
A R T . Curator // โฏ The Lighthouse // ๐@tezospole // ๐ฑ @TeiaCommunity team. PFP: Pepoles: Daniel W. x POLE sutan.tez
Galicia
Joined May 2014
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๐ฅInfinite Ink x The Lighthouse: SPARK
โช๏ธArt on Tezos, Berlin.
We often think of digital art as something finished -a still image, a closed statement.
SPARK proposes something else: that art can remain open, waiting. That artwork and viewer complete each other.
๐Art on Tezos, Berlin (@artontezos_).
๐
Nov. 6-9th 2025,
w// the ARTISTS: A.L. Crego (@ALCrego_), Anna Malina (@annaxmalina), Bezmiar (@Bezmiar1), Ceren Su (@_Su_ceren), goldcat (@OriginalGoldCat), cemhah + Murphy James (@cemhah + @mvrphyjames), Kerim Safa (@kerimsafa).
The Lighthouse x Infinite Ink (@infiniteink_art).
powered by @tezos
I spend at least 14h/day at work and the law firm is going but now I'm in the stage of fighting a widow hiding funds,. We've discovered she's been accessing my dad's location to control him. She deleted her WhatsApp conv. w/ him the day after he died.
An IT expert recovered some
To simplify what's going on with me, my dad died and I've had to take over the law firm (among plenty other trouble).
๐ฅ โข sutan // ๐ retweeted
Pre-process:
Composition defined using photos and maps of the place where it was exhibited.
Prompt: Text in previous post of this thread.
67 outputs, 1 selected to start working.
-
'Panopticon' exhibition.
Lugo, Galicia, Spain.
Curated by @sutanz
11/2023
๐ฅ โข sutan // ๐ retweeted
๐จ Art on Tezos stayed a standout
โ @objktcom remained the leading NFT marketplace by active users (+3.7% QoQ) and launched @bootloader_art for long-form generative art
โ Art was centre stage at TezDev with a 360ยฐ art show featuring curated releases and logo remixes
โ @RGB_MTL raised 15,000 tez in under 20 minutes, the Tezos Foundation matched the proceeds to help power the third annual event
โ @bitforms presented a solo show of @zancan's works in New York
โ Tezos Foundation partnered with NXT Festival in Seville to present a series of works curated by @sutanz
โ @motus_art presented an interactive installation at Volumens Festival, powered by @editart_xyz and @tesserart_xyz
4/5 ๐งต
๐ฅ โข sutan // ๐ retweeted
ANNOUNCING โIMMORTALโ ๐ค๐ค๐ค๐ค
๐ฅณ๐ฅณ๐ฅณSUPERCHIEF EXHIBITION #1 for NFTMIAMI!!!๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ
FEATURING
NEW ARTWORK BY ARTISTS WE LOVE:
@ALCrego_
@ex_mortal_
@PERFECTL00P
@goo_vision
@davidvnun
@sabatobox
@plasm0
@Laprisamata1
@LaurenceFuller
@loackme_
@marieladinardo
@conejitud
@num1crush
@paperbuddha
@Peterthe_roman
@rebeccarosenft
@RedruMxART
@sutu_eats_flies
@VioletBondArt
@vnderworld
SALES GO LIVE ON DEC 1ST
OPENING PARTY IN SOUTH BEACH ON DEC 5TH
THE EXHIBITION WILL FEATURE:
1/1โs AS AUCTIONS
&
EDITION OF 10
(For this special exhibition, all editions will be listed at 200 Tez)
AND FYI
๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณFYI๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ
๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ๐ฅณ
WE ARE SO EXCITED, SO EXCITED, SO EXCITED, SO EXCITED TO ANNOUNCE:
โผ๏ธTHANKS TO THE SUPPORT OF @tezos & OUR GOOD FRIEND & SUPPORTER OF THE ARTS @sendrock โผ๏ธโผ๏ธโผ๏ธ
SUPERCHIEF HAS SECURED 20,000 TEZ TO PURCHASE HALF OF THE EDITIONS FROM THE ARTISTS IN THIS EXHIBITION๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ๐ฅ
LOVE TO SEE IT
WE WILL BUY ON DEC 1ST WHEN SALES GO LIVE
AND THEN
WE WILL RAFFLE THE EDITIONS OFF
DURING MIAMI ART BASEL WEEK
VIA RAFFLE TICKETS SOLD WITH OUR FRIENDS AT @rarible
WE WILL THEN
USE 100% OF RAFFLE TICKET SALES
TO BUY ARTWORK
FROM EMERGING ARTISTS
WHO WIN THE OPEN CALL
THAT WE LAUNCH TOMORROW
A NICE LITTLE FLYWHEEL!
๐ค๐ค๐ค๐ซ๐ซ๐ซ๐๐๐
Big big love to the team at @tezos @trilitech @objktcom @rarible @bitbaselart for all the support so far
And to @sendrock who has time & time again been simply an incredible supporter of the arts.
Feels good, man.
Letโs wrap the year out supporting the artists we love.
AND REMEMBER-
ONLY 5 EDITIONS AVAILABLE PER ARTIST, GET EM BEFORE THEY ARE GONE-
FEEL FREE TO DM AND IF YOU WANT TO CHIP IN TO SUPPORT THIS PROJECT.
SEE YOU ALL IN MIAMI๐๐
๐ซก๐ซก
(Event link below)
(Open Call will go live tomorrow with its own link)
(๐)
๐ฅ โข sutan // ๐ retweeted
A bit gloomy in here, so I thought Iโd share some art Iโve collected over a week.
@ALCrego_ manages to create an impressive variety of projects within his signature restrictive visual language. Iโve been thinking about this work for a long time, and Iโm happy itโs with me. ๐ค Thanks to @sutanz for helping (no, it wasnโt brokered by Eli โ shocking ๐).
๐ฅ โข sutan // ๐ retweeted
Art on Tezos Friday Recap ๐
โ @artontezos_ ร @NewtroArts Buenos Aires satellite event takes place tomorrow, Nov 22 - projections, CRTs, residency work from @BosqueGracias, and 150+ artists ๐
โ @SuperchiefNFT announced IMMORTAL exhibition for NFT Miami feat. 20 artists - going live via their objkt gallery! Stay tuned for the open call ๐
โ @ooeculture acquired 15 @TeleNFT teletext works presented at Art on Tezos: Berlin for their museum collection, preserving 78ร69px teletext art on-chain. ๐บ
โ @MadeInCuracao unveiled GALLERY EVO, a custom React + Vite app to navigate 2,000+ Tezos works with live data, dynamic grids, and neon UI. ๐ฅ๏ธ
โ @artontezos_ published recordings from the Berlin talks, featuring @quasimondo, @kevinabosch, @TerryBroad, @postanika, @akajesstucker, and @BorisEldagsen. ๐๏ธ
โ THE DAM SHOW by @RogerDickerman dropped a new episode with @aljaparis featuring Art on Tezos highlights. ๐ผ
โ @avant_galerieโs FROM SPAM TO SLOP exhibition in Paris has been extended until 22 November. More time to dive into meme, slop, and overload. ๐พ
โ @AugursNFTโs short film โRoberto Baggioโ won the Critics Prize at Lumen Film Festival in Rio de Janeiro. ๐ฌ
โ @TezosCommons announced Octoberโs Community Rewards winners and opened November nominations for #TezosCRP. ๐
โ This weekโs Artz Friday guest is @B_DWIL, known for glitching machines, sound, and mixed-media experiments. ๐ง Hosted by @YinYangYoeshi & @Crypt0nio.
โ @ZeroUnboundArtโs On-Chain Originals spotlight focused on illustrator @tornado_ilus and their fully on-chain worlds. โ๏ธ
โ @ForgetDali published a new objkt MAG piece on @ScorpDag, tracing a decade of GIF-a-day irreverence. ๐ฆ
โ @rare_viktor shared a thread on @accompartsโ Soft Error curation from Art on Tezos: Berlin, highlighting 21 artists in metamorphosis. ๐งช
Donโt Miss:
โ @AugursNFTโs Art Chain Report โ Episode 6, filmed at Art on Tezos: Berlin and starring @omgidrawedit as โThe Clueless Tourist.โ ๐ญ
โ People of Tezos S16 by @Pierreo01, with a new round of self-portraits from artists and collectors across the ecosystem. ๐ง
โ @editart_xyzโs gp44โgp45: "Brushstract" by @1Abstract_1 and "norMรกl raVe" by @nicoarbogast. ๐๏ธ
โ INFINITE REFILL by @petereburr via @objktone, expanding the ARIA ENGINE universe with internal wellness ads from a collapsing system. ๐งช
โ e/pi:/dermis by @p1xelfool via objktone, a performance-coded work exploring bodies, machines, and power through a dense pseudolanguage of forms. ๐งฌ
โ โWhat Happens on The Internet, Stays on The Internetโ by @JessMacAI via @artiegalerie, probing memory, image circulation, and digital afterlives. ๐โจ
โ @fakewhale_xyzโs ART MARKET feat. @macbethAI with new works like Desert Assembly and Forms in Waiting. ๐๏ธ
โ โStories of Coloursโ by @dominoart11, curated by @juujuumama via @itan_world, a new chapter focused on emotion and palette. ๐
Image: Nice & Cute by Scorpion Dagger
๐ฅ โข sutan // ๐ retweeted
i am a brick. i am solid. you cannot phase me. i can withstand the strongest psy ops and winds that come my way. i stand upon and uphold my fellow bricks.
๐ฅ โข sutan // ๐ retweeted
The value lies in the art, not in the sales.
Price โ Value
You're doing maths, not curating art.
So I took a look over some of our "leading Light" accounts in the crypto art space. I scrolled back a few weeks, a month or 2 maybe, on each of them, and you know what I saw?
Not a single post talking about the actual art.
Oh sure there were threads describing artists rises (as documented by their first and last sales). There were "get to know this artist" articles, which may as well have been a plot graph of past sales decorated by the odd platitude. Exclamations of the art worlds progress (as "proved" by Christies auctions) and even some celebrations of small artists (because they had been bought by a large "collector").
But none of these held any real comment on the art, none of them managed contemporary comparison, or made note of historical inspiration. None talked about the intersection of medium and message, not one of them talked about technical mastery, or how that proficiency came from part of the artists life. None of them sought to interpret the major topics the art works put forth, nor did they purport an explanation of their emotional impact beyond the most basic of statements.
Certainly none of them produced any content seeking to educate beyond this space, looking at the wealth of history that dwarfs all that our present is.
And all I could think was, why? Some of these people make more in a month than my entire writing team combined makes in a year, surely they can allocate the same time we do to researching and writing. Whilst I know that isnt an total 1-1 comparison, I do think its fair, we all have multiple jobs outside this, but we still find the time and energy to show up for the love of the damn thing. So it is mind boggling how ostensibly their online brand is Art curator/collector/CHAMPION, and yet this weakly disguised financial summary is the sum total of their contribution to the spaces art discussion and education.
It makes you wonder, if they truly care so deeply for this, why are they are unable to ever express it in a language that isn't financial. What would they do in a barter economy? Can they actually talk about art in emotion and history not numbers and charts? Or is this all just set dressing on the dollar? And perhaps the most important question is the one all those other questions create, should they really be the ones representing art on chain?
-
My thanks to @exchgART and @bonk_inu Art Master for doing more than just maths
cemhah + Murphy James, Broken Mirrors (Unreleased)
Presented by The Lighthouse and Infinite Ink for our curation SPARK๐ฅ, at Art on Tezos: Berlin.
๐ฅ โข sutan // ๐ retweeted
Why are we not having more conversations about the impact of Twitter on the art market here??
Artists are struggling to connect even with people we have followed for years, if the work is not seen it's not purchased.
Sure global art market factors are playing a part but I think we are underestimating the algo changes and the crisis of visibility on Twitter.




















