Surela Chakraborty retweeted
💔
The beloved golden retriever had been diagnosed with lymphoma just 2 weeks earlier. indianexpress.com/article/tr…
Surela Chakraborty retweeted
Honouring a Living Paramparā: Shri Lalgudi G.J.R. Krishnan
Today, INDICA fulfilled its saṅkalpa to honour Shri Lalgudi G.J.R. Krishnan, one of the distinguished Gurus recognised through Grateful2Gurus 2026, in the presence of his family, śiṣyas, fellow musicians, and well-wishers.
Unable to join the Guru Utsava celebrations in Delhi NCR on Guru Pūrṇimā, Shri Krishnan was felicitated today in Chennai as part of INDICA’s commitment to personally honour every Guru selected for this year’s recognition.
A fifth-generation inheritor of a musical lineage tracing back to Tyagaraja Swami, Shri Krishnan represents the living continuity of the Lalgudi Bani and its guru–śiṣya paramparā. As a Guru, his contribution extends far beyond teaching the technique of violin playing. He transmits an approach to music grounded in sādhana, bhāva, laya, aesthetics, humility and an unwavering commitment to tradition.
For him, the musician is not the centre of music - the music is. His pursuit of making the violin sing like the human voice reflects this deeper philosophy.
His guardianship of the tradition also encompasses the instrument and the craftspeople who sustain it. Through the Lalgudi Trust and initiatives such as Violin Wise, he has helped bring attention to Indian violin makers, restorers and the specialised knowledge behind the instrument.
In honouring Shri Lalgudi G.J.R. Krishnan, INDICA celebrates not merely a maestro, but a Guru and custodian of a living tradition - one who preserves the past while allowing creativity to arise from within the paramparā.
Grateful2Gurus 2026 — celebrating those who keep India’s knowledge traditions alive.
Surela Chakraborty retweeted
PAIN ATTACK...
After the devastating earthquakes that shook Venezuela, an image began circulating around the world. Amidst mountains of concrete, dust, and silence, rescuers found a scene that moved even the strongest.
Under the remains of the collapsed structure, a mixed-breed dog remained. It didn't bark. It didn't try to escape. It lay motionless, looking into eyes, and its body became a shield.
Beneath it lay a child.
While everything around him collapsed, this little boy was still alive, protected by a friend who chose to face the danger rather than abandon someone who needed him most.
Rescue team members report that they were speechless at the scene. First, they managed to pull out the dog, who resisted being separated from the child until he was sure it would be rescued too. Moments later, the little one was pulled out alive amid applause, tears, and emotion from those who witnessed the moment.
Beyond the tragedy that hangs over Venezuela today, this image depicts something no earthquake can destroy: hope.
Because when nature tests the strength of a people, gestures also emerge that can remind us that compassion, loyalty, and love can appear where we least expect them.
This photograph circled the world because it sums up in one scene a nation's pain and, at the same time, the certainty that life always finds a reason to resist.
And then the question arises, which everyone will answer with their own faith and conscience:
Was it a miracle from God... or the purest animal instinct of one ready to give everything to protect life?
Regardless of the answer, this image reminds us that even among the rubble, hope can be born.
📷 Today, Venezuela needs the world's solidarity more than ever. A prayer, a word of comfort, or simply sharing a message of hope can also become a way to help.
by 📷 Reinier Neapol
#ReinierNápoles #Venezuela
Tironianae
@americanpatriot116
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Sigiriya, an ancient rock fortress and palace built by King Kashyapa during the reign of 473-495 AD, which is standing majestically 660ft straight up. It is located in northern Matale district near the town of Dambulla in central Province, Sri Lanka 🇱🇰
The word Sigiriya or the Sinhagiri means the Lion’s Rock where you have to climb up 1200 steps before you reach the Lion Rock Fortress on top of Sigiriya. There are several platforms that break up the steps and allow for a little break if you need it. Today, Sigiriya rock fortress is one of most famous Archeological Treasure and UNESCO named Sigiriya rock as a World Heritage in 1982 under the name “Ancient City of Sigiriya Sri Lanka”.
This fortified garden city of Sigiriya rock fortress is an exceptional master piece of ancient urban planning / landscape & architecture / construction technology /exceptional hydraulic engineering & management / ancient fine art with unique harmony between nature and human imagination and all these living examples proved that it was a Well Planned City & Palace in 5th Century AD. Sigiriya rock fortress is recognized as one of best preserved surviving ancient urban sites in Asia from 1st Millennium or simply it’s a Living Museum. Sigiriya World Heritage Site is versatile and many-faceted appeal and it is one of Sri Lanka’s ancient political capitals and Sri Lanka’s most sensational heritage site.
Historical research carried out at the site has brought to light evidence to show that origins of Sigiriya date back to pre-historic times. Situated at the base of Sigiriya rock of its eastern side, is a monadnock named Aligala (Elephant Rock). In a cave underneath this, excavation have revealed remains of pre-historic human settlements that existed here around 5500 years BC. In addition, there is evidence of human habitation in this area, as far back in history as 9th-10th Centuries BC.
In 3rd century BC a Buddhist monastery had been established at Sigiriya rock fortress. 30 cave-shelters with drip-ledges, which accommodate monks, have been identified at the base of the great rock so far. In eight of them, details of donations of cave shelters have been inscribed in Brahmi script. All the principal structures that are found today in Sigiriya, have been erected during reign of King Kasyapa (477-495 AD), who chose to make Sigiriya as his seat of administration. According to archaeologist Prof. Senerath Paranavithana, Sigiriya reflects the sensuousness of a pleasure-loving king, who modeled city on mythical Alakamanda of god Kuvera. Indian and Roman coins and pottery belonging to Sassanian dynasty of Persia (Iran) found in Sigiriya rock fortress as well as the affinity to Persian styles in the creation of pleasure gardens all indicate commercial and cultural relations with foreign countries during this brief period.
Subsequently however, in 6th-7th Centuries AD, Sigiriya ceased to be of political importance and once again became the abode of Buddhist monks. During this period, cave-shelters with drip-ledges which belonged to the earlier monastic phase were further improved. Additional shrines such as stupa, image house and bodhi tree shrine were constructed. This second phase of monastic development continued up to 12th-13th Centuries AD.
In the centuries that followed, Sigiriya was totally abandoned, until 19th Century AD, when it was used as n military out-post of the kings of Kandy. Later, it was a British military. officer, Jonathan Forbes in 1832, who once again brought Sigiriya out of its obscurity, back into historical focus. In 1894, under H.C.P. Bell the Archaeological Department commenced archaeological activities in Sigiriya. Nearly a century later, in 1982, Central Cultural Fund took over the task, which it continues with great success, to date.
#archaeohistories
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Archaeological Survey of India (@ASIGoI) posts, "During the ongoing conservation works by ASI at the Trimbakeshwar Temple, Nashik, a stone Shivalinga was discovered during the desilting of the temple’s historic water tank, locally known as Amrit Kund. The Shivalinga was found at the bottom of the tank while removing accumulated silt and debris. This remarkable discovery highlights how conservation efforts continue to reveal and preserve India’s rich cultural and sacred heritage."
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ब्रह्म मुहूर्त में बम बम भोले काशी विश्वनाथ पंचामृति अभिषेक आरती अद्भुत दर्शन
हर हर महादेव हर हर गंगे
Surela Chakraborty retweeted
She holds a manuscript.
Not a veil.
Not a pot.
Not a mirror.
A manuscript. 📜
Read that again.
This is not decoration.
This is documentation.
Before “women weren’t educated.”
Before “textual authority was male.”
Before colonial historians decided who was allowed to read, write, transmit.
Her body is fluid, unashamed.
Her posture is relaxed, confident.
And her hand?
Occupied with knowledge.
This is not symbolism invented later.
This is sculpture doing historiography.
Ask yourself:
If women were excluded from learning, why carve her with a text?
If literacy was rare, why make it central to her identity?
This image survived.
The narrative didn’t.
Victorian morality couldn’t process this.
So it was silenced, reframed, aestheticised.
“Just art.”
No.
Art is evidence.
She stands there calmly holding what power fears most:
memory. ✍🏽
And yes—
this is Indian.
Long before modern defensiveness.
Long before imported shame. 🔥
#UncropTheTruth
#Decolonisation
Surela Chakraborty retweeted
A tiny pair of feet, moving with infinite faith.🥰🥰
When innocence meets rhythm, it’s prayer in motion.
This is what bhakti looks like when it forgets age.
Surela Chakraborty retweeted
HONORING EXCELLENCE! 🙏
Join us as @IndicaOrg felicitates Dr. Meenakshi Jain @IndicMeenakshi on her esteemed nomination to Rajya Sabha!
🌟 A true embodiment of research, rigour, and civilizational pride.
📅 August 30, 2025 (TOMORROW)
🕔 4 PM IST
📍 IGNCA, Janpath Building, New Delhi
Let's celebrate the scholar who unearthed forgotten histories and inspires a new generation! 🎉
More Details about the event can be found in the next thread.
#IndicaFelicitates #MeenakshiJain #RajyaSabhaNomination #CivilizationalHonour #HistorianParExcellence @dimplekaul_in @SaamaanyaJ @Sai_swaroopa @nagaraj_paturi
@bharatgupt @yoginisd @gchikermane @ARanganathan72 @infinitchy @vipulkocher
Surela Chakraborty retweeted
✨ Happy Varamahalakshmi Vrata! ✨
May Goddess Mahalakshmi bless you and your family with
health, wealth, happiness, and endless prosperity.
May your home be filled with divine grace and abundance always. 🙏💛
I just published Makeup Hacks that Never Grow Old medium.com/p/makeup-hacks-th…
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New Release: Gods in Exile
A fictional response to a historical reality
What happens when deities are uprooted? When temples are destroyed, but memory remains?
Gods in Exile is a new anthology inspired by the groundbreaking work of Padma Shri @IndicMeenakshi
Surela Chakraborty retweeted
When the great Rajendra Chola sailed into the Indosphere 1000 years ago,it wasn’t conquest. It was civilisational expansion.
@IndicaOrg's Shared Roots:Tales From the Indosphere traces that dharmic legacy across Southeast Asia.
Temples, trade, Dharma.
A legacy worth reclaiming.
Tomorrow, 27th July will witness a very special programme to mark a thousand years of the maritime expedition of the great Rajendra Chola I to South East Asia and the commencement of the construction of the iconic Gangaikonda Cholapuram temple, a shining example of Chola architecture. It is our privilege that a commemorative coin honouring Rajendra Chola I is being released, also celebrating the Aadi Thiruvathirai festival.
Come be a part of history-
Everyone’s invited! Register now at indica.events/event/global-o… 🙏🏻
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The stories they never wanted Hindus to remember—now retold.
𝘎𝘰𝘥𝘴 𝘪𝘯 𝘌𝘹𝘪𝘭𝘦, curated by Avatans Kumar, is a powerful anthology of short stories inspired by the historical research of Meenakshi Jain’s Flight of Deities and Rebirth of Temples. Set against the backdrop of temple desecrations during Islamic conquests, these stories trace the Hindu response—acts of defiance, devotion, and cultural resilience that have long been ignored in mainstream narratives. The book honours those who protected, reclaimed, and rebuilt sacred spaces—offering a window into a civilisational trauma still carried in collective memory.
🎙️ Hear what Dr Meenakshi Jain has to say.
🔗 Order now: amzn.in/d/5ESVQQL
@IndicMeenakshi @avatans @IndicaOrg

































