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The Lacroix woman wasn't just in her own world, she ruled her whole galaxy.
Christian Lacroix F/W 2004 Haute Couture
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More and more I feel. They create an identity based patronage. The self importance that comes from it is a status symbol.
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Haider Ackermann's early work often goes ignored.
His S/S 2003 guest collection for talent incubator Ruffo Research was already showcasing his sharp tailoring and sensual draping.
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I WILL fight you over Versace F/W 2005.
2000s glamor in its purest form. Polished, aggressive, conceited.
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Another overlooked collection I have a soft spot for is Versace F/W 2010. The biker elements, the metallic bodycon pieces, the sliced asymmetrical panels - all exuded speed and energy.
Vogue's Sarah Mower was not impressed.
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I've always been skeptical of the worship around Raf Simons, but his work at Jil Sander remains seminal.
S/S 2012 remains the peak of his work there. He really captures the grace and clarity of minimalism in fashion.
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PERSISTENT industry chatter that LVMH is indeed in talks with Hedi Slimane to replace both Ghesquière and Pharrell at Louis Vuitton - with menswear, womenswear, beauty and jewellery potentially consolidated under his creative direction.
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Do y'all think the runway is still the best medium to showcase fashion?
Many brands still prefer presentations and lookbooks.
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Just a reminder that pre-Tom Ford Haider Ackermann was just as immaculate and tasteful.
Haider Ackermann F/W 2011
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I find myself thinking about this collection a lot. Flirty 1980s confidence. Hannah MacGibbon's contribution to Chloe is not appreciated enough.
Chloe F/W 2009
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An oft overlooked Prada collection, but one of my personal favorites, is F/W 2010. It's so quintessentially Prada. The 60s/Hitchcock references remind me of the dangerous intellectual charm of the Prada woman.
The large bustlines required them to cast Victoria's Secret models.
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Versace F/W 2006 is permanently ingrained into my psyche as one of the house's best bodies of work.
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Sarah Burton has the expertise, the narrative, the industry's goodwill, and the clientele, to pull off a successful independent atelier.




















































