Sorkin’s THE SOCIAL RECKONING is one of the most insipid, ugly, flat films of the year — an insufferably sanctimonious fantasia of blue-state Boomers that traps Jeremy Strong in a man-child performance that unintentionally echoes Martin Short in CLIFFORD. theglobeandmail.com/culture/…
Going against men, I have heard at times a deep harmony
thrumming in the mixture, and when they ask me what
I say I don’t know. It is not the only or the easiest
way to come to the truth. It is one way.
-Wendell Berry