Executive Producer | Motion Picture Don | Showrunner | Film Financier🇿🇼🇿🇦🇺🇸
Joined July 2009
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Producer Trey Ncube retweeted
Kudala kwakunganje umhlaba uyaphenduka kwakubusa uMambo loMzilikazi #cab4 loading .
Woza la @LynneStactia
Producer Trey Ncube retweeted
A Zimbabwean Ndebele chief from Nkayi, Chief Dakamela received a virgin royal wife as a gift from the Ndebele Manala-Mgibe Royal Family of Mpumalanga province in South Africa.
Producer Trey Ncube retweeted
🚨 I just learned about a concept, I can't stop thinking about.
The Four Burner Theory.
It destroyed Elon Musk's first marriage.
It explains why Bezos is jacked but divorced.
And why Zuckerberg has no real friends.
Once you understand it, your life will never be same:🧵
Producer Trey Ncube retweeted
First guy to interview me on radio and first radio station to give me a shot @SkyzMetroFM cc @treyncube #RIP #BabongileSkhonjwa I will post the interview up soon 🙏💗
Producer Trey Ncube retweeted
SuCooked would never do you like that 🥹
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Producer Trey Ncube retweeted
If you don’t know what okes are up to while you’re asleep, don’t compete with them. 🤞🏾💡
Producer Trey Ncube retweeted
The irony/paradox of the film business is that the biggest breakout hits are the ones that experience the most friction getting to market.
When I finally got 300 greenlit, HBO labeled it an animated film, which negated WB’s contractual output to them. They exercised their obscure contractual right to make sure they weren’t ’stuck with it’.
THE HANGOVER faced similar internal rejections.
HARRY POTTER couldn’t find a publisher.
GRAVITY could not find a co-fi partner even weeks before release.
All of these films were breakouts. In part, this was due to their uniqueness.
The point is - the great paradox of the film business is that great value is only created with new fresh films.
The newness and the freshness of those films make them hard to get through the system.
The thing that makes them valuable is directly proportional to thing that makes the system resist them.
Push through - the juice is worth the squeeze.
Producer Trey Ncube retweeted
It is so important to date your preference to be with someone you’re truly attracted to. Because when you settle, you end up projecting your disappointment onto someone who didn’t deserve it
