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My fall tour for ON MORRISON starts this week, with a keynote for the New York Black and African Literature Festival at 6pm at the Harlem Stage Gatehouse (links below and on my website). Join us!
Namwali retweeted
Malawian guitarist Daniel Kachamba plays his composition “Zotsala Kumanda” at a film institute in Göttingen, Germany in 1972
📽️: @african_guitar
Been calling this The Great Malaise. Was kind of hoping it was just me.
These last six months feel like some kind of breathless void in the discourse.
Most of the sharpest thinkers I know of appear to be on some kind of hiatus, or are depressed, or took a job somewhere, or are doing some kind of religious hermetic thing. Many are "going through the motions" and privately admit they are losing their direction.
If you look at each person's life trajectory and whatever appears to have diminished their output as writers, artists, thinkers and so on, it all seems just personal on the surface: but I suspect it may actually be a broader kind of 'exhaustion'. Their personal difficulties in their work seem only to be manifestations of a much wider cultural exhaustion.
We appear to be in a transitional era that goes on forever. Many have attempted to keep track of or to influence the general direction that culture is going in, and appeared to be doing so fairly well for a while. But by now, everyone who has attempted that task has been humbled deeply by a series of vague and inscrutable cultural shifts that have snuck in with quiet haste. The result has been total discombobulation and a wearying sense of empty instability.
Nobody knows what is next, and nobody appears to be in a strong position to shape what comes next either. Our compasses are failing us. Meanwhile the publishing industry continues its spectacular death, reading itself is collapsing, and even the anthropological realities of what it means to be human are now in question.
We've felt the "something's gotta give" feeling for so long that we are now numb, and any attempt at saying what will or could or might "give" now feels pointless. Building niche sideline underground IRL projects feels extraordinarily distant. Deep traditional religion appeals, but its logical endpoint is for each of us to shut up, withdraw, and embrace a life of silent devotion.
And above all -- spectacle is now boring, redundant; the wider culture is tired of LOOKING and clicking and subscribing and so on. Writers are tired of marching to the 24/7 tempo of that environment as well. Burnout is the chief export of this system -- for author and reader alike.
Whatever this is, it's clear to me that an era has very quietly ended and that whatever's "next" may not come at all, at least not for a long time yet.
Namwali retweeted
The literacy crisis isn’t that people can’t read the words. It’s that they can’t understand the context, infer meaning, recognise nuance, identify contradictions, or draw logical conclusions from what they’ve read
Tomorrow @wesleyan_u: Howard Dean Dana Williams, author of TONI AT RANDOM on Morrison's editorial work; Princeton Professor Autumn Womack, curator of SITES OF MEMORY and author of THE WANDERER on Morrison's arc as a writer; and me, author of ON MORRISON. Spread the word! Join us!
Namwali retweeted
There is a mountain of unworn clothes in the driest desert on earth, large enough to be photographed from space. It grows by 39,000 tons a year and almost none of it will ever rot.
The Atacama, in northern Chile, is a place where it may not rain for a decade. On its edge is a duty-free port called Iquique. Every year about 59,000 tons of clothing arrives there from Europe, America and Asia. It is last season's stock that never sold, and the bags people leave at charity shops.
Dealers pick through it for anything they can resell across South America. Two thirds of it is worthless. Nobody will pay to ship it back out, so lorries drive it into the desert at night and tip it.
The local landfill refuses to take it. The reason given is that the clothing does not biodegrade and is full of chemicals. Most of it is polyester, which is plastic, and in a place with no rain and no soil life it will lie there for centuries. Some of it is set alight, and the smoke drifts over a town of 100,000 people.
In 2025 a Chilean court ruled that the dumps had done serious damage to the land.
For most of history this could not have happened. Clothes were wool, linen and leather. They were worn out, handed down and patched, and at the very end a rag merchant paid for the scraps. In Yorkshire, from 1813, old woollens were shredded and spun into new cloth. Anything left went on the fields, where wool breaks down in months and feeds the grass.
Nobody ever had to find a desert for worn-out wool. We invented a fabric that cannot die, and then we started making it to be thrown away.
Namwali retweeted
Employers worldwide are pulling back on AI as they navigate a flood of errors and low-quality work that sap employee time, raise privacy and security risks, and drive up costs theguardian.com/technology/2…
Namwali retweeted
The bird is beautiful. The celebrity was right to want it. The artist was right to want to keep it . The store person was right to want to keep it. Everyone has been driven insane by a piece of beautiful art which is ideal.
I thought I'd already traced the long history and dismantled the terms of this "male" vs. "female" readers/ authors/ narrators/ characters debate in my @nybooks piece on gender and style. I suppose blunt forms of biological determinism are, uh, "sticky." nybooks.com/articles/2023/11…
Namwali retweeted
this video was made in 2018. kind of sad to watch this and see how many of these things are normal now
Honored and delighted to have had this conversation with Booker winner and again finalist, @MarlonJames5 Marlon James, hosted by @simplylovia Lovia Gyarkye for @HammerandHope. Link in comments!
It was such a pleasure to write this brief musing on the marvelous Ming Smith's photographic self-portraits... and a pleasant surprise that my favorite publication @nybooks was open to placing it! (You can register with your email to read it for free.)
nybooks.com/online/2026/10/0…
An excerpt from the forthcoming book of her color photography, IN THE PRESENCE OF SPIRIT: dashwoodbooks.com/pages/book…
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“Un violento anhelo de felicidad”
Fue la mejor pancarta que vi en la manif de hoy.


























