jeran

I needed to move a sofa. I mentioned this to an American. He said, "You know anybody with a truck?" I did not know anybody with a truck. He looked at me with real concern. Not pity. Concern. The way you look at a man who has told you he does not have a name. "You gotta know somebody with a truck." I asked how one acquires such a person. He said, "You just do." This is the third time I have received that answer in this country. It is the answer to everything here. You just do. There is no process. There is only the eventual fact of having. He said, "Ask Kevin." I do not know a Kevin. He said Kevin like I should. He said it the way you say a shared uncle. I met Kevin four days later. Kevin owns a truck. Kevin does not own a truck for himself. Nobody owns a truck for themselves. Kevin owns a truck for a fifteen mile radius. Inside I said: THIS MAN HAS TAKEN A VOW. HE DID NOT ANNOUNCE IT. HE SIMPLY PURCHASED A BED AND ACCEPTED THE CONSEQUENCES. Kevin arrived on Saturday. He brought the truck. He also brought a second man. I had not asked for a second man. The second man's name is Tony. Tony came because Kevin came. Tony did not know me. Tony did not ask what we were moving. Tony brought gloves. They moved the sofa in eleven minutes. I offered them money. Both of them laughed at the same time, which felt rehearsed and was not. I asked what I owed them. Kevin said, "Buy the pizza." That is the price. That is the entire economy. The truck costs one pizza and the pizza is not negotiable and the pizza is also not expensive and everyone knows what size. Inside I said: THE FEE IS FIXED ACROSS THE ENTIRE NATION AND WAS SET BY NO ONE. We ate on the floor because the sofa was against the wall and none of us wanted to be the first to sit on it. Tony told me his daughter plays soccer. I asked if she is good. He said, "She's aggressive." I still think about that. Three weeks later, Kevin texted me. "You free Sunday? Helping Tony move a fridge." He did not ask if I wanted to. He informed me of a fridge. Inside I said: I HAVE BEEN CALLED UP. I DID NOT ENLIST. THE PAPERS WERE FILED ON MY BEHALF. I went. I moved the fridge. I have no truck. I contributed only arms. Afterward, a man I had never met asked me if I knew anybody with a truck. I said, "Yeah, I got a guy." I have a guy. I am somebody's guy now, too. Tony has told two people about me. He describes me as "the guy who's strong for his size." I have never been prouder of a sentence in my life.

when this happened to me i was getting comments that i mustve worn them too much or that my tabis were fake. the truth is, high price tags are no longer a signifier of quality. people would rather defend a company than accept that theyre being deceived

When I was younger I had a friend that went to Stanford but she transferred to a state school because she couldn’t tolerate not being the smartest person in the room I still think about that

This photograph was taken two days ago at the FBI Academy in Quantico and submitted to the NYT under the condition of anonymity. If a picture is usually worth a thousand words, this one is worth millions.

you can put objects anywhere

oh, it appears as if you have summoned me there are several reasons as to why: 1. macOS does not use hinting hinting is a technique to improve the sharpness of text on low-resolution screens and allow outline fonts to be rendered as bitmaps at a variety of sizes. it works by having fonts contain full-blown programs that instruct the renderer on what to do with outlines when rendering and where to place them on the pixel grid. this results in the shape of a glyph being altered so that it fits into the pixel grid, rather than the original shape of the glyph being maintained. while this can look acceptable (good, even) if a font is meticulously and manually hinted—an arduous process that can take literal years to do by hand and requires knowledge of some extremely arcane software—this is no longer nearly as much of a requirement with monochrome/bitmap rendering no longer being something you'd need to care about and screens being higher resolution on average. therefore, the norm for most new fonts is for them to just go through an auto-hinting process, perhaps with slight manual fixes where needed. this is typically Good Enough™, but… well, really, it's not. there are a handful of issues with this: glyphs will not render consistently at different sizes, stems may be aligned towards the incorrect pixel or aligned when they shouldn't be at all, and it generally will destroy the intended overall character of the font by significantly altering the shapes beyond recognition (something you could argue also holds true for manually hinted fonts, but often, the type designer will take this into account as part of the design itself in those cases). if you've ever noticed things like a font looking weirdly tall or short at specific sizes only, a font just looking nothing like it's advertised or like how it does at large sizes at all, glyphs like "E" having off-centre bars, "9" having a weirdly tiny or large bowl, or "g" having a small bowl that isn't aligned with the baseline, (crappy) hinting is to blame for all of those. what you're seeing is the renderer bending the glyph into the pixel grid in a way that is either Not Necessary or Not Correct. macOS, by simply ignoring these instructions, avoids all of these issues, which allows glyphs to look correct at the cost of looking softer and fuzzier. 2. Windows (usually) does not perform vertical anti-aliasing Windows has, generally speaking, two font renderers: DirectWrite (the New Good One) and GDI+ (the Old Terrible One). and generally, you are meant to perform anti-aliasing in both the vertical and horizontal direction for it to be Useful. ClearType in its original GDI+ implementation simply does not bother to anti-alias glyphs vertically at all—only horizontally—which results in glyphs like "s" and "a" ending up with a distinctly jagged appearance. they are literally only half-anti-aliased. DirectWrite is actually able to do vertical anti-aliasing, allowing these glyphs to look much smoother and more pleasant, but for some arsefucked reason that completely eclipses my understanding, it does not do so by default, and necessitates the use of a special flag. MacType can force this flag, and Firefox also has the ability to enable this flag in about:config, although of course, it is not enabled by default, resulting in markedly inferior rendering. 3. macOS does not use subpixel anti-aliasing subpixel rendering is an ancient technique dating back to when users began transitioning from CRTs to LCDs that aims to improve the horizontal resolution of text by taking advantage of the uniform horizontal RGB subpixel grid on LCDs. while it technically, to some extent, works, it brings about a LOT of complications: it cannot be trivially alpha-blended against dynamic backgrounds, it relies on a specific subpixel grid layout and native resolution, and it creates visible coloured fringing artefacts that may cause eyestrain for some (including myself), manifesting as text that doesn't look purely black, but rather black with a bunch of green and yellow crap around it. subpixel rendering is thus unsuitable for things like OLED screens (which all tend to have hilarious and made-up subpixel layouts for some reason) and setups that mix horizontal and rotated vertical monitors, which are actually quite common among enthusiasts. while there is arguably *some* merit to this technique, the benefits are simply are vastly outweighed by its drawbacks. Windows in most cases employs a very aggressive form of this (which I perceive to be rather abrasive and unpleasant to look at), while macOS sticks to basic greyscale anti-aliasing, which is far more reliable and does not result in unpleasantly fringed text. 4. macOS always uses fractional glyph positioning traditionally, font rendering had been done by rendering an atlas of glyphs once, and simply referring to it for each new glyph, with the position of the glyph being rounded to the nearest pixel. unfortunately, this is not sufficient in order to faithfully reproduce the spacing of glyphs as was intended by the type designer and as is encoded in the font, as kerning and spacing happens at a much, MUCH finer scale than even a high-DPI pixel, let alone a low-DPI pixel. rounding glyph positions to the nearest pixel therefore tends to result in inconsistent and off-pissing kerning that Doesn't Look Right. fractional glyph positioning addresses this by actually rendering glyphs individually in between pixels, so that the intended spacing and kerning that the type designer spent days carefully tuning can be reproduced accurately on-screen, even at small sizes. it is very easy to determine whether fractional glyph positioning is in use by typing one character in quick succession and seeing if all of them look the same or not: iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii if all of these look the same, then fractional glyph positioning is not used; if they look different, then it is. Windows's God-awful GDI+ renderer indeed does not use it, but macOS, as well as Windows's good DirectWrite renderer do use it. (thankfully, your browser most likely does use DirectWrite to render text, unless it is so old that it creaks upon being clicked on) 5. macOS performs intense stem darkening to compensate for gamma correction during the AA stage resulting in perceived thinner and lighter text due to simply not covering enough pixels, particularly on low-DPI screens, macOS's text renderer performs a rather noticeable amount of stem darkening, something that it confusingly refers to internally as "font smoothing". this simply expands the stems by a small amount in relation to pixel size, increasing their coverage of the pixel grid, which enhances the contrast and results in glyphs appearing darker. this allows text to remain easily readable even at small point sizes on low-resolution screens. if so desired, stem darkening can actually be disabled using a terminal command in macOS. in short: macOS treats fonts with respect and dignity, and Windows mercilessly beats and tortures them to death and throws their mangled, desecrated corpses by the roadside all while laughing about it

when TSMC engineers work from home:

they should sell tickets to us-east-1 like a tourist attraction like disneyworld

Folding clothes with $250 robot arms. I've added another motor to improve mobility and extend the reach. The CAD files and the code are public at: github.com/AlexanderKoch-Koc… (video at 2x speed)