Alexander Keefe (@IndiaArtMachine) header
Alexander Keefe (@IndiaArtMachine) profile picture

Alexander Keefe

@IndiaArtMachine

The cave that talked

 Los Angeles
Joined August 2009
  • Tweets5.7K
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  • Followers1.2K
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Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)
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3 more reels of incredible material from the 1972 Sikusilarmiut animation workshop have resurfaced! I wrote about this initiative - and its connection w/ Ishu Patel and his 1977 film The Bead Game - in Sarkari Shorts cbc.ca/news/canada/north/new…
Newly uncovered Inuit animation from the '70s screening for the first time | CBC News

Newly uncovered Inuit animation from the '70s screening for the first time | CBC News

After more than 50 years, newly uncovered Inuit stop-motion animation reels from the 1970s are being screened across Nunavut.

cbc.ca
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On high Arctic beadwork, Inuktitut syllabics, the Anik A satellite, radical software and Ishu Patel’s Oscar-nominated stop-motion “statement on Man, his massive violence and his ultimate military destructive power.” filmsdivisionindia.tumblr.co…
filmsdivisionindia

filmsdivisionindia

The Bead Game Director: Ishu Patel Year: 1977 (5:29) “Ce grand malheur, de ne pouvoir être seul” –Jean de la Bruyère History as himsā. When NID alum (and one-time Cartier-Bresson bhang-tester) Ishu...

filmsdivisionindia.tumblr.com
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equidistant from eternity
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rats, lice and history
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I, an American college student, hereby denounce the siege of cawnpore.
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indolence, indology
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Alexander Keefe retweeted
Klea McKenna (@klea_mckenna) profile picture
Klea McKenna@klea_mckenna1 May 2022
If I were in LA I would go see this today. Last day of Tarrah Krajnak's photographic performance/Installation.
REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT) profile pictureREDCAT (Roy and Edna Disney CalArts Theater)@CalArtsREDCAT26 Apr 2022
Studio 2022 is still happening at REDCAT! This week (April 26-May 1), as part of our annual program supporting multidisciplinary work-in-progress, we’re excited to welcome photographer, professor, and podcaster Tarrah Krajnak. Join us in the Gallery 12-6! redcat.org/exhibition/studio…
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
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stop by!
REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT) profile pictureREDCAT (Roy and Edna Disney CalArts Theater)@CalArtsREDCAT26 Apr 2022
Studio 2022 is still happening at REDCAT! This week (April 26-May 1), as part of our annual program supporting multidisciplinary work-in-progress, we’re excited to welcome photographer, professor, and podcaster Tarrah Krajnak. Join us in the Gallery 12-6! redcat.org/exhibition/studio…
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
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lata mangeshkar voice: "dairy khwabon mein jo aaye"
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the milk of magnesia
Alexander Keefe retweeted
vopmagazine (@vopmag) profile picture
vopmagazine@vopmag3 Aug 2021
獲得今年阿爾勒攝影節評審團大獎的秘魯裔藝術家拉．卡納克（Tarrah Krajnak），以「大師儀式」系列回應「經典作品」裡的男性視角。其中，她以美國著名攝影家愛德華．韋斯頓（Edward Weston）1920年代的作品為擬仿依據，讓自己入鏡，重新演繹韋斯頓精心營造的人體形貌。vopmagazine.com/darles2021/

阿爾勒攝影節獎：挑戰「攝影大師」白人男性的視角 | Voices of Photography 攝影之聲

秘魯裔藝術家塔拉．卡納克（Tarrah Krajnak）的攝影計畫批判地回溯現代攝影史，獲得本屆阿爾勒評審團獎的肯定。

vopmagazine.com
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Alexander Keefe retweeted
Rachel Afí (@ametolesi) profile picture
Rachel Afí@ametolesi10 Apr 2022
Very much looking forward to this conversation with Keliy Anderson-Staley (⁦@KAndersonStaley⁩) & Tarrah Krajnak (⁦@sismos79⁩) in person this Thursday at ⁦@UHouston⁩ Dudley Recital Hall. CONGRATULATIONS on your Guggenheim (⁦@GuggFellows⁩) Keliy!
Image from Rachel Afí (@ametolesi)
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stephen shore < pauly shore
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a bath to the music of drain
richness in stasis > wealth in limbo
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(apparently)
TIL (in a Geeta Kapur fn) that Vivan Sundaram and Kumar Shahani collaborated throughout the 1980s on a film treatment of Amrita Sher-Gil's life that was never realized... can't stop thinking how ravishingly beautiful & weird that film would have been
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MAR 29-MAY 8: We’re excited to announce the return of STUDIO, our annual program of multidisciplinary work-in-progress! Featuring the work of Tarrah Krajnak, Sara Lyons, Christina Catherine Martinez, Pastiche Queen, The Revolution School, DeLanna Studi. redcat.org/exhibition/studio…
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
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really makes you wonder why SPAN, the USIS propaganda magazine published in India, was *heavily* pushing Castaneda's ideas as late as September of 1976, i.e. right in the middle of the Emergency.. issuu.com/spanmagazine/docs/… (in fact I can't think of another SPAN article this long)
SPAN: September 1976

SPAN: September 1976

The Search for Extraterrestrial Life

issuu.com
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the bio for the article's author, Claude Alvares, notes that he has also written articles for Quest which... thewire.in/history/cia-spons…
How the CIA Sponsored Indian Magazines that Engaged the Country's Best Writers

How the CIA Sponsored Indian Magazines that Engaged the Country's Best Writers

A new book recalls the attempts by the Congress for Cultural Freedom to penetrate the Indian intellectual space.

thewire.in
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tbf there was a lot of woo woo stuff in SPAN especially in the 70s.. it was the era of "In Search Of" but it was also the era of "Neo-Tantric Painting" and its avid promotion by the Indian state's culture apparatus. Oh! It was also the era of the Emergency. A coincidence, surely.
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