
Machine translation research for big tech and big academia and director of the @aclanthology. Tweets here are mostly personal.
Baltimore, MD
Joined May 2010
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The harms of rent control are just so, so obvious to me. No counterargument I've encountered (many in the comments) has a good answer to how it isn't the case that this situation is going to be happening all over. It is a policy that does not seem to consider its own effects. (My wife and I paid over 2x this for a two bedroom in Berlin a decade ago)
I can't think my way out of my visceral revulsion to this.
It may be just a demo, but it's a demo that sounds human, and everything that is being said is therefore fabricated. But it's a fiction presented as the same kind of unfolding, deepening reality that a conversation with a person is. You ask for details, and they are provided. Here, the details are all fake. In real life, the kind of person who does this is dangerous.
I want to know when I'm talking to a computer. I can't claim that I have a *right* to know, any more than I have a right not to be lied to, but it's a social expectation that I'd like to continue.
I can't think of situations where allowing people to conceal that you are talking to a computer, or more generally that you are not talking to who you think you are, is a positive.
Put another way. xitter.cf/JustineBateman/status/…
Lol, why?
If your AI agents can do everything advertised, why not keep the voice fairly robotic? What is the reason to trying so hard to make these “voices” sound as human as possible?
Deception.
Any why would you want that?
So you can trick people into lowering their guard and letting you further into their lives that they otherwise would.
So you can cheat them.
I don't care about video games at all, but I do care about the institutional cultures that produce good work being destroyed, and this explanation resonates
xitter.cf/DanFriedman81/status/2…
BioWare is not, like, a guy. BioWare closing is not like Steven Spielberg or Quentin Tarantino getting fired or cancelled.
BioWare is a business entity that existed for 30 years. During that time people — including lead creatives who were responsible for the great games — came and went.
Some video game studios manage to maintain a culture and a sensibility around excellence and the key creatives either stick around for a long time or pass the reins to handpicked successors who share their values and preserve the culture and standards of the studios.
What has happened in the game industry over the last 15 years is that there came to be a widespread belief that the cultures that incubated excellent games were exclusionary racist, sexist, homophobic boys clubs that needed to change in order to welcome in different kinds of people.
Instead of hiring people who shared their values and sensibilities, the people at these game studios were pressured to push their workforces toward being 50% female while achieving racial equity. The staff of the studios changed dramatically, the cultures of the workplaces changed dramatically and the games changed dramatically.
The pandemic sent a lot of people into their homes to play video games, which seemed like it was going to drive an era of growth for the industry. At the same time, the new generation of gaming hardware required more detailed assets, more animation, and therefore more people to make these massive games.
So there was a huge hiring boom at the precise moment that there was an overarching focus of the demographics of the industry, which means that nearly every Western game studio’s workforce was completely transformed. Over 40% of games industry workers under the age of 25 identified as LGBT or nonbinary on recent surveys.
Additionally, some studios have had unique pressures that have driven a lot of turnover. At Rocksteady Games, for example, a lot of the people who made the Batman: Arkham trilogy were not interested in building the live service game Warner wanted, so most of the principals on those games left the studio during the production of “Suicide Squad: Kill the Justice League.”
The studio cannot pivot back to what used to be its strength at making single player titles after that failure because all the people who are responsible for the classic games are gone. They no longer have that strength. They no longer have the institutional capacity to make great games because great games are made by great people and the great people are gone. A similar thing happened to BioWare during “Anthem.”
They couldn’t just pivot back to making great “Dragon Age” or “Mass Effect” games after the failure of “Anthem” because too many people were gone and the culture had changed. They weren’t the same studio and they weren’t a great studio anymore.
The BioWare that was shuttered today is not the studio that made “Mass Effect 2” or “Knights of the Old Republic.” That studio hasn’t existed for many years. It was just the “Dragon Age: The Veilguard” studio.
The person behind the camera enjoys the power of abusing people who can't defend themselves. In this case, it is police officers, bound as they are by the law, but in other situations, it would be women and the elderly. Antagonizing behavior like this is low-status territorial marking, and is justly responded to with violence, but everything about our current system is oriented against that solution, which means that individuals like this thrive, colonizing and eroding the public sphere.
This is what you get when you so grossly over-course-correct from the policing methodologies that made NYC the safest big city in the world during the 1990s. The results spoke for themselves. Countless lives saved — vast majority were black and brown. Now we have this kind of blatant taunting, baiting, and disrespect.
Seriously, who would want to be a police officer today? To run towards the sound of the guns. To protect and serve. Then, be subjected to this garbage by a cretin, a mutt, who would never have pulled this before New York City became a haven for criminality and “resistance.” Well done, Democrat (and now, Socialist) Party mayors who felt (and feel) that the NYPD was/is “the problem.” What an utter disgrace.
Indeed, it is fantastic to see an org not just tepidly responding to a crisis way down its tail (with, say, a five first-author cap on submissions per cycle), but actively pushing back against abuse, to maintain high standards
It cannot be repeated often enough that hatred of leaf blowers is an aesthetic issue that unites people from across the political spectrum
Am I the only one who thinks it’s insane that we allow two stroke engine leaf blowers to operate in residential areas? Why do so many otherwise sensible people not recognize the extreme externality of that noise? On some of the most beautiful days of the year it’s practically impossible to be outside without exposure to 75-80db of droning noise.
Every six months or so in a fit of rashness I update my @wandrer_earth map which unearths new parking lots a local has been adding to Open Street Map. Not the most fun but it's a good excuse to get back out into the corners of the city (red=new, blue=done)
I'd never heard of Ziwe but was intrigued enough from the engaging previews that I watched this interview. I am still trying to understand the format. It's heavily edited and very odd—for example, the "COMING UP" style previews that are not actually previews but part of the interview? Her pregnant pauses bring to mind the journalist adage to sit there silently and let the interviewee do the talking and it works, but it's hard to know what's real since the video is so highly processed. She seems super smart and her questions and style and vibe were amusing but I can't figure out if she was actually going after him, or whether her aim was actually to help him out in the public sphere, say by helping to take the edge off his most obvious contradictions. It all has the feeling of a big shared performance that they were both in on.
Early on she notes that people have described Piker as the "Joe Rogan of the left", but he is obviously much more of a Trump. You can't help but admire him at some level for stating so plainly what he believes. The candor, his complete matter-of-factness about it, and his unwillingness to apologize at all for it, or even pretend his views are a big deal, is genuinely refreshing. The honesty also seems to work as a kind of shield. For all the terrible things he's said and for all his shallow incorrect beliefs, these statements won't change anything, because the people who like Piker like him *for* saying those things (I also think people are selective about which ones they believe he believes and filter much of it through an irony layer). It was interesting to see Ziwe herself note in passing that Piker reminds her of Trump, towards the end of the interview.
youtube.com/watch?v=jtk_-AJC…





















