Un tipo atipico

Los Angeles, CA
Joined September 2020
Pre-Order Cubela Libre: Road to Revolution I today and check out the POV experience for Chapter 1 in the first comment. a.co/d/05UNRfkE
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Adrian E. Alvarez, Esq. retweeted
70 years ago to the day, October 28, 1956, a young man named Rolando Cubela murdered a man thinking it would lead to freedom when in fact it started the march towards communism and oppression that remains to this day. Cubela Libre is available today on Kindle. a.co/d/0j48Zk3M
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Adrian E. Alvarez, Esq. retweeted
A few thoughts on agentic video editing I’ve had over the last few days: 1. 99% of ads should be edited agentically now. If your editors are still editing in the timeline, they’re falling behind. I got a message from my senior VE saying that he’s putting out 5x edits/day now at the same quality he was before. 2. The conversation with video editors will be uncomfortable because the timeline is all they’ve ever known. Some will be hesitant and some will be fearful for their job. I think the best way to address this is head on. The tech is inevitable, but having taste is still going to be incredibly valuable to train and give feedback to agents. Those who have this will become more valuable, those who don’t will struggle. 3. Opus 5.5 can natively edit all of your ads without needing any MCPs or plugins. I’ve tried the alternatives and couldn’t find anything that was significantly better than doing everything inside of Claude. 4. Have your senior editor(s) build skills for each style of edit (e.g. mashups, UGC, AI animations…). You can build these by feeding 4-5 inspo edits to Claude and tell it to make a skill out of it. I prefer building lots of mini-skills to one big video editing skill, so that the context stays as relevant as possible. 5. Once you have a base skill (e.g. ugly ads edits), the best way to train it is through feedback loops. Have the skill re-edit the last 25 ads each senior edited then put them in an artifact, and have the senior VE give feedback on each. Keep doing this until the skill is refined and it understands what a good edit is. 6. If you do this, there’s no reason why you shouldn’t be able to make edits that need little/no feedback. Most of ours are approved after v1 or v2, sometimes v3. 7. Only A-player editors should be training the skills. 8. Re adoption in the team, the AI champion builds the v1. Then get out of the way. I’m not the best editor on my team, so my job is to build the harness that lets the best editors train the skills, not build the skills myself. 9. If you want to supercharge this process, have your top editors record their screen as they edit. Turn on Gmeet or loom and get them to narrate the reasoning behind their process. E.g. why they chose this cut, pacing or b-roll clip…this is all context that gets fed into your skills. 10. It takes time to build, train and refine these skills. You have to go through the dip to get out the other side. Budget time in for senior VEs to work on this - otherwise you’ll end up with skills that put out subpar edits and don’t save you much/any time. 11. Operate under the assumption that this is the worst video editing is ever going to be. Opus 5.5 can do most of our editing today…what will Opus 6/Fable 6 be able to do? The editing skills you build are only going to become more valuable as the tech evolves. I still don’t think people realise how big video editing being unblocked is. Things that I thought were 3-6 months away are now on the table. Will continue to share more as I learn. CRAZY, crazy times.
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Adrian E. Alvarez, Esq. retweeted
What was it like in Cuba in the 1950s? What if you could be there during some of the most pivotal times in Cuban and World history? Now you can. Introducing POV Experiences for Cubela Libre (@CubelaLibre), which lets you step into the shoes of the POV character for each chapter of the book (which comes out on Kindle tomorrow!) Check out our first experience for chapter 1 here and make sure to pre-order Cubela Libre: Road To Revolution Book I on Amazon today! By @YoAdrian305.
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Adrian E. Alvarez, Esq. retweeted
Day 7: Can I make a feature film with AI, while writing the screenplay in 50 days? #LATech Week, Editing, and My Sprint 1 Retro | #InstinctForSurvival Back from LA Tech Week with a Sprint 1 retro — what worked (loose script, good research, a simple fix beat a complex composite), what didn’t (the restaurant interior build, a rough explosion shot, a voice clone I’m not happy with), and what’s changing. Bottom line: 6 days for 4+ minutes won’t hit my deadline, so I’ll need to lean into agentic workflows to speed up. Please Like, share and subscribe to follow my journey 🙏 Also on youtube.com/@LisaRFoster #AIFilmmaking #IndieFilm #AIVideo #neuwave
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When I loved the Marlins
October 25, 2003: Josh Beckett throws a complete game shutout against the Yankees in Game 6 and the Marlins win the World Series.
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Adrian E. Alvarez, Esq. retweeted
This is crazy. 🎥 60 sec test Trailer made locally on our Imagination Studio on 1 Dgx spark. No internet or subscription needed. The videos, motion graphics, music, sfx, editing, color… all local via our open source studio and run via me on my iPhone. One Shot. 🤯🫢
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Adrian E. Alvarez, Esq. retweeted
They use 3D printers to make faces using technology that removed art jobs of animators who hand-sculpted every face. They used technology on Wildwood that replaces hundreds of jobs just by using digital cameras, sound and editing. It’s not a principle even Knight believes. We all want to use our technology and create a moral absolute out of where our mere taste drew a line. George Pal hand carved wooden figures in different states of animation instead of using poseable armatures covered in latex. He was not doing something morally better than Ray Harryhausen or Pixar… or Ai. This is yet another form of Pharisee self-righteousness. The judgement of Ai is not new, it draws on something very old.
“Wildwood” director Travis Knight calls AI an “amazing piece of technology” but says, “I’m not embracing it at all.” “I see technology as a tool, and we use technology at Laika. A pencil is technology, a paintbrush is technology, a 3D printer is technology. Technology is useful when you put it in the hands of people, when you put it in the hands of artists who can amplify their voice." “Technology is not useful when it takes the place of the artist, and that’s the concern with generative AI,” he continued. “It’s an amazing piece of technology, but the concern is that when it supplants the artist, then we have an issue because the computer cannot speak about humanity at all. It doesn’t know what it feels like.” variety.com/2026/film/column…
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Adrian E. Alvarez, Esq. retweeted
There’s a world of difference between user-authorized agents (Muse, Instinct, Grokbot, etc.) and true unauthorized/rogue agents that could constitute cyberattacks. Most of the activity described in the Axios story appears to be the former: customers sharing credentials with agents so they can take actions on their behalf. This may violate bank terms requiring humans to log in themselves, but these are in no way cyberattacks. The direction banks should go is to support user-directed agents. For example, Amex is an authorized connection in Muse, making it easy for users to grant, limit, and revoke access. Read-only permission levels are a sensible interim step. Several banks already support or are moving toward them. Full write access (with user credentials) is a different risk category and should be approached carefully. Frightening the public by blurring the line between user-authorized agentic behavior and cyberattacks is irresponsible.
SCOOP: Major U.S. banks are detecting unauthorized third-party AI agents inside customer accounts, including some attempting to take actions that appear to be independent of user instructions, sources told Axios. The findings have alarmed banking executives, who are racing to restrict access to their systems as AI moves at a velocity faster than financial institutions can respond, multiple industry and bank executives told Axios. Several banks are now preparing for worst-case and even “day after” scenarios, including how to rapidly secure or restore customer accounts if things go wrong, the people said. Several bank executives told Axios they're struggling to distinguish between human users and AI agents. One executive said banks also struggle to determine whether agents are authorized by customers or potentially operating without their permission, more akin to rogue agent behavior. Read my latest for Axios here: axios.com/2026/10/22/ai-agen…
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Adrian E. Alvarez, Esq. retweeted
The first thing to change will be terms of service and blocking these agents. Not because the value is low but because the risk is high. Banks will chose self preservation and risk mitigation. Then we will need to find a security and governance architecture that will get external auditors comfortable. These are the practical issues of human risk tolerance in AI diffusion that model capability can’t solve.
SCOOP: Major U.S. banks are detecting unauthorized third-party AI agents inside customer accounts, including some attempting to take actions that appear to be independent of user instructions, sources told Axios. The findings have alarmed banking executives, who are racing to restrict access to their systems as AI moves at a velocity faster than financial institutions can respond, multiple industry and bank executives told Axios. Several banks are now preparing for worst-case and even “day after” scenarios, including how to rapidly secure or restore customer accounts if things go wrong, the people said. Several bank executives told Axios they're struggling to distinguish between human users and AI agents. One executive said banks also struggle to determine whether agents are authorized by customers or potentially operating without their permission, more akin to rogue agent behavior. Read my latest for Axios here: axios.com/2026/10/22/ai-agen…
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Adrian E. Alvarez, Esq. retweeted
Who leads a nation out of the shadows when its history has been fractured between two shores? The new Cuba will not belong exclusively to the island or the diaspora—it will be forged by both those who stayed and endured, and those who left but never wanted to. Today’s debate sparked by CiberCuba over Alina Bárbara López Hernández’s analysis of who will lead Cuba’s transition exposes a fault line that is decades old. Excluding the forced exile from the island's future misunderstands the very DNA of Cuban resistance. No life embodies that torn reality more fiercely than Comandante Rolando Cubela Secades—student revolutionary, guerrilla commander, CIA asset AMLASH, political prisoner, and ultimately, an unwilling exile who never stopped bleeding for the homeland he was forced to leave behind. As we debate the architects of tomorrow’s transition, the ghosts of the 1950s are more relevant than ever. *Cubela Libre: Road to Revolution* (Book 1 of 4 in the *Road to Revolution* Arc) launches on Kindle on **10/28/2026**—the exact 70th anniversary of the assassination of Batista’s military intelligence chief Antonio Blanco Rico at the Montmartre cabaret, the explosive night where Chapter 1 begins before flashing back to the crucible between December 1951 and July 1953. Pre-order the Kindle edition today for $2.99 at amazon.com/dp/B0HNM6C9B3 and join @yoadrian305 and @latinosporpoder in uncovering the untold history. Read my full breakdown and explore the historical connections at the link below, and grab the first issue of the graphic novel version of *Cubela Libre: Road to Revolution* for free! 👇 Latest Dispatches: cubelalibre.com Pre-Order on Kindle ($2.99): amazon.com/dp/B0HNM6C9B3 News Source: news.google.com/rss/articles… #Cuba #RolandoCubela #CubelaLibre #HistoricalFiction #ColdWar #CubanRevolution #Geopolitics news.google.com/rss/articles…
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Book 1 of Cubela Libre is now available on Kindle pre-order. Comes out on 10/28. Order yours today for $2.99! 450 pages, 67 POV chapters of the pivotal time when Cuba fell to the dictatorship before the dictatorship. WItness the frighteningly similar atmosphere to today and see how history unfolded through the eyes of those who lived it. amazon.com/dp/B0HNM6C9B3
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Adrian E. Alvarez, Esq. retweeted
Mace Windu fell out of a window by Lil Vader 😂 (AI Ruins Everything)
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Adrian E. Alvarez, Esq. retweeted
Both Vicky Bakery and CAO Bakery have responded to the controversy surrounding Hakeem Jeffries and Eliott Rodriguez’s Miami visit. I appreciate both businesses addressing the community, and I encourage everyone to extend them grace. My intention was never to harm Cuban-American family businesses, but to raise important questions about the Democratic Party’s relationship with the DSA and the preservation of Miami’s Cuban exile legacy. We can hold people accountable without forgetting the sacrifices and hard work behind what they’ve built. Our grandparents lost their homeland. For many of us, all we inherited was its history. Let’s not forget it. 🇨🇺🇺🇸
Replying to @WhatJosueSays
McCarthy ended up with a ruined career and drank himself to death lol. And once again, calling Jeffries a communist or socialist is actually so funny because he’s the definition of a milquetoast liberal.
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Adrian E. Alvarez, Esq. retweeted
Replying to @darthramious
Yes… …the government IS responsible, It’s responsible for rent controls that make landlords stop building, permit systems so slow a cathedral got rebuilt faster than an apartment block, some of the highest tax burdens in the developed world, and an immigration policy that keeps adding demand to a housing supply the same government refuses to let grow, so when you say "blame the government," congratulations, you've just described the entire conservative platform, which is that the people who created the problem with regulations, taxes, and open-door policies should not be handed even more power to fix it, and the funniest part is that the "don't blame immigrants, blame the government" crowd never notices that immigration levels are set by the government, which means blaming immigration policy is blaming the government, so you don't actually disagree with us, you just agree with us yet are too ignorant to see it
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Adrian E. Alvarez, Esq. retweeted
There's a famous story from Art & Fear, also repeated in Atomic Habits: A ceramics teacher split his class in two. One half would be graded on quantity, by the pound of pots they made. The other half on quality: one perfect pot. The best pots all came from the quantity group. They made, failed, and learned. The group focused on perfecting one pot didn't learn as much. Quantity results in quality.
Replying to @mbirdini @JoshDaws
You can tell AI folks dont have any semblance of a foundation cause the first thing you should know is “quantity ≠ quality”.
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Adrian E. Alvarez, Esq. retweeted
This is real, not AI. I rarely drive anymore because my Tesla does it for me. @elonmusk literally solved self driving electric cars, resuable rockets, commercial space vehicles, human brain interface, satellite wifi, and is currently advancing progress on robotics/AI. He changed the society with his purchase and course correction of Twitter. He's Henry Ford, Thomas Edison, Steve Jobs, Bill Gates, and Tony Stark rolled into one. And he just made a flying rocket car. Anyone who says he's not a genius is definitely not a genius themselves. They're whatever the opposite of a genius is.
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Adrian E. Alvarez, Esq. retweeted
Ysabel is now back pedaling and made another video this morning. She obviously has no idea what’s going on and it’s for one reason and one important reason. She still is not going to Skid Row to see for herself.L what is going on. When I asked her office why she is not going, they said that she is busy.
NEW: U.S. Attorney @USAttyEssayli fires back at LA Councilmember @cd14losangeles Ysabel Jurado over her criticism of the Skid Row drug raid. “This councilwoman and LACAN are part of the problem in Skid Row,” Essayli tweeted. He says 28 people were charged in the federal drug case and more than 40 search warrants were served. “If the councilwoman disliked yesterday’s actions, she will be very displeased in the months ahead.”
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