Replying to @beyonceseyelid
I don't think anyone expected greatness from him either. He was also stubborn and uncompromising. But his architectural cutting laid some really good groundwork b
J.T. retweeted
I'll never stop repping for talented American designers.
I love Prabal Gurung's sensibility for reconciling military severity and feminity.
Militarized peplums, leather harnesses, hard tailoring, fluid silks.
If New York loses Zane Lii to another 'financially strained' European fashion house I will literally sue the EU.
Balenciaga's revival didn't begin with Ghesquière.
Josephus Thimister's years there already brought the house's architectural language back into fashion
And when he was fired, the owner wanted Helmut Lang or Yohji Yamamoto. Ghesquière was only hired as a one-season stopgap.
J.T. retweeted
The Lacroix woman wasn't just in her own world, she ruled her whole galaxy.
Christian Lacroix F/W 2004 Haute Couture
Galliano's breakthrough F/W 1994 collection really showcases how immaculate and decadent his work is.
but the number of personal favors needed from wealthy patrons to make it happen really makes u wonder if that kind of patronage could be more proactive in 2026
For decades no fashion house would even touch Mariah because she was seen as too kitschy.
Now Gucci has an entire Butterfly collection celebrating her aesthetic.
The thing fashion used to sneer at has become its lifeline. Mariah got the last laugh.
Mariah Carey is decked out in Gucci and ready for Christmas in a new campaign. Watch it here.
wmagazine.com/fashion/best-h…
J.T. retweeted
More and more I feel. They create an identity based patronage. The self importance that comes from it is a status symbol.
The Lacroix woman wasn't just in her own world, she ruled her whole galaxy.
Christian Lacroix F/W 2004 Haute Couture





































