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Pawcatuck, CT
Joined December 2017
My HYPE playlist is updated! 🔥💥🔊: spoti.fi/2oCc3db
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.@Audiomack is transforming the African music scene, empowering artists and amplifying their voices globally. And the best part? We’re just getting started. 🌍 Thank you to @heranmamo and @billboard for shining a light on @Audiomack and our @charlotte_bwana.
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Alright, let’s do this. You’ve released an album, but your post-release marketing budget is tight (or nonexistent). Here are 3 simple, effective drivers that can work whether you’re a developing artist or already established. 🧵
Replying to @BrianZisook
If you had a budget, what would you allocate funds to as far as post release promotion? Some non-stars don’t have access to performances. So content creation; using song in videos on tiktok? What else? Thanks.
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plumpy retweeted
I had a great conversation on the @MusicTectonics podcast with @dmitrivietze and my Audiomack co-founder, @dcponte. We discussed how Audiomack helps emerging artists grow their careers organically, making the platform a haven for creators seeking independence and visibility.
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plumpy retweeted
I spoke with @andrejgee at @RollingStone about the biggest story in music. I don’t believe there is any endgame, for Drake, specifically, that offsets the self sabotage and reputational harm of these filings. rollingstone.com/music/music…
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If you think accusations of bots and undisclosed social media influencer posts are spicy, you don’t remember the good ‘old days of Payola 😂
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Post-release album marketing is a great & necessary strategy for all acts, not just established ones. We live in an attention economy. If you’re able to capture someone’s attention, you want to immediately convert them. You can’t do that if the music isn’t available…
maybe a great strategy, but only for well- established artists.
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People often ask me why I care so much. Allow me to explain.
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The label found out this morning lol
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If you're signed, urge your label partner to allow you to release your music off-cycle. If you're unsigned, you don't need to urge anyone—just do it. I spoke with @RollingStone about Tyler's successful Monday drop and the difference four days can make for fan engagement.
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Every few weeks, we host a Connect event at @Audiomack Studios in New York, bringing together incredible artists and dedicated fans in an intimate setting. Last weekend, we had the privilege of hosting the incomparable @Phynofino. The energy was electric! 🇳🇬🔥 🍹
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I’m loving our @Audiomack You Need to Hear series—a program dedicated to amplifying developing acts! Our latest pick is Kingston’s SP!DA, who’s quickly become one of Jamaica’s hottest names, seamlessly blending dancehall and R&B.
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We are voting for the president that makes rekordbox not suck anymore ‼️
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🚀 Big news! @Audiomack has partnered with royalty tracking platform Mogul (@usemogul) to enable half a million active creators on the service to manage their royalties alongside other revenue streams. Read More: musicbusinessworldwide.com/a…
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This man is the plug 🔌 Tap in to audiomack ‼️
Looking for fresh bass music to feature on verified Audiomack playlists. All artists are welcome to share demos. I will listen to each and every one. This is your chance to get discovered! Guess what else? it costs you nothing but a few seconds. [email protected]
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Audiomack just introduced a new way to promote and marketing your music. Here's everything you need to know about Sponsored Songs:
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Should artists get paid more when you finish their songs? Former Spotify economist Will Page discusses a "consumption-based" payment model that would reward song completion. Currently, streaming just 31 seconds of a 3-minute track pays the same as listening to the whole song.
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Thank you to @jeffponchick for including @Audiomack in The Mogul's Playbook, a repository of tools and resources to help musicians thrive. 🔶 @usemogul
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"@Audiomack boasts the most comprehensive African curation, focusing not only on established and emerging artistes but also the sounds and scenes from which these artistes originate." - @charlotte_bwana
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