#ClassicalMusic. Leadership Coach. Former BBC (various), Wigmore Hall & Warner, Ulster Orchestra. Currently video at English Concert. Boring, naff, fan.
Lewisham, London
Joined February 2007
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Some answers to questions frequently asked about Thoroughly Good. blog.thoroughlygood.me/frequ…
It’s difficult enough getting people to pay for content. Difficult to find good content too. Driving people to pay and then not making the content available or providing a contact path for disgruntled subscribers is a massive fail and erodes trust, in the website and its writers.
Hey @theartsdesk, I’m having a lot of trouble logging in to my account. I’ve paid my subscription - the fiver left my account last week - I try logging in with my password and I’ve requested a reset twice.
Some brilliant candid shots from Chris Christodoulou at this year's Proms: theartsdesk.com/classical-mu… @theartsdesk
No way to unsubscribe, stop the regular card payment and can’t access any other way of contact The Arts Desk. It appears as though the paid tier lacks a bit of vital UX.
Thoroughly Good retweeted
“It’s full of the things that interest and excite me”
Talking about my novel and writing about music with @thoroughlygood 🎶✍🏼
Thoroughly Good retweeted
"Were Count Binface to be elected as Count Binface your mandate is as Count Binface. Now under current parliamentary rules you wouldn't be able to appear in the Chamber like this."
@nicholaswatt on the challenges facing Count Binface if he's elected in Clacton.
#Newsnight
Thoroughly Good retweeted
To be clear @Moneybox on Saturday is not being cut. But its Wednesday sister programme Money Box Live is being axed. A very sad decision not just for the excellent presenter @FelicityHannah who has so made it her own and the great producers who have worked on it but for the growing audience it serves at such a low cost.
Asserting commitment and enacting withdrawal. Unsurprising. blog.thoroughlygood.me/2026/…
"Spare, fragmentary and poignantly lyrical, as if the strings were sometimes the voices of nature and sometimes a profound human response."
Guest reviewer @carolinefrmus on United Strings of Europe’s Purcell Room debut — a programme exploring music, deafness, and listening.
Frequently by journalists too who, today, run Substacks which are, simply, blogs.
Breaking News: Voting procedure agreed with the other member of the Fordel Road Eurovision jury member. “Well, it’s something to do at least.” Scorecards now being drawn up.