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I just need to get through this week and I can relax – me, incorrectly, every week for the past 20 years
“When the goal is feeling, novelty is the product. When the goal is doing, novelty is a tax.” jedbridges.com/notes/nothing…
Tom Creighton retweeted
it's really interesting to see how much your definition of being a 'designer' can change over the matter of a few months. we're in sink or swim folks, we're all balancing product-eng-design at once
Tom Creighton retweeted
"theyre called 'dashboards.' and they turn unstructured data into actionable insights about critical business functions"
Tom Creighton retweeted
I listened to the latest @syntaxfm podcast episode with @wesbos about the new Adobe clones and I have some thoughts
goodboy.ninja/blog/post/vibr…
Tom Creighton retweeted
I think when you’re overstimulated you should appear kind of grayed out and no one should be able to interact with you like a locked character in a video game
Tom Creighton retweeted
You can now explore our latest release, Sandor™, a typeface from tomorrow’s past.
atipofoundry.com/fonts/sando…
Tom Creighton retweeted
Launching the 💎 Timeless Typeface Family
One super family of Grotesk, Sans, Serif and Text, all variable with matching italics. Free to use.
We’ve been working on this for a couple years now, hope you enjoy them
Everyone deserves beautiful typography. timeless.co/type
Tom Creighton retweeted
There are brand new fonts in the Lettermatic catalog this morning.
Introducing Juncture: an industrial superfamily!
Link below. 🔠
Responses to this:
1. This is absolutely necessary noodling
2. This is a monstrous waste of time
Two things can be true
Tom Creighton retweeted
When I say the future of multi purpose robotics is in lovecraftian nightmare machines and not humanoid this is exactly the kind of thing I mean
That thing where hiring strategies have optimized on corners but edges or blurry centres are where the most interesting people are
🤖 Made with AI
It’s art’s job to make you work, not design. As art, this is an interesting riff on Vignelli’s Stendig. As design there’s no aha moment here, it’s just a frustratingly bad calendar.
WHEN DESIGN MAKES U WORK: I was staring at this calendar page by designer Umut Altıntaş for the June 2026, trying to understand it. And then when I finally did, it "clicked" in that great way a brilliant design manages to hit you when you’re least prepared for it.
In the consumer domain, we tend to not design with this advanced approach because it's not going to make sense to as many people as we may like. For that reason, it's the kind of design approach that foundation AI models will likely scratch their heads at, too.
This kind of work lives more in the world of “design science“ and the appreciation of extreme expressions of form. You can call them puzzles to a degree. But I like to think the word “puzzle“ just means “not immediately obvious unless you really work at it really hard.“
When I ask an expensive foundation model what it “sees“ the response is:
> The calendar does not place numbers into a grid. It allows the numbers to reveal the grid through their own pressure, rhythm and collision.
I thought this later interpretation by the model was closer to how I “see” it:
> The uncomfortable spacing is intentional. The numbers almost touch, and some appear to merge. For example, 9 10 11 12 13 14 can initially look like one long, malformed series of number 9 10 111 21 314.
But what I feel is obviously missing is the feeling I get when it “clicks“ in my brain. When I’ve solved the puzzle. And especially in a way knowing that the calendar design isn‘t practical for daily use, and so I didn’t have to solve the puzzle. I could have just looked at my smartphone screen to figure out what today is. But it‘s human to enjoy wasting time. But it didn’t feel wasted. I felt like I reinvigorated my visual puzzle-solving skills.
So when you consider what “design“ is, and you’re looking to improve in this space, I recommend that you don‘t spend too much time on looking at designs that are simply beautiful or clever. Look at ones that are difficult to understand.
Waste some time with them. You willl gain the kind of strength that will serve you well as we continue to barrel forward in this unusual era for creativity being challenged in this new machine age. —JM
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From the 2026 @Morisawa_JP Calendar Project
Me: Claude, use a git worktree for this new feature
Claude: Absolutely
Claude, 20 minutes later: oh fuck
Tom Creighton retweeted
companies with take-home design exercises are missing out on top talent (and frankly wasting their time)
the best designers aren’t desperate and won’t spend a weekend working on your feature request
more junior-mid folks might, but the quality won’t be there
- portfolio review
- xfn interview
- maybe a design jam
3h total. should be all you need.
























