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My son’s graphic design business now live! For all your logo & web design needs.
Reposts appreciated!
bytomhaynes.com/
Julian Haynes retweeted
Harry, an 18-year-old Leeds United fan, has just got his 3rd round of chemotherapy done, which takes him to the halfway mark.
Not a single complaint out of him either, and he's up on his feet in the shirt. Absolute warrior 👏🏻👏🏻
Julian Haynes retweeted
Congratulations on your #BristolCity debut Brad Collins. 👏
Legacy number #1212 ✅
Julian Haynes retweeted
Today The Farmers Dog hosted 250 fox red Labradors! "Very wet, very muddy. But absolutely brilliant!".
Julian Haynes retweeted
It was a bit stormy on this morning's walk here in Glastonbury. Rain showers and very very windy.
Julian Haynes retweeted
One of the most famous inventions in science fiction was created because a TV show couldn't afford to land its spaceship. 🖖
When Star Trek premiered in 1966, creator Gene Roddenberry faced a problem.
Every time Captain Kirk and his crew visited a new planet, the Enterprise would somehow have to land, and then take off again.
For a weekly television series with a limited budget, filming those sequences would have been expensive and time-consuming.
So the production came up with a much simpler solution.
Why land a spaceship when you can make the crew disappear from one place and reappear somewhere else?
The transporter was born.
With a glowing platform, some clever camera effects, and that unforgettable shimmering sound, the Enterprise crew could travel from ship to planet in seconds.
And just like that, a practical production shortcut became one of the most recognizable pieces of technology in television history.
The funny part? The transporter eventually inspired decades of conversations about whether human teleportation could ever be possible.
All because a television show needed a cheaper way to get its actors onto a planet.
Sometimes the best science fiction begins with a budget problem.
Julian Haynes retweeted
Extract from an interview with Harry Cornick in today’s AFC Wimbledon programme
#BristolCity
Julian Haynes retweeted
Kaleb Cooper, the farm manager on Clarkson's Farm, worked out his own hourly rate from the farming side of his business and it came to fifty pence. He said so on a podcast. His books pay rather better.
Kaleb is not a television character. He is a working contractor who was farming in the Cotswolds before the cameras came and will be when they go, and he has done the sums that most farmers do in their heads and keep to themselves.
- Hourly rate from farming, by his own count: 50p.
- Hourly rate for the woman who stacks the shelf his wheat ends up on as a loaf: at least £12.71.
- Price of the loaf: about £1.40.
- What the wheat in it earns the farmer: about 10p.
- The farmer's profit on it, measured in 2022: 0.09p.
The whole chain is paid before the man who grew the thing. The supermarket takes its margin, the miller his, the baker his, the haulier his, the fertiliser company its, and what is left when the harvest has been through all of those hands is the farmer's. His share has been shrinking for decades, because he is the only link who cannot pass the cost on. He cannot hold out for a better price for long either. The seed, the fertiliser and the diesel were paid for months before harvest, and grain costs money every week it sits in the shed.
Selling direct is the one place it is different. A farmer who sells off his own farm, through his own shop, to a customer who drove there, keeps far more of the price. That is why Diddly Squat had queues out onto the road, while Clarkson's first year of actually farming the place made him a profit of £144.
Kaleb is in his twenties and has three children and is one of the best farmers in Oxfordshire, and his trade pays him about a 25th of the legal minimum wage. The country wants its food cheap, and it has got exactly that.
Julian Haynes retweeted
Players with the most ranking major Quarter Finals so far this season:
🥇 Gerwyn Price 5 (full house!)
🥈Luke Littler, James Wade 4
🥉Josh Rock, Jonny Clayton, Gian van Veen 3
Julian Haynes retweeted
The tenth story in THIRTEEN CHILLING TALES OF BRISTOL HORROR is:
I Just Can’t Get You Out of My Head
A hedonistic young man begins to see the ghost of a missing person on Bristol’s vibrant gay scene.
Out now in paperback & ebook: amzn.eu/d/01lfWEUV
Julian Haynes retweeted
In solidarity with the young 15 year old lad arrested for sharing this image of a politician.
You know what to do people. Let’s flood X with this.
Julian Haynes retweeted
Scott Williams (PC 30) ❌
Ryan Joyce (WGP) ❌
Mensur Suljovic (ET 14) ❌
William O'Connor (ET 15) ❌
Kevin Doets (EC) ❌
Michael van Gerwen has now lost his last 5⃣ matches in all competitions and has dropped to 13th in the rankings, his lowest position for 15 years 😬
Julian Haynes retweeted
All-Time English 🏴 Football Top Flight Table from Season 1888-89 to 2026-27 ahead of Matchday 8
#EFL #EPL
myfootballfacts.com/world-fo…
Julian Haynes retweeted
𝗙𝗜𝗥𝗦𝗧 𝗘𝗩𝗘𝗥 𝗧𝗩 𝟵 𝗗𝗔𝗥𝗧𝗘𝗥!!!! 🚨🎯🔥
John Lowe landing the FIRST EVER televised 9 dart leg in 1984 👀👀👀
A moment of darting history 💪
John Lowe - first ever 9-dart finish in a TV darts tournament
The first ever 9-dart finish in a televised darts tournament, thrown by Team Unicorn World Champion Ambassador John Lowe MBE
Julian Haynes retweeted
ONCE IS IMPRESSIVE, BUT TWICE?!
Preston Fearon managed to score TWO halfway-line goals in the same match for West Ham U21s. Absolutely outrageous! 🤯
Julian Haynes retweeted
The ninth story in THIRTEEN CHILLING TALES OF BRISTOL HORROR is:
The Magpie
A bird in Bristol Zoo reveals a sinister connection to a serial killer when it spontaneously begins to talk.
Out now in paperback & ebook: amzn.eu/d/01lfWEUV
Julian Haynes retweeted
The lowest point of land in Britain is a cast-iron post in a Cambridgeshire wood, and when it went in the ground it was level with the ground.
Stand next to it now and it is four metres over your head.
It is at Holme Fen, south of Peterborough, and in 1851 this was the edge of Whittlesey Mere, the largest lake in southern England. A syndicate of landowners drained the lake that year for farmland, and the engineer, who knew what happens to peat when you take the water out of it, drove an oak pile through 22 feet of it down to the clay and cut the top flush with the turf. A column from the Crystal Palace replaced it. Then they stood back and watched the land go down.
Nine inches in the first year. Eight feet by the 1890s. Today the ground around that post is 2.75 metres below sea level, and the post is a ruler nobody asked for, sticking out of a birch wood with guy ropes holding it up because the soil that used to hold it up has gone into the sky.
That is what drained peat does. It dries, it shrinks, and it oxidises, which means it turns into carbon dioxide and leaves. Peat takes a thousand years to lay down a metre. Under the plough it loses a centimetre or two of that every year, and the Fens have been under the plough since the Dutch engineers arrived in the 1600s. Peat soils farmed for crops are among the largest sources of carbon dioxide in Britain's whole land sector, and the fields doing it are growing lettuce.
Because that is what the Fens are for. A third of England's vegetables come out of this one flat black square: half the lettuce grown in Britain, three quarters of the celery, the carrots, the onions, the potatoes, the leeks, the beetroot. The bag of salad, the celery sticks, the chips. Every field of it is a few millimetres lower than it was last January, the pumps run day and night to keep the sea out of a landscape that is now beneath it, and the water the crops need is forecast to run short within ten years.
Before the drain this was eels, wildfowl, reeds, summer grazing, and a fen that had been quietly stacking carbon since the ice left. The cattle came and went on it for 5,000 years and the ground stayed where it was.
The salad has been on it for 170 years and the ground is four metres down. The post is still measuring.





































