Media ecology, semiotics (not the French kind), intellectual history, other various nonsense. https://teapawt.org/t.co/xDtglVk4q0
Annwn
Joined September 2017
- Tweets32.7K
- Following448
- Followers4.9K
- Likes47.1K
Kerwin Fjøl retweeted
I think perhaps one of the most fascist things ever on tv is the Baby Sun from teleltubbies. A white baby floating in the sky shining brilliant aryan glow on the Teletubbies who represent the four pillars of good fascist governance. Noo-noo is obviously a stand in for ZOGery.
Kerwin Fjøl retweeted
one reason why i find the conversation about young people being so online, conducted by older people, so annoying is that it’s rewriting history. plenty of us tried to resist the iphone-ization of everything and were literally laughed at or pushed out of jobs / society ourselves.
Joe Rogan just sounded the alarm on the male loneliness epidemic.
“How many young men are virgins and have … no contact with women at all?”
“Online all day.”
“Watching porn.”
“Playing video games.”
“What kind of a future do these people have?”
“Is it going to be 70-year-old people, all alone at home, staring at a screen waiting to die?”
Mariana van Zeller: “It’s bad for young men right now.”
Rogan: “What are they going to do?”
“They don’t know what to do.”
“They’re just locked in these boxes at their homes and just being fed online information.”
“Young kids today have a very difficult time looking people in the eye.”
“They’re so used to doing everything online.”
Zeller: “There’s really no space for community.”
“It’s sad.”
Rogan: “What are we doing?”
@joerogan @MarianaVZ
Kerwin Fjøl retweeted
Immersing myself more and more into Paul Hindemith and his musical world. This guy should come into fashion once more as one of the major figures who gave a proper answer to the Second Viennese School with their hyper-intellectual nonsense.
youtu.be/G5EoRR3-YRc?si=4iT1…
![Paul Hindemith - Concerto for Woodwinds, Harp and Orchestra [With score]](https://pbs.twimg.com/card_img/2115858826654052354/oKLsm81y?format=jpg&name=800x419)
Kerwin Fjøl retweeted
Much of the late imperial Roman satire and doom writing focuses on the pervasive obsession with games of chance, even among the "aristocracy"
Gambling is an ancient Indo-European tradition attested among many Bronze Age cultures from the Greeks to the Aryans.
It requires a bold and daring acceptance of fate, which is admirable. Of course, gambling addicts are pathetic and those who profit from the misery of others are hardly exemplary. I am sure many bookies are evil. But any decent society must allow gentlemen to enjoy risk, regardless of the consequences.
Kerwin Fjøl retweeted
The most important task now is the destruction of the pseudoscience of economics. It does not need to be replaced, since there is nothing of value within it. We must make it so it’s as if economics never existed and nobody ever had an economic thought.
Kerwin Fjøl retweeted
"Man will continue to invent technologies outside of himself until he either destroys the world or realizes that everything he's created is an inferior copy of the technologies that exist within himself. The question is: which will come first?" - Rudolf Steiner
Kerwin Fjøl retweeted
My new comic: Command Imperium. Coming soon in DREGS! Magazine! Support the Kickstarter. 2 days left! Link below.
Kerwin Fjøl retweeted
As a lifelong Francophile, I say France no longer has any future as a sovereign nation. 3 choices are left: (1) Another Nazi occupation; (2) American occupation (maybe no different from incorporation into a 4th Reich); (3) Iranian (Aryan) occupation. No 'liberation' ever again.
Kerwin Fjøl retweeted
Hiya yeah so - why did you steal my identity for something I 100% did not consent to? 🥴
This quoted post is unavailable.
Kerwin Fjøl retweeted
Wow, and look, they even have his band Kyōakukyōjindan on YouTube! Wow!!!
youtu.be/YGD1WqTngBs?si=82Ku…
Kerwin Fjøl retweeted
#NowPlaying Another previously unreleased Don Cherry set coming our way, and I might dig it even more: Don Cherry, Leon Thomas, and sitar and tabla player Collin Walcott in their only documented performance together at Pease Auditorium in Ypsilanti, Michigan in 1977.
