Zaveray retweeted
Something is different, there’s an electricity in the air. The presence of Speed Racer has completely changed the equation.
Zaveray retweeted
1996 - Native Instruments is born
1999 - Reaktor is born
2000 - Traktor is born
2002 - Kontakt is born
2004 - Guitar Rig is born
2007 - Massive is born
2009 - Maschine is born
2014 - NKS is born
2023 - Logo changed; Brainworx, iZotope, & Plugin Alliance merger
2026 - RIP
Zaveray retweeted
Big up @Skrillex for having feature on 2 tracks on the album #Recess which hit 40,000 sales in Canada which in turn gave us our 1st gold disc , we always grateful and give thanks to the most high for our blessings #RaggaBomb #AllisFairInLiveAndBrostep 🥂🍾
Zaveray retweeted
One of the best and most counterintuitive bits of mix advice I ever received was: don't pay attention to the track you're adjusting, listen to everything else instead
It works. Try setting your main vocal level while listening to the snare or the guitars rather than the vocal itself. Pay attention to how they interact and mask one another. In a dialed in mix, they'll lock together and fit like a glove. In a rough mix they'll fight for space, blur together, or shift unpredictably
When you focus on the other elements while adjusting something, you force your brain to hear masking, contrast, and movement. By shifting your attention off the thing you’re touching, you naturally make decisions that prioritize relationships instead of single track tone shaping
It also helps you avoid over processing. When you only listen to the source you’re working on, especially in solo, every tiny imperfection can become an issue. But when you place it in context and listen elsewhere, you can instantly tell whether that “problem” actually matters or not
Leveling a vocal by listening to how the snare pokes through, or EQing guitars by paying attention to how clearly the bass line reads, keeps your adjustments anchored in the musical function of the parts. You stop trying to make each track sound “good” and start shaping the mix as a single instrument, which is key to a great mix
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5 signs of a good mix.
1. Good balance. Nothing is too loud or too quiet.
2. Mix sounds good at both low and high levels.
3. No artifacts, clicks, pops etc.
4. Mix carries the emotions and always develops.
5. Mix translates well to other audio playback systems.
"Good" is not universal ofc but refers to genre, idea etc.
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u be talking to somebody and theyll be like yea my parents didnt let me watch spongebob
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thread about all the (mostly free) tools that makes my life so much easier as a sound designer/music maker:
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FUNTCASE SENT ME A REMIX OF SEMTEX AND IT’S BEEN GOING OFFFF. IM GOING TO SEND A UNRELEASED COPY TO A FEW PEOPLE WHO LIKE & RETWEET THIS VIDEO @FuntCaseUK
































