Synthetic Color Schematics. They/Them https://xitter.cf/t.co/DsxAVjUEs4 https://xitter.cf/t.co/yWi7g6yFYF

Universe
Joined December 2020
Live Today Patch-bay Saints 4 new video works @fellowshiptrust An urban interior becomes a devotional machine: cables, stickers, and hand-me-down interfaces conscripted into a living index of use, repair, and residue. It maps a vernacular liturgy—maintenance as culture, boot cycles as memory, errors as folklore.
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Flow. Smear. Renew. Evolve.
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Anya Asano 🔮 retweeted
I was bored this afternoon so I guess I reinvented realtime datamoshing as shaders and feedback loops (again?). The trick to really selling it was incorporating the DCT residual color errors and a logic pass that tells the other passes what each macroblock should be doing.
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Frames. Feedback. Displacement. Decay.
🤖 Made with AI
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Capture. Offset. Blend. Recur.
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Sample. Blend. Recirculate. Repeat.
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Input. Delay. Accumulation. Decay.
🤖 Made with AI
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Source. Feedback. Recursion. Decay.
🤖 Made with AI
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GIF SUPPORT MACHINE 4 NEW GIFS OBJKT
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layering past frames
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impactful
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Lingering Cache by @ayenwhyay Found on @objktcom objkt.com/tokens/KT1FPa8TxB6… 4.2 XTZ I adore when I find a piece of artwork that when I see it, I think to myself "I don't know what I'm looking at, but I know I like it." Always a fan of the quirky, weird, bizarre especially when they are engaging. I wish I had something academic and clever to explain my interesting in this one, but it honestly feels better to just enjoy it and not try to deconstruct.
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NEW ACQUISITION🫂 The Getty Museum in LA has acquired: Daughter on the USA-Mexico Border Wall, at Friendship Park, California. 2017 Mother on the Mexico-USA Border Wall, Friendship Park, Playas de Tijuana, Mexico. 2017 The acquisition was made possible by generous support of the collectors Paula Ely and Cesar Rueda. The acquisition was done via Kopeikin gallery with whom i’ve worked with the past 14 years. I’m forever grateful for their continued support to make this happen. These acquisitions help me pursue the creation of new work and protects the future appreciation of these art pieces and themes that are so very present in the bilateral relationship between Mexico and the USA. The works are currently exhibited in Madrid at Fundacion MAPFRE until this Sunday⤵️
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Anya Asano 🔮 retweeted
It's finally game time! Excited to announce the release of my latest generative artwork GAMERS, an interactive videogame that invites collectors to become players. 12pm ET, August 14, 2026 Art Blocks Studio More info ↓
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Anya Asano 🔮 retweeted
Since February I’ve been building a studio that runs like a machine: rooms, rules, and a crew of agents that argue a question until a decision is reached. It brings together video compression, weaving and cybernetic in a new format. RAG are the glyphs of this new era..
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Anya Asano 🔮 retweeted
error.exe
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Baryonic Shimmer
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The Professional Managerial Class has a message for you
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forecast loops group exhibition opening today at 1pm ET on @FellowshipAi and a bunch of us will be talking today at 12 noon 💗 x.com/i/spaces/1AKEmmrwRPgKL…
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Waiter bring me another Poutine, this one is crying. 🥲 (One of three Poutines I made for the RGBMTL Fundraiser, kicking off today 7/21 at 12 noon EST)
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‘dying is is not enough,’ site is live. you can view the whole goddamn thing now. every organ that’s poured from my body for the last year or so. the expanse of our existence distilled in 75 poems and pieces. feels special to be sharing it with you all. thank you.
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