Alexander Keefe (@IndiaArtMachine) header
Alexander Keefe (@IndiaArtMachine) profile picture

Alexander Keefe

@IndiaArtMachine

The cave that talked

 Los Angeles
Joined August 2009
  • Tweets5.7K
  • Following397
  • Followers1.2K
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Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)Photo by Alexander Keefe (@IndiaArtMachine)
I, an American college student, hereby denounce the siege of cawnpore.
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Alexander Keefe retweeted
Klea McKenna (@klea_mckenna) profile picture
Klea McKenna@klea_mckenna1 May 2022
If I were in LA I would go see this today. Last day of Tarrah Krajnak's photographic performance/Installation.
REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT) profile pictureREDCAT (Roy and Edna Disney CalArts Theater)@CalArtsREDCAT26 Apr 2022
Studio 2022 is still happening at REDCAT! This week (April 26-May 1), as part of our annual program supporting multidisciplinary work-in-progress, we’re excited to welcome photographer, professor, and podcaster Tarrah Krajnak. Join us in the Gallery 12-6! redcat.org/exhibition/studio…
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
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Alexander Keefe retweeted
vopmagazine (@vopmag) profile picture
vopmagazine@vopmag3 Aug 2021
獲得今年阿爾勒攝影節評審團大獎的秘魯裔藝術家拉．卡納克（Tarrah Krajnak），以「大師儀式」系列回應「經典作品」裡的男性視角。其中，她以美國著名攝影家愛德華．韋斯頓（Edward Weston）1920年代的作品為擬仿依據，讓自己入鏡，重新演繹韋斯頓精心營造的人體形貌。vopmagazine.com/darles2021/

阿爾勒攝影節獎：挑戰「攝影大師」白人男性的視角 | Voices of Photography 攝影之聲

秘魯裔藝術家塔拉．卡納克（Tarrah Krajnak）的攝影計畫批判地回溯現代攝影史，獲得本屆阿爾勒評審團獎的肯定。

vopmagazine.com
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Alexander Keefe retweeted
Rachel Afí (@ametolesi) profile picture
Rachel Afí@ametolesi10 Apr 2022
Very much looking forward to this conversation with Keliy Anderson-Staley (⁦@KAndersonStaley⁩) & Tarrah Krajnak (⁦@sismos79⁩) in person this Thursday at ⁦@UHouston⁩ Dudley Recital Hall. CONGRATULATIONS on your Guggenheim (⁦@GuggFellows⁩) Keliy!
Image from Rachel Afí (@ametolesi)
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MAR 29-MAY 8: We’re excited to announce the return of STUDIO, our annual program of multidisciplinary work-in-progress! Featuring the work of Tarrah Krajnak, Sara Lyons, Christina Catherine Martinez, Pastiche Queen, The Revolution School, DeLanna Studi. redcat.org/exhibition/studio…
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
Image from REDCAT (Roy and Edna Disney CalArts Theater) (@CalArtsREDCAT)
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Image from Alexander Keefe (@IndiaArtMachine)
Image from Alexander Keefe (@IndiaArtMachine)
Alexander Keefe (@IndiaArtMachine) profile pictureAlexander Keefe@IndiaArtMachine12 Sep 2020
Replying to @IndiaArtMachine
I was lucky enough to be there with Padmini on her preliminary site visit to the ancient amphitheatre at Anupu in February, which forms the basis of the film they're about to screen. Fascinating structure that plays a huge role in our exhibition at HKW
Image from Alexander Keefe (@IndiaArtMachine)
Image from Alexander Keefe (@IndiaArtMachine)
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for our expo on sonic archeology last summer @HKW_Berlin I scripted a long section based on 1960 Andhra state police report that I found, detailing an industrial accident at the Nagarjunakonda excavation site involving a flipped lorry, 70 injured & 4 dead artasiapacific.com/Magazine/…
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Alexander Keefe retweeted
Mantha Zarmakoupi (@mzarmakoupi) profile picture
Mantha Zarmakoupi@mzarmakoupi5 Mar 2022
“A slightly curving place” - an exhibition/response to the manifold listening practices of self-taught acoustic archaeologist Umashankar Manthravadi curated by Nida Ghouse #ArchaeologyofSound #ArchaeologyofListening @AlserkalAvenue
Image from Mantha Zarmakoupi (@mzarmakoupi)
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Alexander Keefe retweeted
Mantha Zarmakoupi (@mzarmakoupi) profile picture
Mantha Zarmakoupi@mzarmakoupi5 Mar 2022
Coming to know “a slightly curving place” - a response to the manifold listening practices of self-taught acoustic archaeologist Umashankar Manthravadi by Nida Ghouse and Brooke Holmes @AlserkalAvenue #ArchaeologyofSound
Image from Mantha Zarmakoupi (@mzarmakoupi)
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Presenting an ambisonic soundscape for the first time in the UAE, A Slightly Curving Place proposes possibilities for listening to the past. Curated by Nida Ghouse & presented by #AlserkalArtsFoundation, the exhibition will open in Concrete on 3 March during #AlserkalArtWeek.
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the stories of modern design and cottage industries in 20th c India - and the way both tales intersect w/ the state & its satellites - are as tightly interwoven as any ikat. self-globalizing (self-therapizing) museums are eager to cherrypick the one, have no clue about the other.
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"Orientals were a separate category which often existed only because history of religion professors fancied themselves experts in Asian religions." — Vine Deloria, Jr. (1986)
Image from Esmat Elhalaby (@thaqafatalhind)
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Alexander Keefe retweeted
Yasmine Seale (@yasmineseale) profile picture
Yasmine Seale@yasmineseale11 Feb 2022
AGITATED AIR—four years in the making—is off to the printers. Out in the UK this month with @partisanhotel. tenementpress.com/Agitated-A…
Image from Yasmine Seale (@yasmineseale)
Image from Yasmine Seale (@yasmineseale)
Image from Yasmine Seale (@yasmineseale)
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Alexander Keefe retweeted
Anuvab Pal (@AnuvabPal) profile picture
Anuvab Pal@AnuvabPal16 Feb 2022
I interviewed Bappi Lahiri for a book on Disco Dancer. I was told don't call him before 2 pm. I called at 1.57 pm. A series of garbled noises mixed with abuse was heard. I called him back at 2.05 pm and he said 'Hello', in a clear voice like he'd be awake for hours. RIP.
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.@ShanayJ > shanae
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Alexander Keefe retweeted
1000 Words (@1000wordsmag) profile picture
1000 Words@1000wordsmag11 Jan 2022
"... affinity can be innate, even historical, persisting in the psyches of those separated by space and time yet linked by collective knowledge, memory and trauma." @alex_merola on Tarrah Krajnak's El Jardín de Senderos Que Se Bifurcan: 1000wordsmag.com/top-10-2021…
Image from 1000 Words (@1000wordsmag)
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Alexander Keefe retweeted
Yasmine Seale (@yasmineseale) profile picture
Yasmine Seale@yasmineseale4 Jan 2022
Now online — my short piece on the haunting photographs of Tarrah Krajnak: issues.aperture.org/article/…
Image from Yasmine Seale (@yasmineseale)
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Alexander Keefe retweeted
Yasmine Seale (@yasmineseale) profile picture
Yasmine Seale@yasmineseale13 Dec 2021
For the winter issue of Aperture I've written a short text on a photographer I adore, Tarrah Krajnak, and her haunting series of encounters with the city of her birth. aperture.org/magazines/apert…
Image from Yasmine Seale (@yasmineseale)
Image from Yasmine Seale (@yasmineseale)
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" if our genocidal world was created out of a half-believed linguistic maneuver, surely we can muster the will to disbelieve it, so we may write something better." Ania Szremski on Anna Della Subin's ACCIDENTAL GODS @annadella @MetropolitanBks @4_columns 4columns.org/szremski-ania/a…

Accidental Gods

4columns.org
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Alexander Keefe retweeted
LENSCRATCH (@lenscratch) profile picture
LENSCRATCH@lenscratch7 Dec 2021
Publisher’s Spotlight: Dais Books Dais Books is an independent publisher devoted to making artists’ books in small editions, often with handmade qualities. ©Tarrah Krajnak’s El Jardín de Senderos que se Bifurcan lenscratch.com/2021/12/publi…
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