Assistant Professor of Philosophy, U Lethbridge / author of ‘The MAiD Question: Understanding Canada's Assisted Dying Debate' (forthcoming, McGill-Queen's UP)
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ALT A diverse group of disability advocates, including Naheed Nenshi and Marie Renaud, pose together inside the Alberta Legislature building. Several individuals wear visitor badges, and two people are using wheelchairs. A service dog sits at the front right of the group. The setting features marble columns and historic architecture, and the group appears united and engaged around accessibility advocacy.
ALT ARENDT ON KANT. De Gruyter Conversations. The article is advertised with a graphic, showing Kant (left) and Arendt (right) beneath the title text. To the right of the photos, it reads "The story of a once-lost work of philosophy and its varied reception. By Nicholas Dunn." The text is in white against a green-grey background. We can also see an annotated page on the far right side.
ALT Banner for Linda Zerilli's essay “Judging in Arendt's Kant Lectures” in the “Works of Philosophy and Their Reception” database. The right-hand side features the cover image of the database with an abstract image in rusty red, green, beige and grey. There’s a sticker with the text “Read Now.” Underneath is the header “Introducing #WPR” in block capitals. A quote from the essay is included: “Clarifying what it means to judge politically was crucial to Arendt's lifelong effort to disentangle politics from philosophy.”
ALT Banner for Ronald Beiner’s essay “What Arendt Has Contributed to a Philosophy of Judgment” featured in the “Works of Philosophy and Their Reception” database. The right-hand side shows the cover image of the database with an abstract image in rusty red, green, beige, and grey. There's a sticker with the text "Read Now." Underneath is the header "Introducing #WPR" in block capitals.
ALT On the left in large capitals a headline says, “300 years of Kant” and in smaller font below is the subheading “150 years of excellent research.” To the right is the design element of six semi-transparent Kant portraits in blue, green and pink pastel shades. In the upper-left corner is the De Gruyter logo.
