Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2) header
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Cuánto mejor haríamos en leer poesía en vez de decir tanta sandez en twitter (yo el primero).

Madrid
Joined January 2015
Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)Photo by Manu Danko-Zambo (Manuel Aldad de la Fe) (@Bonhamled2)
El espíritu de colaboración, al que tan poco estamos llamados los españoles: teapawt.org/Bonhamled2/status/6786…
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Shakespeare at Dusk - 1935 #artbots #hopper
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Stimulation objective / Objective stimulus - 1938 or 1939 #artbots #magritte
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Bull (plate VIII) #artbots #picasso
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Hieronymus Bosch The Garden of Earthly Delights, 1510 (Central Panel)
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La trahison des images / The treachery of images - 1952 or 1953 #artbots #magritte
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Les jeunes amours / Young love - 1963 #artbots #magritte
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Picasso said he never painted the war, but had no doubt "the war is in these paintings I have done." The Charnel House (1944–45) is the plainest case: bodies heaped under a table, much of it left as charcoal and bare canvas. #artbots #picasso
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Portrait of Emilie Flöge #artbots #klimt
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Vincent Van Gogh
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Wassily Kandinsky Dull Rise
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Paul Klee, Castle and Sun. 1928. Oil on canvas.
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Leonardo da Vinci Lady with an Ermine
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Joan Miró, The Gold of the Azure. 1967. Acrylic on canvas.
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Vincent van Gogh
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Garden by Joan Miro 1925
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Pemaquid Light - 1929 #artbots #hopper
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Van Gogh studied Delacroix’s complementary pairs—yellow/violet, blue/orange—learning how contrast could ignite emotion. From theory and memory, he used his approach to build an emotional grammar of color to process and express feeling. #artbots #vangogh
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Claude Monet
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by Mark Rothko, 1955
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The MacArthurs’ Home “Pretty Penny” - 1939 #artbots #hopper
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