Design engineer, founder, coffee liker. He/him.

Hamilton, Ontario
Joined February 2009
I just need to get through this week and I can relax – me, incorrectly, every week for the past 20 years
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Tom Creighton retweeted
it's really interesting to see how much your definition of being a 'designer' can change over the matter of a few months. we're in sink or swim folks, we're all balancing product-eng-design at once
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"theyre called 'dashboards.' and they turn unstructured data into actionable insights about critical business functions"
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I think when you’re overstimulated you should appear kind of grayed out and no one should be able to interact with you like a locked character in a video game
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Tom Creighton retweeted
You can now explore our latest release, Sandor™, a typeface from tomorrow’s past. atipofoundry.com/fonts/sando…
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Tom Creighton retweeted
Launching the 💎 Timeless Typeface Family One super family of Grotesk, Sans, Serif and Text, all variable with matching italics. Free to use. We’ve been working on this for a couple years now, hope you enjoy them Everyone deserves beautiful typography. timeless.co/type
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Tom Creighton retweeted
Frowg swarm
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Tom Creighton retweeted
a prototype is not a prd
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code is specified design is discovered so can't have the same approach to both, AI in both design and eng is not the same game
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There are brand new fonts in the Lettermatic catalog this morning. Introducing Juncture: an industrial superfamily! Link below. 🔠
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The flat/minimal web UI trend of the last decade has prepared us for this moment Like, this unironically looks modern/good to me
Need a better Spotify client that looks cool and uses 2GB less memory? Try Cliamp, inspired by Winamp. Beautiful little TUI.
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macOS but it's a GameCube controller
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Responses to this: 1. This is absolutely necessary noodling 2. This is a monstrous waste of time Two things can be true
New York Magazine by Susanna Hayward.
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Tom Creighton retweeted
my career trajectory in a short sentence
an idiot in motion goes further than a genius at rest
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Tom Creighton retweeted
When I say the future of multi purpose robotics is in lovecraftian nightmare machines and not humanoid this is exactly the kind of thing I mean
THIS THING COMING AT YOU Duke University had developed Argus, a 20-legged robot equipped with a camera on each leg, drawing inspiration from the visual system of the sea urchin.
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That thing where hiring strategies have optimized on corners but edges or blurry centres are where the most interesting people are
🤖 Made with AI
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It’s art’s job to make you work, not design. As art, this is an interesting riff on Vignelli’s Stendig. As design there’s no aha moment here, it’s just a frustratingly bad calendar.
WHEN DESIGN MAKES U WORK: I was staring at this calendar page by designer Umut Altıntaş for the June 2026, trying to understand it. And then when I finally did, it "clicked" in that great way a brilliant design manages to hit you when you’re least prepared for it. In the consumer domain, we tend to not design with this advanced approach because it's not going to make sense to as many people as we may like. For that reason, it's the kind of design approach that foundation AI models will likely scratch their heads at, too. This kind of work lives more in the world of “design science“ and the appreciation of extreme expressions of form. You can call them puzzles to a degree. But I like to think the word “puzzle“ just means “not immediately obvious unless you really work at it really hard.“ When I ask an expensive foundation model what it “sees“ the response is: > The calendar does not place numbers into a grid. It allows the numbers to reveal the grid through their own pressure, rhythm and collision. I thought this later interpretation by the model was closer to how I “see” it: > The uncomfortable spacing is intentional. The numbers almost touch, and some appear to merge. For example, 9 10 11 12 13 14 can initially look like one long, malformed series of number 9 10 111 21 314. But what I feel is obviously missing is the feeling I get when it “clicks“ in my brain. When I’ve solved the puzzle. And especially in a way knowing that the calendar design isn‘t practical for daily use, and so I didn’t have to solve the puzzle. I could have just looked at my smartphone screen to figure out what today is. But it‘s human to enjoy wasting time. But it didn’t feel wasted. I felt like I reinvigorated my visual puzzle-solving skills. So when you consider what “design“ is, and you’re looking to improve in this space, I recommend that you don‘t spend too much time on looking at designs that are simply beautiful or clever. Look at ones that are difficult to understand. Waste some time with them. You willl gain the kind of strength that will serve you well as we continue to barrel forward in this unusual era for creativity being challenged in this new machine age. —JM --- From the 2026 @Morisawa_JP Calendar Project
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Me: Claude, use a git worktree for this new feature Claude: Absolutely Claude, 20 minutes later: oh fuck
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Tom Creighton retweeted
companies with take-home design exercises are missing out on top talent (and frankly wasting their time) the best designers aren’t desperate and won’t spend a weekend working on your feature request more junior-mid folks might, but the quality won’t be there - portfolio review - xfn interview - maybe a design jam 3h total. should be all you need.
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