Chandler Levack retweeted
Imagine you are a woman who has just committed wire fraud, you are married to the poncyest man in the world, you are going to federal prison in less than a month and some random man spends 3 excruciating, uninterrupted minutes explaining "who's on first" to you. In your own home
Chandler Levack retweeted
You Can NOS Everything
The highlight of tonight’s YOU CAN SEE EVERYTHING Q&A was @nathanfielder and @HertzBarry talking about The Fast and the Furious franchise.
Nathan and Barry’s favorite? FAST FIVE.
Lance went with Tokyo Drift.
Chandler Levack retweeted
the random woman who goes toe-to-toe with Conan, one of the great comedic riffers of all-time, in the final :30 of this is one of the most impressive things i've seen in a long time
Chandler Levack retweeted
this lady's awesome
nytimes.com/2026/10/22/arts/…
Chandler Levack retweeted
Always upsets me to hear an Irish actor do a british accent.
first clip of ayo edebiri in ‘clarissa’
her britsh accent is so good, and the filmography is just so beautiful, can’t wait to see this on the big screen <333
thank you @lecham1644 for the screen grab 🫶
Chandler Levack retweeted
It was funny when this Anne Carson poem got posted on here and people got mad at her because it didn't match their own experience of Saturday night as an adult
Chandler Levack retweeted
Latest newsletter is an extremely comprehensive interview with the brilliant Louise Weard (@weardjupiter) on Castration Movie, Computer Hearts, watching Poltergeist as a child, growing up online, seeing The Odyssey in front-row IMAX seats, and much more. Link in thread
Chandler Levack retweeted
Latest newsletter is an extremely comprehensive interview with the brilliant Louise Weard (@weardjupiter) on Castration Movie, Computer Hearts, watching Poltergeist as a child, growing up online, seeing The Odyssey in front-row IMAX seats, and much more. Link in thread
Chandler Levack retweeted
its not a supply issue; it's a lack of nerve and imagination on how to bring indie films to an audience that they may observe is out there, but don't understand how to reach without because they're still relying antiquated and frankly broken distribution models
Indie film has a strange new problem: Buyers are hungry, and audiences are showing up. There just aren’t enough movies to buy. Ashley Cullins talks to top dealmakers about what’s driving the shortage and what could fix it: mrf.lu/2dyqc
Chandler Levack retweeted
when you realize you have the same hair as javier bardem in "no country for old men"














































