
daily newsletter editor / Morning Press lead author / restaurant critic @spectator • [email protected]
London, England
Joined July 2019
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I wrote about my obsession with Marco Pierre White, in this week’s issue of The Spectator.
spectator.co.uk/article/my-m…
Angus Colwell retweeted
I went to the launch of Alastair Campbell’s new book... @spectator
I went to Cloth Cornhill, formerly Simpson’s Tavern, and... wish I liked it more. Oh well!
spectator.com/article/i-want…
This year, the UK has put more capital investment into AI than the whole EU. GDP figs also show computer programming output is the main driver of growth at the moment, up 13% this year.
So, naturally, his PM wants us to Rejoin and have the EU’s AI Act jeopardise this entirely.
UK AI Minister @KanishkaNarayan tells us the the UK has attracted 50% of European venture capital in the last 12-months, a 16 year high for the nation:
"Why is it that in the last 12 months Britain has cleaned up 50% or so of European venture capital? A 16-year high...we're doing really well in terms of startups".
"At the same time, the UK has the best AI security institute, the ability to be able to test models, understand risks, and mitigate them from a cyber point".
"We've got some great guys from companies coming and working with us, and we've got some great people from government going and working with those companies."
Delighted to review Our Islands’ Story in the Telegraph, the new book by Robert Tombs and Nigel Biggar.
telegraph.co.uk/books/non-fi…
25 years today since Mulholland Drive was released in cinemas! I wrote about Lynch, Sontag and Stephen King at the weekend 👇
I wrote about 25 years of David Lynch’s Mulholland Drive here, and what it tells us about interpreting art, the human imagination and the creative work ethic.
spectator.com/article/david-…
Angus Colwell retweeted
When David Lynch’s film Mulholland Drive was released in American cinemas 25 years ago this Monday, the critic Roger Ebert rejoiced that one of Lynch’s experiments at last ‘doesn’t shatter the test tubes’. Ebert seemed delighted that Lynch had focused on some of the more prosaic aspects of filmmaking – plot, character, dialogue – instead of privileging sound and vision: he argued that his 1997 film Lost Highway was ‘about design, not cinema’.
✍️ @AngusColwell
Article | spectator.com/article/david-…
Angus Colwell retweeted
Why is antisemitism rising in Britain? and other questions – with Andrew Roberts & Peter Hit... youtu.be/2KJJ4FFVjGA?si=6tuQ… via @YouTube
looks good too
I wrote about 25 years of David Lynch’s Mulholland Drive here, and what it tells us about interpreting art, the human imagination and the creative work ethic.
spectator.com/article/david-…
I wrote about 25 years of David Lynch’s Mulholland Drive here, and what it tells us about interpreting art, the human imagination and the creative work ethic.
spectator.com/article/david-…
Angus Colwell retweeted
When David Lynch's film Mulholland Drive was released in American cinemas 25 years ago this Monday, the critic Roger Ebert rejoiced that one of Lynch's experiments at last 'doesn't shatter the test tubes'.
Ebert seemed delighted that Lynch had focused on some of the more prosaic aspects of filmmaking – plot, character, dialogue – instead of privileging sound and vision: he argued that his 1997 film Lost Highway was 'about design, not cinema'.
✍️ Angus Colwell
Article | spectator.com/article/david-… | @AngusColwell
This week, I reviewed ‘cloudstreet’, which stretches the definition of ‘restaurant’, but was excellent.
spectator.com/article/i-wont…
Angus Colwell retweeted
When you hear that something represents the best of Britain, treat it as nonsense. The phrase 'best of British' has been used to describe the Royal Navy's new Astute-class nuclear submarine the HMS Agamemnon, as well as Waitrose's pork loin medallions.
But turning things, people and institutions into flattering national allegories is addictive, and there's one institution that pops up all the time: Arsenal football club.
Arsenal's sophistication, its urbane nature, its diversity, is regularly cited as a good example of British multiculturalism. A current exhibition at UCL East, 'Black Arsenal', says that the club has a 'unique' relationship with black British culture.
✍️ Angus Colwell
Article | spectator.com/article/man-ci… | @AngusColwell
Arsenal don’t represent Britain. Man City do.
I wrote about the fantasy of Arsenal’s Britain here 👇
spectator.com/article/man-ci…
Saturday morning is both the nicest time of the week to listen to radio, and the point in the week at which radio is at its absolute worst.
Angus Colwell retweeted
Is AI ruining literature or just exposing bad writing? The Edition panel share their favourite examples of AI-generated art, including a tribute to political activist Charlie Kirk and former Man City manager Pep Guardiola in the guise of Manuel from Fawlty Towers.
Watch in full | youtube.com/watch?v=23MNjoTs… | @kafkaswife | @ShippersUnbound
Angus Colwell retweeted
The Chequers Tavern
📍16 Duke Street, London SW1Y 6DB
🚇 Green Park
🍺 £6.50 Amstel
The Chequers Tavern is located in St James’s in London’s West End. The nearest Tube is Green Park.
There has been a licensed premises here since at least 1732. The pub was originally known as The Mason’s Arms, by 1751 it had become The Chequers. The name is traditionally linked to the stonemasons working in nearby Mason’s Yard, who reportedly played chequers outside the pub.
This is a compact, cosy, traditionally decorated old school one bar pub. The servery is located on the right, with the narrow bar area wrapping around it. There is some low-level seating at either end of the bar, while a beer ledge and stools stretch down the left. At the front and rear of the pub are a few stools for imbibing alfresco.
The decor here is superb and transports you back to what many a London boozer looked like back in the day. The walls and servery are painted a vibrant royal blue, with red across the ceiling, intersected by dark stained beams. The seating mainly consists of high and low stools, but there is a comfy, dimpled banquette by the etched-glass windows. The star of the show has to be the proper pub carpet.
The beer selection offers a good range of familiar tipples, plus three cask ales. I decided on an Amstel; my pint was great, the price wasn’t too bad considering the area. The food menu offers traditional home cooked pub classics, along with baguettes and toasties. Fish and chips costs £14.95, which is reasonable.
I arrived at 5.30pm on a chilly Monday night in November. The pub was initially busy with local suits and a few tourists. The atmosphere was upbeat, with a welcoming pub feel. The service was pleasant, and the chap on duty was a little eccentric, which just added to my overall experience.
This pub is an absolute London pub classic with its own unique personality. The decor and ambience are fantastic, it’s not overly expensive, and it’s a great place to perch with a pint. It’s not going to be everyone’s cup of tea, but I think this is a must-visit London pub.
📅 17th November 2025
#Chequerstavern #stjames #sw1 #londonpub
It has been raised by some writers recently that listening to authors’ podcast appearances is no substitute for reading their book. Au contraire: listening to Sam’s podcast is often far, far more informative.
Angus Colwell retweeted
Book Club Turns Ten samleith.substack.com/p/book…
We all enjoyed reading about the lesbian bar in Massachusetts that mandated mask wearing in 2026.
But is there anywhere here that does the same? I had a look in this week’s magazine.
spectator.com/article/the-hu…
Angus Colwell retweeted
On 31 August, a lesbian bar in western Massachusetts called Last Ditch posted on Instagram that 'it is with love we inform our immuno-compromised disabled divas we will be opening Saturday nights as mask optional'.
Previously, KN-95 face masks were the minimum level of protection required to attend the bar at all times.
The owners were swiftly accused of being eugenicists. One commentator said: 'People like you kill disabled people in the name of your own leisure and convenience.' Another wished the venue to be firebombed. Last Ditch attempted an apology.
✍️ Angus Colwell
Article | spectator.com/article/the-hu… | @AngusColwell


































