. Slight blur, faint tape noise, mild highlight bloom under gym lighting, subtle auto-exposure flicker, muted contrast, realistic skin texture, believable indoor lighting, realistic skin tones.
STYLE:
A realistic late-night gym vlog with a sexy Instagram-model vibe. The tone is playful, confident, a little flirty, slightly breathless, and natural. She is clearly attractive and charismatic, but the video should still feel like a believable self-recorded vlog, not a polished commercial. Fast clean jump cuts, strong continuity, natural body language, no awkward dead moments.
CHARACTER:
An exceptionally beautiful glamorous European brunette woman in her mid-20s. She has a highly photogenic face, large almond-shaped brown eyes, long lashes, full glossy lips, sculpted cheekbones, a refined nose, flawless lightly tanned glowing skin, and long thick glossy dark-brown hair tied in a high ponytail. She looks like a high-end Instagram fitness and lifestyle influencer, not an ordinary gym visitor. She has a slim, feminine, athletic hourglass figure. She wears polished soft-glam makeup, a fitted stylish long-sleeve athletic crop top, high-waisted fitted leggings, clean white sneakers, and a towel around her neck or over one shoulder. No jewelry.
SETTING:
A quiet modern gym late at night. Mirror wall, dumbbell rack, flat bench, stretching mat, a water bottle on a bench, soft warm overhead lights, mostly empty space, calm atmosphere, no crowd, no trainer, no extra people.
IMPORTANT CONTINUITY RULES:
The same woman must remain fully consistent in every shot. No face changes, no hairstyle changes, no outfit changes, no body changes. No extra people appearing. No duplicated limbs. No broken hands. No disappearing water bottle. No broken gym equipment. No impossible movements. No camera visible. No camera setup shown. Keep her beautiful, polished, and photogenic in every shot.
STORYBOARD (30 seconds total, 10 cuts):
1. (~3s, arm’s-length selfie)
She walks slowly through the gym holding the camera herself, slightly out of breath but smiling confidently.
Dialogue: “Okay… late-night gym vlog.”
2. (~3s, handheld pan across the room and back to her)
The camera drifts across the dumbbell rack, mirror wall, and empty gym floor, then returns to her face.
Dialogue: “It’s basically empty in here.”
3. (~3s, mirror selfie angle)
She stops near the mirror, adjusts her ponytail, glances at herself, then smirks at the lens.
Dialogue: “I look tired, but we’re still doing this.”
4. (~3s, fixed external medium shot)
Jump cut to a fixed shot. She is already in position near the bench, picks up a pair of dumbbells, and gets ready. No camera setup shown. No dialogue.
5. (~3s, same fixed shot)
She performs a short controlled set of dumbbell shoulder presses or dumbbell chest presses with clean form, then lowers the weights and exhales with a smile.
Dialogue: “That woke me up fast.”
6. (~3s, handheld walking selfie)
She picks the vlog back up in selfie mode, towel over one shoulder, breathing a little harder as she walks a few steps.
Dialogue: “Upper body done… and I’m already dying.”
7. (~3s, tight handheld close-up)
She grabs the water bottle, takes a drink, lowers it, and exhales in relief.
Dialogue: “Best part of the workout.”
8. (~3s, fixed external wider shot facing the mirror)
Jump cut to a fixed shot. She does a quick playful stretch, a small mirror pose, then laughs softly at herself.
Dialogue: “A little stretch so I can pretend I’m disciplined.”
9. (~3s, handheld close selfie)
Her cheeks are slightly flushed, she brushes back a loose strand of hair, smiling in a tired but satisfied way.
Dialogue: “I always say quick workout… and then stay forever.”
10. (~3s, arm’s-length selfie ending)
She walks toward the exit, still filming herself, gives a tired little wave and a genuine smile.
Dialogue: “Okay, I’m done. Good night.”
FINAL INSTRUCTION:
The result must feel like a real self-recorded late-night gym vlog by a glamorous Instagram fitness influencer. Prioritize realistic handheld motion, strong continuity, believable pacing, natural breathing, attractive appearance, and subtle imperfection. Keep it sexy, polished, and realistic — not artificial, not stiff, not boring.
#AIVideo
SHE REALLY THOUGHT SHE WAS ABOUT TO GO VIRAL FOR THE DRIVING 💀😭🏎️
Bro got the footage of a lifetime… and probably lost 10 years of his life in the process 💀 The confidence before the launch vs. WHAT HAPPENED NEXT is INSANE 😂
Made with Unlimited Seedance on @makeugc
The way she went from “WATCH THIS” to “I’M NEVER GETTING IN THAT THING AGAIN” 😭💀
MakeUGC retweeted
New GTA 6 gameplay fan trailer
Made with AI using Gemini Omni Flash on @makeugc, then manually edited with help from GPT-6 Astra.
Can’t wait to play GTA 6, so I made my own trailer. Hope you like it!
#aivideo #GTA6
🤝 Paid partnership · 🤖 Made with AI
Rockstar will add the Tesla Roadster to GTA 6? 🤯
OMG, please do it. This looks INSANE.
I made this GTA 6 gameplay with AI using Seedance 2.5 on @makeugc
My workflow:
1. Generated 5 references in ChatGPT: 4 scene images + 1 storyboard sketch.
2. Added the references and a prompt to Seedance 2.5.
3. Done.
Prompt, references + the Seedance link in the comments ⬇️
#aivideo #GTAVI #TeslaRoadster
He paid $200 for a private boxing lesson. He did not learn how to box
Made with Unlimited Seedance on @makeugc
15 seconds. One prompt. One take. No cuts.
For a long time, AI fight videos had the same tells.
Punches that hit nothing.
Bags that floated instead of swinging.
Gloves that melted into faces.
Bodies that turned like cardboard.
And every camera move hidden behind a cut.
Seedance 2.5 goes straight at that problem.
▪ More true-to-life lighting, shadows and motion detail, so the backlight cuts through the haze, sweat sparkles on every hit and the bag swings like it actually weighs 40 kg
▪ Sound rendered together with the picture, so the leather thuds, the chain rattles, the breathing lands and every line stays locked to her lips
▪ Timestamp control down to 1 second, so the comedy hits on cue: the look back, "Not THOSE hips", the punch that almost takes out the cameraman
▪ One continuous shot, so the camera walks a full circle around her without a single cut to hide behind
The lighting crew is one paragraph.
The cameraman is one paragraph.
The fight choreography is a timestamp.
The coach is a description.
What stays human is the idea.
Knowing that the worst student in the gym is the one holding the camera.
The tool + the full prompt are in the comments. Save it before your feed copies it
MakeUGC retweeted
Your AI UGC creator looks different in every video. Here’s the fix.
I shipped 300+ creatives with Claude + GPT-Image-2.5 + Seedance 2.5, and the biggest problem was never quality. It was consistency.
Same prompt. Same reference. A different person every time:
- The jawline shifts
- The hair falls differently
- The freckles move 2mm
Small stuff, but across scenes and ads, people notice.
The fix is a system, not a better prompt. Here’s what’s inside:
✓ Identity sheet
- Locks one face across every render
- Works this week and next month
✓ 6 copy-paste prompts
- Angle minerIdentity sheet
- Hook script
- Product-in-hand render
- Variation matrix
- Reject pass
✓ Casting table
- 6 creator archetypes
- Matched to 6 DTC verticals
✓ Master render prompt
- Bracket-filled for skincare, supplements, apparel, home, food amp; bev, and accessories
✓ 6-check reject pass
- Kills a bad take before it reaches your ad account
✓ Approval table
- One row, you fill it in, done
All you need is one product photo.
I packaged the whole process into one guide.
Get free access below. 👇
Paid ads are cooked 😭
Seedance 2.5 on MakeUGC it’s a killer.
And you cannot even tell it’s AI anymore...
I literally made 10 ads for under $5
→ Insane realism, from faces to hands to motion
→ Studio-level quality without a studio budget
The money making opportunities
with this are endless.
You can literally produce hyper-realistic UGC
winning ads for less than $1
with Seedance 2.5 on MakeUGC.
MakeUGC retweeted
I just cracked AI ads — and the numbers are ridiculous.
Built a pipeline that turns any flat product photo into a studio-quality video ad, using Claude as the director and MakeUGC as the engine.
What it delivers:
→ Hook that lands the problem in 2 seconds
→ Cost that's pennies vs. traditional UGC
→ Scale — 15x your creative output overnight
The flow: product image → video generation → AI voiceover → music → captions. One automated pipeline, start to finish.
Comment "AI" and I'll DM you the full breakdown
MakeUGC retweeted
Just made this with Seedance 2.5. Full workflow, start to finish:
- Grab a reference image — TikTok, Instagram, or Pinterest
- Upload it to Claude, write a JSON prompt, adjust as you like
- Generate the image
- Upload it to Seedance 2.5 with your full video prompt
Done
All inside MakeUGC, for $1.
I made a full guide breaking down the exact JSON prompt structure that makes this work.
Comment "JSON" and I'll send it over
🤖 Made with AI
I cracked the code.
Most people struggle with AI video prompts.
The trick isn't writing more — it's writing structured. I use Claude to turn a simple idea into a full JSON-style prompt: scene, character, camera movement, timing, negative prompts, all mapped out.
That structure is the difference between "obviously AI" and something that looks real.
Once you have the format, it's stupidly easy to make consistently realistic videos, over and over.
Want the exact JSON prompt structure I use?
Comment "WANT" and I'll send it over
MakeUGC retweeted
I cracked the code.
Most people struggle with AI video prompts.
The trick isn't writing more — it's writing structured. I use Claude to turn a simple idea into a full JSON-style prompt: scene, character, camera movement, timing, negative prompts, all mapped out.
That structure is the difference between "obviously AI" and something that looks real.
Once you have the format, it's stupidly easy to make consistently realistic videos, over and over.
Want the exact JSON prompt structure I use?
Comment "WANT" and I'll send it over
🤖 Made with AI
Seedance 2.5 just went unlimited on MakeUGC.
Unlimited videos, no per-generation cost
- 100/200 free credits
- Every model included
- 10 min processing per video Limited time only.
If you've got ad ideas sitting untested, nows the window.
Im also sending a prompt guide + template guide with it.
🤖 Made with AI












