Sound Designer in Copenhagen
Houston
Joined March 2009
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Snippet of a vehicle recording session for the upcoming danish feature film I sound designed, “Englemageren”. My buddy Nikolaj de Haan and I recorded this electric suv MG Marvel R. I usually like to layer on screen vehicle actions. Emf rec came from Priezor by @LOMlabel
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Meet Stefan Keller and his Subcontrabass flute. The instrument of "Hoff" the mosasaur from #AppleTV #PrehistoricPlanet
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@karatalve @BFCustomMusic @HansZimmer
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Scientists believe they may have discovered the "holy grail" in treating hearing loss
mixmag.net/read/scientists-m…
Peter Seeba retweeted
George Lucas giving advice that's still as relevant today as it was in 1983.
"You don't have to spend too much film time to create an environment. What they are doing is showing off..."
If you love RoTJ - check out our new book at jeditimeline.com
#jeditimeline
My current set up for grass in mah pit. Have to eq pretty harshly on the input to have the 400ish/200/100 fudge off. Works great though! Done 40/50 episodes with it and never had an issue!! 🚶♂️#foley #foleyfolk
Recorded my nagra IS for the old new crowd source. What a WASTE of money, but fun to look at and got some cool recordings with a geofone + cmit😂🤠 4 sale if ya want it….
Horrible sound toy in my studio. If ya want ill record it for you. Its good for gates, submarines and ear piercing grinds.
Frozen lake recorded with a pair of geofones from lom. from 2020ish, pretty cool!
youtu.be/cCDcQDx23Ks
Sound Design Breakdown - Synth Impacts for Scifi Crowdsource youtu.be/bT-Dt_6kt5M via @YouTube
Taken from the crowd source from mike o’connor and noah sitrin! Very tight
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My thoughts on this;
1) I think this is a setback for sound. In visual terms it is the equivalent of letting users control only the red color while leaving blue and green untouched. There goes color correction and everything the colorist did. If you're letting the user tweak the
Peter Seeba retweeted
Alternative idea: how about asking for an increased dialogue level mix as part of the deliverables of each and every movie? I prefer movies being mixed by the actual re-recording mixers and not by AI. I guess I’m a bit old fashioned.
Peter Seeba retweeted
i would like to hear some film/tv sound professionals weigh in on this! hollywoodreporter.com/tv/tv-…
Peter Seeba retweeted
I’m cutting BGs (a.k.a. backgrounds, ambiences, atmospheres) on a film right now and looked over some advice I got years ago from a veteran editor. I’ll share some of it with you all here 🔊🧵
#filmsound #filmaudio #soundeffects #fieldrecording #sounddesign