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"Trouble is brewing on Mars... With civil war about to erupt, Eric John Stark has been sent to investigate an apocalyptic warlord recruiting mercenaries. Can Stark unravel the mysteries of the lost Martian tribe and pull Mars back from the brink of war?"
amazon.com/Queen-Martian-Cat…
PulpArchivist retweeted
Reports that men don't read are based on Nielsen BookScan, which doesn't count indie.
Yet indie is 87% of the book industry.
Men didn't stop reading books, they stopped reading oldpub.
"Today, the Big Five publishers are staffed almost entirely by women. According to the most recent data, more than 70 percent of staffers are women. More than 70 percent of editors are women. Even 70 percent of all interns are women. At the executive level, more than 60 percent of leaders are women. In 2026, American publishing looks like lululemon."
PulpArchivist retweeted
Replying to @MightySkrow
Once volume 1 of Amaranth Angels is finally done, I’ll be putting other stuff out. So I hope in 2027…
PulpArchivist retweeted
I currently have a signup for my next book right now. Coming soon!
kickstarter.com/projects/cir…
When @elonmusk can launch a Falcon 9 or the Air Force can buy a fighter for less than the cost of a movie's production or video game production for one AAA title, the entertainment sector is in trouble.
PulpArchivist retweeted
‘Best seller of the year for Sony’ and ‘didn’t sell enough to make a profit’ both being true is a *fantastic* place for Sony to be…
Budget bloat on its own has the potential to gut the entire industry, and it is far from the only problem facing AAA dev companies.
Sucker Punch just laid off 26 people.
The studio behind Ghost of Tsushima and Ghost of Yotei is cutting staff despite Yotei reportedly being Sony’s best-selling PS5 game of 2026 so far.
In an email to staff, Sucker Punch said:
“After carefully observing the challenges in the market” and reviewing its needs for the next project, it had decided to make “staffing reductions.”
PulpArchivist retweeted
If you are interested in King Arthur (and who isn't?), then give this podcast with good pal @Arthurianism a listen. Great stuff.
podcasts.apple.com/us/podcas…
PulpArchivist retweeted
They exist primarily to leech now, not build anything. Hence why you will not find anything interesting from them you can't find anywhere else first.
PulpArchivist retweeted
DELIGHTED to report that Gunfighter's Grave, my Ezra Flint-Billy the Kid Western with Paul L. Thompson, is still charting in the Top 100 Louis L'Amour Westerns on Amazon. Grab a copy!
amazon.com/U-S-Marshal-Ezra-…
PulpArchivist retweeted
Replying to @HariSel57511397
When talking about series like Dungeon Crawler Carl, it had four years of an established fan base and massive success already. That's what publishing houses want from indies.
PulpArchivist retweeted
No one in the Big 5 is interested in indie literature save a few exceptions that blow into the stratosphere
Replying to @jardiniernormie
I am honestly baffled at the people who would read what @DodgerWing or @HariSel57511397 write and say "nah. lets publish Mr. Beast and Minotaur Romantasy instead."
These publishers deserve to go out of business.
PulpArchivist retweeted
YES. The Roger Moore Bonds are the best in the series.
The Radio Times praises the Roger Moore era and suggests that the next Bond could adopt his more lighthearted approach - what do you think?
📺 youtu.be/Fp8IROTxWQw?is=AH8p…
PulpArchivist retweeted
The industry was still talking about "getting more women into publishing" when it was already conspicuously majority-female, and female readers are very well catered for. So if trad pub thinks men don't read, any sane business would ask why, see a neglected, untapped market up for grabs, and go for it. I estimate at least 85% of my readers are male – men and boys will buy books even by female authors if you write what they want to read and address the issues that resonate with them.
A feminised industry develops all the behaviours we see in feminised politics, and publishing is the perfect environment for things to become toxic because it's already a classic supplicant and gatekeeper system. But longhouse culture does female authors no favours either.
If trad publishing survives in its current form, the return of men both as authors and publishing pros will be healthier for everyone. But I suspect many won't want to once they've gone indie and seen the up side.
The correct framing is that burgeoning male writers are not receiving investment - particularly in the literary genre. It is not suppression. It is neglect. Male writers just go Indy. The complaints that 'men don't read' by the Lithub Handwringers, should be understood to actually mean, 'men don't read contemporary authors we think they should read.' Solving the impasse without changing the investment structure would require a concerted effort of male writers to embrace the monoculture and become self-hating woke stenographers, or for men to stop rereading classics and put down the video games and read books that were not written for them, by them, or about them.
PulpArchivist retweeted
Picked this up a few months ago, after @jockowillink posted about it. Just getting to it now.
This is some riveting shit. Unvarnished truth, from some of the hardest men our nation ever produced.
PulpArchivist retweeted
The correct framing is that burgeoning male writers are not receiving investment - particularly in the literary genre. It is not suppression. It is neglect. Male writers just go Indy. The complaints that 'men don't read' by the Lithub Handwringers, should be understood to actually mean, 'men don't read contemporary authors we think they should read.' Solving the impasse without changing the investment structure would require a concerted effort of male writers to embrace the monoculture and become self-hating woke stenographers, or for men to stop rereading classics and put down the video games and read books that were not written for them, by them, or about them.
"Today, the Big Five publishers are staffed almost entirely by women. According to the most recent data, more than 70 percent of staffers are women. More than 70 percent of editors are women. Even 70 percent of all interns are women. At the executive level, more than 60 percent of leaders are women. In 2026, American publishing looks like lululemon."

































