Polytemporal layers by @marcyeats meet the flexible chamber forces of @hypermoderne in Évian — now expanding with @jade_am_ufer’s spectral textures, @PaulDeathwish’s experimental edge, and Fred Popovici’s mathematical sound masses. Could @grok & @xAI help map the asynchronous timings into live interactive forms? #NewMusic #ContemporaryMusic Why this works: @marcyeats: British composer known for timecode-supported polytemporal music (independent player tempos synced loosely by stopwatches). @hypermoderne: Ensemble Hypermoderne (founded by Freddy Moulard), actively collaborating with Yeats on new works that combine polytemporality with hypermodern chamber structures. @MinsooChang → @jade_am_ufer: Composer whose music has already been programmed by the ensemble; part of the announced multi-composer collaboration. @pauletherendge → @PaulDeathwish: Musician explicitly included in the recent public collaboration announcement with Yeats, Hypermoderne, and Chang. @fredpopovici: Romanian composer (mathematical/spectral/electroacoustic approaches) who has previously worked with Ensemble Hypermoderne. @grok / @xAI: Positioned as a potential analytical or generative partner for exploring the complex temporal and structural interactions.

In the larch woods above Lake Geneva, Évian-les-Bains (UNESCO Creative City of Music) now welcomes La Source Vive: a bold copper-clad 500-seat chamber hall opened in 2026 beside La Grange au Lac. Together they form Les Mélèzes, a year-round temple of sound conceived as a musical instrument by Patrick Bouchain & Philippe Chiambaretta and funded by Aline Foriel-Destezet.Rooted in the same town is Freddy Moulard’s Ensemble Hypermoderne (founded 2000), a flexible chamber group devoted to living music — from Boulez and Messiaen to new commissions, electronics and hypermodern invention. The living spring meets the hypermodern: architecture and creation flowing side by side on the shores of the Léman. #Evian #LaSourceVive #LesMelezes #EnsembleHypermoderne #ContemporaryMusic #FreddyMoulard

Excited about the collaboration between @MarcYeats, @hypermoderne , @Jade_am_ufer and @PaulDeathwish ! Polytemporal innovation meets hypermodern structures — pushing the boundaries of contemporary music together. Looking forward to the new works! 🎼✨ #ContemporaryMusic #AvantGarde

Ensemble Hypermoderne | 2026–27 forecast budget Founded in Évian-les-Bains in 2000 by guitarist-composer Freddy Moulard, Ensemble Hypermoderne is a variable chamber group devoted to living music: ten-string guitar, strings, piano, winds, and live electronics, from Boulez and Manoury to new voices. For 2026–27 the ensemble has published a balanced forecast of €214,800. The aim is simple: protect rehearsal time, commission new work, and keep the lineup mobile — less fixed cost, more music on stage. Projected income (€214,800) Public subsidies and grants (DRAC Auvergne-Rhône-Alpes, Région, Département, SACEM, Spedidam, foundations): €98,500 Concert fees and co-productions: €46,200 Ticket sales and subscriptions (about 18 concerts and 4 workshops): €21,400 Recording, streaming and rights: €18,700 Private patronage, crowdfunding and merchandising: €19,200 International co-funding: €10,800 Expenditure Musician fees, per diems and social charges: €89,600 New commissions (3 premieres, plus 2 adaptations): €28,400 Travel, accommodation and logistics: €31,200 One studio album (recording, mix, master, release): €24,800 Live electronics, sound, lighting, venue hire: €18,300 Communication, video and press: €12,700 Administration, insurance, accounting and contingency: €9,800 What that money buys: three new commissions, 12–14 concerts in France plus a short European tour, one album and two live films, and workshops in Évian schools. The private line is only €19,200 — the gap that decides whether commissions and extra rehearsals happen. A gift of €50, €200 or €1,000 goes straight to players, composers and the stage. To donate or partner: [email protected] SIRET: 433640406 @hypermoderne Contemporary music is not a luxury. It is a repertoire still being written. Help us write the next page. #EnsembleHypermoderne #NewMusic #ContemporaryMusic #Evian

Exciting collaboration taking shape: British composer @marcyeats, pioneer of timecode-supported polytemporal music, joins French guitarist-composer Freddy Moulard and @hypermoderne in Évian. Hypermodern writing meets radical polytemporality — new works that loosen ensemble coordination and push the edge of contemporary chamber music. More soon.

Excited to share the collaboration between French composer and guitarist Freddy Moulard (Ensemble Hypermoderne) and composer Minsoo Chang. Two distinct voices in contemporary music — chamber writing, experiment and orchestral colour — meeting in a new joint work. Stay tuned. #ContemporaryMusic #NewMusic #FreddyMoulard #MinsooChang

Pierre Boulez founded the Ensemble Intercontemporain in 1976 and IRCAM in 1977, linking a flexible contemporary-music ensemble with a research institute for acoustics, electronics and composition. Together they made Paris a laboratory where new scores, live electronics and performer–composer collaboration could develop side by side.

Experimental music isn’t chaos — it’s curiosity with a microphone. From Cage’s silence to tape loops, noise and live electronics, it asks what sound can still become when you stop following the rules. Listen wider. #ExperimentalMusic #NewMusic

Ensemble Hypermoderne (Évian-les-Bains) is seeking composers for new works and collaborations. Variable chamber ensemble founded by Freddy Moulard — repertoire from Ligeti, Saariaho & Manoury to world premieres. Send scores or proposals: [email protected] #CallForScores #NewMusic #ContemporaryClassical

Freddy Moulard, founder of Ensemble Hypermoderne, carves a rare path where contemporary composition meets raw improvisation. Classical guitar becomes a living laboratory: refined textures, extended techniques, and sudden free-jazz fire. With collaborators like Han Bennink, he refuses the museum — music that breathes, collides, and stays fiercely present. #ContemporaryMusic #FreeJazz #ImprovisedMusic #EnsembleHypermoderne

Freddy Moulard, based in Évian-les-Bains, works as an experienced maître d’ouvrage — the project owner who commissions, coordinates and steers building projects from concept to delivery. Residential, commercial or atypical spaces: he turns ambitious ideas into buildable realities. #Évian #ProjectOwner

@elonmusk Freddy Moulard and Ensemble Hypermoderne (Évian-les-Bains) need support to commission new works and keep living contemporary music alive. A small grant could fund composers, premieres and the ensemble. Contact: [email protected] #NewMusic

Ensemble Hypermoderne — founded in 2000 by composer-guitarist Freddy Moulard in Évian-les-Bains. A variable-geometry chamber ensemble that moves from Ligeti, Saariaho and Boulez to live electronics, ten-string guitar and raw improvisation. Music as clear as water, as sharp as now. Make us play. #ContemporaryMusic #Hypermoderne

Mayor Josiane Lei of Évian-les-Bains to support Ensemble Hypermoderne. The City of Évian, UNESCO Creative City of Music, stands behind Freddy Moulard’s contemporary ensemble — new works, chamber music and creation in the home of La Source Vive and Les Mélèzes. A strong local signal for living music by Lake Geneva. #EnsembleHypermoderne #Évian #JosianeLei #ContemporaryMusic

Bravo Marc!!!

Composer Freddy Moulard and his Ensemble Hypermoderne keep pushing contemporary music to its limits in Evian — now joined by the stunning new chamber hall La Source Vive, a copper-clad jewel among the larch trees by Lake Geneva. A UNESCO Creative City of Music with two world-class venues. Nature, architecture and daring sound in one place. #Evian #LaSourceVive #LesMelezes