
Publicist at @thrilljockey. Guitar in Stander & Genital Shame live band. He/him/his.
Chicago, IL
Joined May 2017
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This may put Lambgoat to shame for worst comments section in the music web
Coming in 2026, as we celebrate our 30th anniversary, we’re finally planning to add a comments section and reader scores to all of our album reviews. That’s over 30,000 pieces of music criticism on which you’ll be able to leave your own Pitchfork review and score for the very first time. We’re going to beta test with 500 readers now, and we’ll be back with more information soon. We can’t wait for your takes to be on our website.
I don't often still check in here, but when I do, I'm reminded of some of the fun, and way more of the worst cultural, particularly film and music, takes I've ever seen. Great stuff, keep it up.
The Boyd retweeted
Patrick Shiroishi's 𝐹𝑜𝓇𝑔𝑒𝓉𝓉𝒾𝓃𝑔 𝐼𝓈 𝒱𝒾𝑜𝓁𝑒𝓃𝓉 -- out this friday
Patrick Shiroishi of The Armed and Fuubutsushi announces new solo album, Forgetting Is Violent, which features collaborations with Aaron Turner, Gemma Thompson, Mat Ball, and more buff.ly/IeyZn21
The Boyd retweeted
can’t believe people are tut tutting “graphic video” dude I’ve been seeing little kids get their limbs shredded into ribbons and burned alive in hospital beds for two years that was nothing
The Boyd retweeted
Our friend @Lackthrush shared a supercut of studio footage of us working on "Indelible"
Flickering Resonance is out May 16 on @rfcrecords, but Chicago gets a chance to hear the album early at our listening party at @HalfAcreBeer on April 20 - RSVP here docs.google.com/forms/d/e/1F…
Some of the most genuinely depressing series of tweets I’ve seen in a hot minute, which may be indicative of my time mostly not on here. But yeesh.
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The Boyd retweeted
Do something that scares you every day.
If you do that, then each day, little by little, you will be scared. Every day will be scary, and your life will be very scary. 💫
The Boyd retweeted
A modern day story of Icarus, wherein the Harris/Walz campaign flies too close to the shitposting sun
It feels like a uniquely "tech" idea to charge a label/artist/publicist for press coverage of an artist who is the very reason people might come to read the publication in the first place.





















