@testpatterns_

Cam/Cameron I'm the Long Season guy. https://xitter.cf/t.co/4E8Gzf1dBp Words @JPALTMAG

 Baton Rouge, for now
letterboxd.com/testpatterns/
Joined June 2011
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It depends on how the text is treated and handled. Many times it is an afterthought, sadly. Here are a few really good ones
Vienna Starlight Boom@emoviolence3Oct 24
I think text on an album cover looks tacky like 90% of the time
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Replying to @DavidBermanBot
@DavidBermanBot
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Now seated About to See Everything
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Replying to @jimineuropa
Honestly, no. But Yoshiko Sai is a master and a long time favorite of mine, so I'll make sure to check it out, thanks
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Replying to @bearlainiscute
Jun!
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Replying to @trumanswater
Yep! He has so many interesting projects like this. What a man
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3.47/5 from 262 ratings if that matters! (3.43 from 15 friends!)
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Slap Happy Humphrey's s/t (1994, Alchemy Records). Sort of a "concept project" by Jojo Hiroshige (Hijokaidan) to record noisy covers of cult folk artist Doji Morita's songs. In practice it's mostly conventional folk arrangement with noise burst & interludes.
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Vic@prog_1211Oct 22
this is a really strangely specific request but does anyone know any albums consisting of unexpected genre mergers with heavy distortion and feedback? think how The Glow Pt 2 combined folk with noise rock, or the feedback on Diamond Jubilee. or LRD’s combo of psych and noise
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Good morning everyone. This week in music, roughly sorted #LastfmFriday
Steven@StevenWallabyOct 23
The week in music
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Replying to @On3
I call him 16
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Replying to @johnvvariety
Smile DK, of the 2009 Sakura-Con commercial directed by Vic Mignogna fame?
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