setota h retweeted
wrote about how+why black artists get left out of the indie sleaze nostalgia discourse for p&p!
When “indie sleaze” was actually happening, it was just called indie. But as the era gets repackaged through playlists, party photos, and Pinterest boards, the Black artists who helped shape the era are being left out.
@Santigold, Spank Rock, and @kilokish shed light on the scene they experienced, the boxes the industry put them in, and how the people telling its story shape what gets remembered.
Read the full feature by @precious1otus here: pigeonsandplanes.com/read/wh…
i think it's clearly two random people, meant to look head over heels in love à la billy and liz, while also representing nathan + liz/nathan eventually giving into liz's charms
when she's about to head to jail and they're saying their final goodbye to each other and he moves his head in ever sooo slightly like he was about to lean in for a kiss I THOUGHT I WAS CRAZY????
setota h retweeted
Cameron Winter coming for the crown, he had to act quickly
MJ Lenderman played his first show in five months in Durham tonight and performed six unreleased songs (some of which he'd debuted in joint sets with Waxahatchee in the spring). At the free Good Moon festival gig, he was backed not by the Wind but instead by Tanner York, Brad Cook, and Colin Croom — and he apparently gave away his guitar at the end. 🌙
[📷 1/2: u/Odd_Cheesecake7, 3: Good Moon]
setota h retweeted
the point of being a hater is having taste. For everything you hate on you must have something you just as enthusiastically recommend. Otherwise you’re a cancer upon society
setota h retweeted
Hey girl, sorry for being a little low energy last night!!!! I’m cursed to carry around The Anvil of Grief & it was just especially heavy yesterday
setota h retweeted
eager for journalism's pivot to longform features about local cranks

























